Constable John

His works have been likened to those of John Constable, Edward Seago, and Campbell Mellon, British painters whose styles were influenced by the Barbizon School and Impressionism.

Following in the tradition of John constable

His works have been likened to those of John Constable, , and Campbell Mellon, British painters whose styles were influenced by the Barbizon School and Impressionism.

His lush paint handling is often likened to the works of John Constable and John Singer Sargent. “There’s a few of us who still paint from life,” he’s said.

His works have been likened to those of John Constable, Edward Seago, and Campbell Mellon, British painters whose styles were influenced by the Barbizon school and Impressionism.

Lady Croft was also painted by Sir John Constable RA. Sir Thomas Lawrence was a PRA FRS (13 April 1769 – 7 January 1830) was a leading English portrait painter and the fourth preside...

His works have been likened to those of John Constable, Edward Seago, and Campbell Mellon, British painters whose styles were influenced by the Barbizon School and Impressionism.

His works have been likened to those of John Constable, Edward Seago, and Campbell Mellon, British painters whose styles were influenced by the Barbizon School and Impressionism.

He later became the expert on the great British landscape painter, John Constable. His mum is also an accomplished artist.

He later became the expert on the great British landscape painter, John Constable. His mum is also an accomplished artist.

He later became the expert on the great British landscape painter, John Constable. His mum is also an accomplished artist.

He later became the expert on the great British landscape painter, John Constable. His mum is also an accomplished artist.

He later became the expert on the great British landscape painter, John Constable. His mum is also an accomplished artist.

He later became the expert on the great British landscape painter, John Constable. His mum is also an accomplished artist.

He later became the expert on the great British landscape painter, John Constable. His mum is also an accomplished artist.

He later became the expert on the great British landscape painter, John Constable. His mum is also an accomplished artist.

He later became the expert on the great British landscape painter, John Constable. His mum is also an accomplished artist.

His works have been likened to those of John Constable, Edward Seago, and Campbell Mellon, British painters whose styles were influenced by the Barbizon School and Impressionism.

His works have been likened to those of John Constable, Edward Seago, and Campbell Mellon, British painters whose styles were influenced by the Barbizon School and Impressionism.

His works have been likened to those of John Constable, Edward Seago, and Campbell Mellon, British painters whose styles were influenced by the Barbizon School and Impressionism.

There is another vein to which the new paintings of Nahmad refer and it is that of Romanticism, in the strong idea that art should represent the sublime, not the beautiful. The skies...

His works have been likened to those of John Constable, Edward Seago, and Campbell Mellon, British painters whose styles were influenced by the Barbizon School and Impressionism.

His works have been likened to those of John Constable, Edward Seago, and Campbell Mellon, British painters whose styles were influenced by the Barbizon School and Impressionism.

Lee was certainly influenced by John Constable, continuing to paint idealized landscacpes of a rustic genre, despite the industrial revolution going on around him.

His style has also been compared to the idealistic landscapes of the 19th-century landscape painter John Constable. After a trip to Paris, Hoffer began to experiment with surface te...

It is light that is the main innovation of Gainsborough in the field of landscape, which opened the way to its further development up to Romanticism and the paintings of John Constab...

His style has also been compared to the idealistic landscapes of the 19th-century landscape painter John Constable. After a trip to Paris, Hoffer began to experiment with surface te...

His style sits firmly within the British Romantic landscape tradition, and shows the influence of his forebears Thomas Gainsborough, John Constable and J. W. M. Turner. Rowe was a ...

His style sits firmly within the British Romantic landscape tradition, and shows the influence of his forebears Thomas Gainsborough, John Constable and J. W. M. Turner. Rowe was a ...

His style sits firmly within the British Romantic landscape tradition, and shows the influence of his forebears Thomas Gainsborough, John Constable and J. W. M. Turner. Rowe was a ...

His style sits firmly within the British Romantic landscape tradition, and shows the influence of his forebears Thomas Gainsborough, John Constable and J. W. M. Turner. Rowe was a ...

His style sits firmly within the British Romantic landscape tradition, and shows the influence of his forebears Thomas Gainsborough, John Constable and J. W. M. Turner. Rowe was a ...

His works have been likened to those of John Constable, Edward Seago, and Campbell Mellon, British painters whose styles were influenced by the Barbizon school and Impressionism.

After visiting his homeland, Gay studied and was inspired by the paintings of John Constable in England and the work of the Barbizon painters in France.

After visiting his homeland, Gay studied and was inspired by the paintings of John Constable in England and the work of the Barbizon painters in France.

Works by William Turner and John Constable had an indelible effect on the young artist's career.

The Barbizon School, inspired by the example of the English painter John Constable, represented a return to nature and a firm rejection of what they saw as the dangers of oncoming in...

The circus, the stratus and the cumulus imposed themselves in the paintings of John Constable, Turner and raised the psychological drama of the isolated figures of Caspar David Fried...

The circus, the stratus and the cumulus imposed themselves in the paintings of John Constable, Turner and raised the psychological drama of the isolated figures of Caspar David Fried...

The circus, the stratus and the cumulus imposed themselves in the paintings of John Constable, Turner and raised the psychological drama of the isolated figures of Caspar David Fried...

The circus, the stratus and the cumulus imposed themselves in the paintings of John Constable, Turner and raised the psychological drama of the isolated figures of Caspar David Fried...

The circus, the stratus and the cumulus imposed themselves in the paintings of John Constable, Turner and raised the psychological drama of the isolated figures of Caspar David Fried...

The circus, the stratus and the cumulus imposed themselves in the paintings of John Constable, Turner and raised the psychological drama of the isolated figures of Caspar David Fried...

The circus, the stratus and the cumulus imposed themselves in the paintings of John Constable, Turner and raised the psychological drama of the isolated figures of Caspar David Fried...

The circus, the stratus and the cumulus imposed themselves in the paintings of John Constable, Turner and raised the psychological drama of the isolated figures of Caspar David Fried...

The circus, the stratus and the cumulus imposed themselves in the paintings of John Constable, Turner and raised the psychological drama of the isolated figures of Caspar David Fried...

The circus, the stratus and the cumulus imposed themselves in the paintings of John Constable, Turner and raised the psychological drama of the isolated figures of Caspar David Fried...

The circus, the stratus and the cumulus imposed themselves in the paintings of John Constable, Turner and raised the psychological drama of the isolated figures of Caspar David Fried...

Blakelock, Frederick Church, as well as England’s John Constable. Exacting and deliberate, often mysterious impressions of nature's disquieting, transitory presence, her works compri...

The Barbizon School, inspired by the example of the English painter John Constable, represented a return to nature and a firm rejection of what they saw as the dangers of oncoming in...

In other words, paintings of the 19th century would be considered “too recent” to be included in this category. Neither John Constable nor Eugène Delacroix would be classified as O...

In other words, paintings of the 19th century would be considered “too recent” to be included in this category.  Neither John Constable nor  Eugène Delacroix would be classified as O...

In other words, paintings of the 19th century would be considered “too recent” to be included in this category.  Neither John Constable nor  Eugène Delacroix would be classified as O...

Labels & Inscriptions: Old label attached to reverse ‘John Constable RA, Landscape & River Scene’, which corresponds to the 1914 auction catalogue.

They are both strong impressions in excellent condition Notes: Engraved by English artist David Lucas (1802-1881) after a painting by English artist John Constable (1776-1837). Come...

They are both strong impressions in excellent condition Notes: Engraved by English artist David Lucas (1802-1881) after a painting by English artist John Constable (1776-1837). Come...

A very fine portrait of a British military officer signed and dated Thomas Beach 1774 in the lower left. This oil on canvas is presented in a period gilt frame and is ready to hang. ...

A charming early 19th-century portrait depicting George Forster of Steel-Hall. The artist captures him in his best attire, wearing a fine silk necktie. Unsigned. Well presented in an...

George Turner 1843 – 1910 Titled on the reverse 'A Lane near Weston-on-Trent, Derbyshire' Signed and dated 1886 A Lane near Weston-on-Trent, Derbyshire Picture Size: 20 x 30" (50 x...

This mid 19th-century British rural landscape titled "Near Norwich" is by Victorian artist Edward Charles Williams (1807-1881). Against a backdrop of a windmill situated a little bey...

19th century English school Portrait of a young gentleman (a scholar?) in dress suit oil on canvas, framed framed: 21 x 19.5 inches canvas: 14 x 12 inches provenance: a Cotswold esta...

This mid 19th-century British rural landscape by Victorian artist Edward Charles Williams (1807–1881) depicts a shepherd, a young woman, sheep, and farmhands set against a traditiona...

Portrait of an English Gentleman English artist, 19th century oil on canvas, unframed Canvas: 30.5 x 25 inches Provenance: Private collection, England Condition: overall very good an...

18th century Bust portrait of a gentleman in a blue coat with gold buttons (Said to be Edmund Hoyle, inventor of Whist) oil on canvas circle of James Latham. Housed in a gilt frame t...

Antique American impressionist painting of kids in a park. Oil on canvas, circa 1920. Unsigned. Displayed in a giltwood frame. Image size, 18"L x 22"H.

Portrait of Lady Mary Burke, later Wife of Edward Southwell, 2lst Baron, three-quarter length seated, wearing Red Coat and Fur Robes, a Landscape beyond Signed Oil on canvas 55 x ...

Flemish 1600s School The Card Players oil on oak panel panel dimensions 22.5 x 20 cm frame included Provenance: From a Swedish private collection. Condition: Flat and stabl...

FINE ORIGINAL ANTIQUE 18th CENTURY BRITISH OIL PAINTING MAN O WAR IN HARBOUR Description Good Condition canvas but very old with some browning in places (see picture). Cleaned ,re-...

AUTHOR: DICKENS, Charles. TITLE: The Complete Works Of Charles Dickens. PUBLISHER: NY: Chas. Scribner's Sons, 1902. DESCRIPTION: 36 vols., 8-1/4" x 6", all illustrations after th...

The Madonna in Pensive Thought English 19th Century, Pre-Raphaelite artist, unsigned Oil painting on board, framed Framed: 15 x 10.5 inches Board: 13 x 9 inches Condition: The painti...

John Thomas Serres (1759-1825) Fisherfolk unloading the days catch Oil on canvas Canvas Size - 17 x 25 in Framed Size - 22 x 30 in John Thomas Serres, a luminary in the realm of mar...

This early 18th-century oil painting by an artist working in the circle of Nicolas De Largillière (1656-1746) depicts Frédéric III, Duke of Saxe-Gotha-Altenbourg (1699-1772), shown h...

Abraham Janssens (Antwerp, Belgium, 1573 - Amsterdam, the Netherlands, 1632) Title: The Gypsy Medium: Oil on canvas Dimensions: without frame 116 x 94 cm – with frame 148 x 122 cm No...

A three-quarter length portrait of Anne, Lady Russell, later Countess of Bedford (1615-1684), in a blue dress. Attributed to Sir Anthony Van Dyck.  Anne Carr, Lady Russell, an estee...

Austrian School, 18th Century A Portrait of a Gentleman, thought to be Moses Diego Lopez Pereira, 1st Baron d’Aguilar, in an elaborate coat and a powdered wig Oil on canvas Provena...

Distinguished portrait of King George III's daughter Sophia (1777-1848). Within a fine period frame possibly original. She wears a strand of coral beads around her neck and coiled ar...