Constable John

After John Constable (British, 1776-1837) Portrait of A Man, c. 1800 Oil on canvas 23 3/4 x 19 3/4 in.

Circle of John Constable (1776–1837) Landscape Oil on panel, 16 x 21 cm Unsigned Panel irregularly cut along the bottom.

John Hoyland For John Constable 1976 Lithograph with acrylic 70 x 96.5 cms (27 1/2 x 38 ins) JHE017 The ‘For John Constable’ series was commissioned and published by Bernard Jac...

Peter Blake For John Constable, 1976 Underneath Etching Etching on paper with photograph, tracing paper, postcard 65.8 x 49.8 cm 25.9 x 19.6 inches Widely regarded as the godfather ...

The painting is catalogued as British School, follower of John Constable, and clearly reflects the continuing appeal of Constable’s vision of the English countryside.

Edition of 100 46.4 x 67.3 cms (18 1/4 x 26 1/2 ins)

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...

Exhibition History: 'Christmas Exhibition', Bernard Jacobson Gallery, London, 1992; 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022 Literatu...

Housed in an ornate gilt frame, 40 inches by 35 inches and in good condition. John Constable, (1776-1837) RA was an English landscape painter in the Romantic tradition.

Painted around 1830-40 it has a beautiful free flowing style to it and encompasses everything typical to Victorian England. Signed John Constable bottom right. We offer free shipping...

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...

These qualities reflect the kind of vigorous and experimental handling increasingly associated with the circle of John Constable, where atmosphere, movement, and direct observation b...

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London ...

John Constable RA was an English Romantic landscape painter.

John Constable RA was an English Romantic landscape painter.

John Constable RA was an English Romantic landscape painter.

'East Bergholt' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836). East Bergholt House was the birthplace of Constable.

John Constable RA was an English Romantic landscape painter.

John Constable RA was an English Romantic landscape painter.

John Constable RA was an English Romantic landscape painter.

John Constable RA was an English Romantic landscape painter.

John Constable RA was an English Romantic landscape painter.

John Constable RA was an English Romantic landscape painter.

Oil on canvas painting of dog laying in the forest, inspired by the painting The Cornfield by John Constable

A Late 19th C Large Wool Work Picture Taken From John Constable's Painting This brilliant large scale hand-stitched woolwork tapestry framed panel is taken from the famous oil pai...

John Constable 1776 - 1837, was an English painter born in Suffolk and is known for his most famous landscapes of East Anglia.

Circle of John Constable (English, 1776-1837) A fine woodland sketch, with a figure ambling Oil on panel, unframed Dimensions: (Panel) 13 in.

Artist: English School, early 1800's, circle of John Constable (British 1776-1837) Title: The Woodland Path Medium: oil on canvas, framed, unsigned Size: 12 x 22 inches Picture: 9...

The Tate in London has a painting of nearby Great Yarmouth, which was painted by John Constable, which shows very similar rain clouds over the coastline, for comparison.

A timeless snapshot of a Suffolk landscape looking towards Stoke by Nayland, an area where John Constable would have painted a couple of centuries before.

He was a naturalist and a rival to the artist John Constable. He had a taste for Northern European art of the Renaissance, particularly Albrecht Dürer.

Watts lived in Hampstead from 1821, where John Constable (1776-1837) also lived, and some twenty-five years older, Constable was to have a marked influence on Watts’s style.

The artist's skilled rendering is reminiscent of the landscapes of John Constable -- Hoffer's use of red is an homage to the British painter who used the colour to represent man.

Crotch had met John Constable shortly after moving to London in 1805, and Constable was to make a drawing of the musician playing Mozart the following year.

He is described as “one of the most distinctive figures of eighteenth century Oxford”, and is recognised as having been an influence on later landscape artists, including John Consta...

Flatford Mill, located in the Dedham Vale Area of Outstanding Natural Beauty in Suffolk, is famous for its connection to the artist John Constable, who painted many of his best-known...

He was a naturalist and a rival to the artist John Constable. He had a taste for Northern European art of the Renaissance, particularly Albrecht Dürer.

Linnell was a naturalist and a rival to John Constable. He had a taste for Northern European art of the Renaissance, particularly Albrecht Dürer.

You can find a Hoppner hanging in the Frick Collection next to Sir Joshua Reynolds and John Constable and steps away from Rembrandt and Vermeer.

Apart from its endearing subject matter, this landscape is technically majestic and truly demonstrates why Linnell was perceived as a rival by John Constable. The leaves of the trees...

He was a naturalist and a rival to the artist John Constable. He had a taste for Northern European art of the Renaissance, particularly Albrecht Dürer.

The English School volume records Morgan’s admiration for British portraiture and landscape painting, including works by Thomas Gainsborough, Sir Joshua Reynolds, George Romney, John...

The work is very much in the Suffolk School taste, drawing clear influence from John Constable in its naturalistic handling of landscape, attention to atmosphere, and affectionate de...

Watts was one of the most sensitive followers of John Constable working in the mid-19th century. He trained at the Royal Academy Schools and exhibited regularly at the Academy and th...

Working primarily in oils, Watts combined careful observation with a softly romantic mood, placing him within the broader 19th-century British landscape tradition shaped by artists s...

Pressten,” pointing to a hand clearly informed by the enduring influence of John Constable and his vision of the Yorkshire countryside.

Watts lived in Hampstead from 1821, where John Constable (1776-1837) also lived, and, some twenty-five years older, was to have a marked influence on Watts’s style.

George Vicat Cole was one of the most eminent and successful English landscape painters in the second half of the 19th century, considered by many to be the heir to John Constable an...

Condition: Excellent Image size: 5 x 6 5/8 inches Sheet size: 6 7/8 x 10 1/2 inches Reference: Melot 3 published state THÉODORE ROUSSEAU Paris 1812 – 1867 Barbizon Rousseau rejecte...

Stylistically, the work aligns with the English landscape tradition of the 19th century, drawing upon influences associated with artists such as John Constable and Thomas Gainsboroug...

Title: Flatford Mill Suffolk Landscape with Figures and Thatched Cottage Watercolour By Tony Herbert (1927-2024) Inscribed verso: “Flatford Mill” Medium: Watercolor on artists paper ...

He is the latest in a long tradition of landscape painting that leads through his mentor, Edward Seago, to Alfred Munnings and Bertram Priestman, and back to John Constable and the N...

He is the latest in a long tradition of landscape painting that leads through his mentor, Edward Seago, to Alfred Munnings and Bertram Priestman, and back to John Constable and the N...