Leyendecker Oil Painting

Medium: Oil on Canvas Signature: Unsigned The finished painting of this illustration was featured

Medium: Oil on Canvas Signature: Unsigned Sight Size 20.50" x 17.00", Framed 25.00" x 21.50" A

Howard Watch ad illustration. Born in Germany, Francis Xavier Leyendecker was very competent

Signed Lower Right by Artist Collier's Illustrated Weekly Cover, October 25, 1902

on the cover Michael Schau, J.C. Leyendecker, New Y ork, 1974, p. 165, illustrated Susan E. Meyer

For the final published composition, Leyendecker painted the artist as a young man. Artwork

Weekly magazine cover, June 9, 1906 LITERATURE: L.S. Cutler and J.G. Cutler, J.C. Leyendecker, American

; The Society of Illustrators, Americans Abroad: J.C. Leyendecker and the European Academic Influence on

Leyendecker completed more than a dozen paintings that were reproduced in all of the national periodicals. All

-1911 Kuppenheimer Style Book, Francis Xavier Leyendecker crafted a captivating cover depicting a

draftsmanship is also evident. Leyendecker worked from live models, not photographs, and executed detailed oil

Leyendecker’s Circus Bareback Rider (1932) is a standout example of his work for The Saturday Evening Post at

this painting, Leyendecker captured the essence of scouting, and it lives on as a timeless symbol of

Leyendecker uses his characteristic hatched brushstrokes to capture the energy and movement of a father

Medium: Oil on Board Signature: Unsigned A study of a little girl. Joseph Christian Leyendecker

ill in bed and getting checked by a doctor as his concerned mother and dog look on. Leyendecker was

Joseph Christian Leyendecker’s illustrations and advertisements fueled a collective visual memory for the

Medium: Oil on Board Signature: Signed Middle Left Cover of Saturday Evening Post magazine (Easter

: L.S. Cutler and J.G. Cutler, J.C. Leyendecker, American Imagist, New York, 2008, p. 118, illustrated

prolific and sought-after artists of the Golden Age of Illustration, J.C. Leyendecker captivates the public

the model or the horse pictured in this painting. Leyendecker completed numerous sketches of Bubbling

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 29.25" x 21.00", Framed 44.00" x

. Leyendecker’s final painting, Trimming the Pie (1935, Private Collection), which was featured as the cover

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 20.75" x 40.00", Framed 30.75" x

The Saturday Evening Post is a brilliant example of Joseph Christian Leyendecker's technical prowess

Medium: Oil on Canvas Signature: Signed Middle Right Cover of The Saturday Evening Post, November

Leyendecker is recognized for his profound influence on American visual culture during the first three decades

Medium: Oil and Pencil on Canvas Signature: Unsigned During his over four decades as the

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 22.00" x 15.50", Framed 31.00" x

Signature: Signed Lower Left Medium: Oil on Canvas Saturday Evening Post Cover, September 18, 1920

Medium: Oil on Canvas Dimensions: 28.00" x 21.00;" Framed 36.00" x 29.00" Signature: Signed Lower

Medium: Oil on Canvas Signature: Signed Lower Right Literature: The Saturday Evening Post, October

Medium: Oil on Canvas Dimensions: 28.00" x 21.00" Signature: Unsigned Literature: The Saturday

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 28.00" x 24.00", Framed 30.00" x

Medium: Oil on Canvas Signature: Signed Lower Left The Saturday Evening Post unpublished cover

Medium: Oil on Canvas Signature: Signed Lower Left Styles for Men: The House of Kuppenheimer

. Signature: Signed Lower Right: F X Leyendecker Medium: Oil on Board Sight Size 18.75" x 24.75;" Framed 33.75

Medium: Oil on Board Signature: Signed Center Left Study for Saturday Evening Post Cover 'Who, Me

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 31.00" x 24.25;" Framed 37.00" x

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 24.00" x 19.00", Framed 32.50" x

Medium: Oil on Pencil on Paper Sight Size 22.00" x 17.50;" Framed 30.00" x 25.50" Signature

Medium: Oil on Canvas Signature: Signed Monogram Lower Left Sight Size 20.00" x 45.00", Framed

Medium: Oil on Canvas Signature: Signed Lower Right Magazine cover: Woman with hat boxes. Francis

Medium: Oil on Canvas Laid Down on Board Signature: Inscribed with Title (Lower Center) Joseph

Signed Lower Right Frank Leyendecker (1877/78 - 1924) An American illustrator. He worked with

Medium: Oil on Canvas Signature: Signed Lower Left In the 1890s and early 1900s, as J.C

Medium: Oil on Canvas Signature: Signed Lower Right Cover of The Saturday Evening Post, November 4

Medium: Oil on Canvas Signature: Signed Lower Right Illustration for the poem “The Radiant Christ

Medium: Oil on canvas Artwork Dimensions: 21.5 x 15.75 in. Framed Dimensions: 25 x 18.5 in.

Medium: Oil on Canvas Signature: Signed lower right: JC Leyendecker Living Mannequin sold at the

Medium: Oil Painting Signature: Signed Lower Right Sight Size 24.00" x 20.00", Framed 31.00" x

Medium: Oil on Canvas Signature: n/a Soldier's Pride was created as a component of Kuppenheimer's

Signed by Artist Lower Right Amoco Oil Advertisements

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 24.75" x 18.63", Framed 34.00" x

Signed by Artist Lower Right Collier's Illustrated Weekly Cover, October 25, 1902

Signed by Artist Lower Right Saturday Evening Post Cover, November 22, 1930

Medium: Oil on Canvas Signature: Signed Lower Right