Surely you’ll find the exact leroy neiman horse racing you’re seeking on 1stDibs — we’ve got a vast assortment for sale. Find
Impressionist versions now, or shop for
Impressionist creations for a more modern example of these cherished works. If you’re looking for a leroy neiman horse racing from a specific time period, our collection is diverse and broad-ranging, and you’ll find at least one that dates back to the 20th Century while another version may have been produced as recently as the 21st Century. When looking for the right leroy neiman horse racing for your space, you can search on 1stDibs by color — popular works were created in bold and neutral palettes with elements of
beige,
black,
brown and
blue. Frequently made by artists working in
paint,
screen print and
ink, these artworks are unique and have attracted attention over the years. A large leroy neiman horse racing can be an attractive addition to some spaces, while smaller examples are available — approximately spanning 9 high and 5 wide — and may be better suited to a more modest living area.
A leroy neiman horse racing can differ in price owing to various characteristics — the average selling price for items in our inventory is $5,395, while the lowest priced sells for $1,995 and the highest can go for as much as $23,895.
LeRoy Neiman, born LeRoy Runquist, is best known for his vibrantly colored paintings and screen prints, which draw on Impressionism and Pop Art and frequently feature portraits of athletes and musicians as well as depictions of sporting events. He is renowned for creating art during live coverage of the Olympics and other major American and international sports competitions. He once commented, “I use (bold) color to emphasize the scent, the spirit, and the feeling of the thing I’ve experienced.”
Born in Saint Paul, Minnesota, Neiman showed an early aptitude for drawing. After returning home from WWII, he studied at the Saint Paul School of Art and the School of the Art Institute of Chicago (SAIC), where his classmates included Robert Indiana and Leon Golub. Upon graduation in 1950, he began teaching at SAIC.
In 1953, his oil painting Idle Boats won first prize at the Twin City Show, where the Minneapolis Art Institute purchased it. Neiman’s reputation quickly grew, and museums such as the Carnegie Pittsburgh International Exhibition of Contemporary Painting, the Art Institute of Chicago and the Corcoran Gallery of Art in Washington purchased his works.
In 1954, Neiman’s famous association with Playboy magazine began to take shape. Hugh Hefner commissioned Neiman to create an illustration for this fledgling magazine, and his piece won the 1954 Chicago Art Directors Award. This led to a relationship with Playboy that lasted five decades and included Neiman writing and illustrating the “Man at His Leisure” section and the creation of the well-known “Femlin” — a female nymph wearing only opera gloves, stockings and high heels — which appeared on the “Party Jokes” page in every issue since 1955.
In 1970, the 5th Dimension commissioned Neiman to create a cover illustration for the pop group’s album Portrait. In 1994, he created the illustration used for the playbill and the immense Broadway mural for the musical Busker Alley. He was inducted as a Laureate of The Lincoln Academy of Illinois and awarded the highest honor of the state of Illinois, the Order of Lincoln, in 2009.
Today, you can find Neiman’s works in the collections of the Smithsonian American Art Museum in Washington, the Art Institute of Chicago, and the Indianapolis Museum of Art (Newfields), among others.
On 1stDibs, find LeRoy Neiman prints, drawings, paintings and more.
In the revolutionary wake of Impressionism, artists like Vincent van Gogh, Georges Seurat, Paul Cézanne and Paul Gauguin advanced the style further while firmly rejecting its limitations. Although the artists now associated with Postimpressionist art did not work as part of a group, they collectively employed an approach to expressing moments in time that was even more abstract than that of the Impressionists, and they shared an interest in moving away from naturalistic depictions to more subjective uses of vivid colors and light in their paintings.
The eighth and final Impressionist exhibition was held in Paris in 1886, and Postimpressionism — also spelled Post-Impressionism — is usually dated between then and 1905. The term “Postimpressionism” was coined by British curator and art critic Roger Fry in 1910 at the “Manet and the Postimpressionists” exhibition in London that connected their practices to the pioneering modernist art of Édouard Manet. Many Postimpressionist artists — most of whom lived in France — utilized thickly applied, vibrant pigments that emphasized the brushstrokes on the canvas.
The Postimpressionist movement’s iconic works of art include van Gogh’s The Starry Night (1889) and Seurat’s A Sunday on La Grande Jatte (1884). Seurat’s approach reflected the experimental spirit of Postimpressionism, as he used Pointillist dots of color that were mixed by the eye of the viewer rather than the hand of the artist. Van Gogh, meanwhile, often based his paintings on observation, yet instilled them with an emotional and personal perspective in which colors and forms did not mirror reality. Alongside Mary Cassatt, Cézanne, Henri Matisse and Gauguin, the Dutch painter was a pupil of Camille Pissarro, the groundbreaking Impressionist artist who boldly organized the first independent painting exhibitions in late-19th-century Paris.
The boundary-expanding work of the Postimpressionist painters, which focused on real-life subject matter and featured a prioritization of geometric forms, would inspire the Nabis, German Expressionism, Cubism and other modern art movements to continue to explore abstraction and challenge expectations for art.
Find a collection of original Postimpressionist paintings, mixed media, prints and other art on 1stDibs.
