Margiela 18k

Belgian designer Martin Margiela (b. 1957) — whose life, career, and designs for handbags, clothing and shoes have become cult-collector obsessions — pushed those who attended his shows outside their comfort zones. In the years following the 1988 debut of Maison Martin Margiela, he toyed with creative and aesthetic paradoxes that persist in fashion today.

Consider the Spring/Summer 2001 shirt patchworked from vintage clothing labels, or his famous corset dresses made from tailoring dummies, from his Fall/Winter 1997 line. Or his oversize collection for Fall/Winter 2000. In 1992, Margiela told Dépêche Mode magazine, “My clothes appeal to women of a certain mindset rather than of a specific age or physique.”

Born in Genk, Belgium, in 1957, Margiela knew he wanted to be a fashion designer after catching glimpses of Parisian fashion on TV as a child. Although his parents discouraged this career choice as an oddly funny aspiration, Margiela enrolled in the fashion program of the Royal Academy of Fine Arts Antwerp. There, he befriended and graduated a year ahead of the Antwerp Six — the acclaimed group of Belgian fashion designers comprising Dries Van Noten, Walter Van Beirendonck, Ann Demeulemeester, Marina Yee, Dirk Bikkembergs and Dirk Van Saene.

Like many of his contemporaries in the 1980s, Margiela understood Paris fashion but felt a deep resonance with the deconstructed beauty espoused by Japanese designers Yohji Yamamoto and Rei Kawakubo, of Comme des Garçons. Margiela’s fascination with Japan influenced many of his earliest collections and designs, from a dress pieced together from broken plates to his iconic Tabi boots, inspired by the split-toe Japanese worker’s shoe, which dates back to the 15th century.

Margiela decided to launch his own line while working for renowned Paris designer Jean Paul Gaultier. With Belgian designer Jenny Meirens, Margiela established Maison Martin Margiela in the French capital in 1988. 

Margiela’s debut show was nothing short of spectacular. Set in a packed Café de la Gare in the still-seedy Marais district, it was also scandalous to the Parisian fashion set of the time. The designer tore up the conventions of contemporary couture presentations, most notably having his models, plucked from the streets and wearing ink-blotted Tabis, wend their way through the crowd.

The show redefined the concept of the runway in a way that would later inspire such designers as Alexander McQueen and Demna Gvasalia.

While the notoriously private designer retired from fashion in 2009, for many Maison Martin Margiela collectors, his pieces capture the irreverence of the postwar, post-punk late 1980s and ’90s. Katy Rodriguez, cofounder of the cult vintage fashion shop Resurrection, is among those who felt a connection to Margiela’s clothing in the subliminal challenges it posed to the time’s beauty norms.

“Growing up in San Francisco and coming out of the end of punk rock, not wanting to be objectified, not wanting to be seen as a sexual object, not wanting your value to be just because you’re pretty — all those clothes played into all of that,” she says. “It really was a reflection of the kind of world the young people I knew at the time wanted to live in.”

John Galliano was named creative director at the house in 2014 and it rebranded as Maison Margiela in 2015.

Find vintage Maison Martin Margiela boots, evening dresses, jackets and more on 1stDibs.

There is no shortage of iconic bracelet designs out there: Cartier’s Love bracelet, the widely admired Panthère, the Croisillon bracelet crafted by Jean Schlumberger for Tiffany & Co., to name a few. And while you don’t necessarily need one of history’s most coveted versions of this accessory, you’re likely going to want at least a reliable collection of vintage cuff bracelets in your jewelry box.

Cuff bracelets are fashion staples. This stylish go-to — a rigid bracelet, open or outfitted with a clasp that snaps shut, understated and unadorned or enameled and flecked with gemstones — goes back thousands of years.

Cuffs were worn by Greek and Roman soldiers as they headed into battle as well as by the men and women of Ancient Egypt as statement-making jewelry. In ancient China, jade was considered the most precious of stones, and a jade cuff bracelet or bangle was associated with purity and goodness. Jewelers also employed jade, as well as coral and lapis lazuli, during the Art Deco period, finding inspiration in all kinds of influences and frequently working geometric motifs into their Art Deco cuff bracelets.

Today, people love how a bejeweled cuff bracelet elevates a simple jeans-and-T-shirt ensemble or that a minimalist one pairs with formal wear so well. Indeed, it’s a fine finishing touch whether you’re dining with friends in your neighborhood or pairing your silver or gold cuff with an elegant evening dress on the red carpet.

On 1stDibs, find a wide variety of vintage cuff bracelets today.