Minimalist Vases

Handbuilt organic modern vase made from a groggy clay body and a metallic bronze glaze. Each vase is made by hand in our Brooklyn studio, and no two are ever exactly alike. All dimen...

Delaunay vase, one of the vases from the "Suprematic" collection. The collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernis...

A beautiful, small, and substantial French crystal vase from luxury Maison, Daum, in the modern Minimalist styles, circa 20th century, France. The piece is rectangular in shape with ...

Vintage German Minimalist Porcelain Vase from Thomas, 1970s, in Very Good conditions. Designed 1970 to 1979 This piece has an attribution mark. Additional information: Materials: Ce...

Described in ancient Chinese texts as the “moon dyed with spring water,” celadon ceramics are prized for their well-proportioned forms and luminous blue-green glazes. This vintage ce...

Gabo vase, one of the vases from the "Suprematic" collection. Collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernist moveme...

A large minimalist two tone brass and bronze vase / candle holder signed by Michael Aram, circa 1980s. The piece is in very good vintage condition with a nice patina and measures 11....

Diminutive midcentury Italian ceramic bottle by Bruno Gambone (circa 1970s). Elegantly cylindrical with a two-toned glaze, one glossy black, the...

Gutta Sculptural Glass Vases by NOOM — designed by co-founder and chief designer Kateryna Sokolova — are a contemporary, bold, and minimalist tribute to the ancient glassblowing tech...

Murano Italian Modern/Minimalist Smoked Glass Disk Vessel, Italy, circa 1970 A refined hand-blown glass vessel produced in Murano, Italy, circa 1970. The piece embodies the reductiv...

Handbuilt organic modern vase made from a groggy clay body covered layers of glossy and matte white glaze, with a heavily textured glaze on top. Each vase is made by hand in our Broo...

Dingyao porcelain, often called Ding ware, is famous for its creamy-white coloring, refined forms, and low-relief surface patterning. Ding ware was produced ...

A sophisticated and striking Minimalist White Porcelain Tasca Vase designed by the celebrated Italian designer Lino Sabattini for Rosenthal Studio-Linie, Germany. This sculptural pie...

Handbuilt organic modern vase made from a groggy clay body covered layers of glossy and matte white glaze. Each vase is made by hand in our Brooklyn studio, and no two are ever exactly alike. The moon...

Stunningly tall cylindrical ceramic vase with single, amphora-style handle and Eastern motif on an elegant beige earthenware surface, by Bruno Gambone (circa 1970s). This substantial...

Chic 1970s Italian Minimalist silver plated Vase in Sabattini Style Introduce a touch of sophisticated Italian design to your home with this striking silver-plated vase, embodying th...

Pair of TMS Inc Multi face vases VITRUVIAN COLLECTION Each artistic design expresses the harmonization of the relationship between parts of the body w...

Diminutive midcentury Italian ceramic bottle by Bruno Gambone (circa 1970s). Elegantly cylindrical with a misty, rustic, matt glaze in an aqua g...

Striking 1970s Minimalist Silver-Plated Sculptural Vase by Lino Sabattini for Sabattini Argenteria Introduce a piece of iconic Italian design into your collection with this remarkabl...

Pair of contemporary ceramic sculptural vessels, minimalist design 1970. This refined pair of ceramic objects embodies a quiet and sophisticated sculptural language, where form, bal...

Handbuilt organic modern moon vase made from a groggy clay body covered layers of glossy and matte white glaze, and a heavily textured lava glaze. Each vase is made by hand in our Br...

Introduce a soft, romantic hue to your stoneware collection with this lovely vintage studio pottery vase. Hand-thrown from substantial clay, the vessel features a classic urn-shaped ...

Mid-Century Pottery WGP Minimalist Vase by Ilkra Edelkeramik, West German, 1960s, in Very Good conditions. Designed 1960 to 1969 official proof of authenticity such as vintage catalo...

Gutta Sculptural Glass Vases by NOOM — designed by co-founder and chief designer Kateryna Sokolova — are a contemporary, bold, and minimalist tribute to the ancient glassblowing tech...

A really cool "Golden Ginkgo" catch all in box by Michael Aram, circa 1990s. The piece is in very good vintage condition and measures 5.25"W x 4.75"D x .75"H. #5024 Michael Aram: ...

German Minimalist Vase from Dümler & Breiden, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark. Additional i...

Vintage West German Pottery WGP Minimalist Vase from Scheurich, 1970s, in Very Good conditions. Designed 1970 to 1979 official proof of authenticity such as vintage catalogs, designe...

Full moon jar Cream lacquer (60 coats) Copper base Hand repousse Each piece is individually crafted and is unique. Lacquer is a laborious and time-consuming process. After it...

The graceful, hourglass form of this contemporary vase dates back as far as the Song dynasty (960 to 1279). Known as a huluping or double gourd vase, the traditional form emulates th...

Italian ceramic decorative pitcher / vase by Bruno Gambone (circa 1970s). Just as our other Bruno Gambone vessels do, this one too has a purity of form, muted hue and demonstrated, e...

THIS IS NOT A VASE is more than a functional object; it is a true collector’s piece that sits at the intersection of sculpture and design. Its form, at once sensual and pure, unfolds...

Ceramic vase by ceramicist Bruno Gambone, (circa 1980s). This elegant narrow-opening bottle-shaped vase is highly collectible by those who follow the works of art created by the incomparable Bruno Gambone. A long, elegant neck in a lustrous black glaze is punctuated only by an azure blue in the middle which seems to drip down its side to the body of the piece. The black finishes abruptly and is replaced with a light chocolate brown to the base. Gambone ceramics...

Originally used for fermenting rice or sorghum into wine or vinegar, this squat, earthenware vessel from the early 20th century is coated inside and out with a thick, dark glaze. The...

This petite Chinese vase has a bottleneck form that follows traditional vessels used for storing oil, condiments or sauces. The small vase is etched with simple linework reminiscent ...

We have for sale a wooden vase by master woodturner Bert Marsh (1932-2011). Bert Marsh was one of the leading woodturners of all time. His wooden pieces are like fine china, thin del...

This sophisticated vintage studio pottery vase embodies the refined geometric playfulness and textural contrast of the Postmodern era. Hand-thrown with an organic, slightly squat sil...

Ekster vase, one of the vases from the "Suprematic" collection. Collection inspired by the geometric works of the great Suprematist Kazimir Malevich. Suprematism is a modernist move...

Karim Rashid for Leonardo Germany Limited Edition New Move Silver Glass Vase, ca 1999. Measures 8” high, base 3-1/2” wide, and mouth 2-1/4” wide. There is a small scratch of silver finish/coating on glass (we've posted an image of the interior and exterior at the area of the scratch). There is also a faint area of small blemishes at the base See images for more detail. If there’s one thing karim rashid hates, it’s trophies. The 40-year-old designer has more than 40 of them, from big international ones like the 1999 George Nelson Award (given for breakthrough furniture design), to quaint little Canadian ones like Designer of the Year 2001. “It came with a little pin,” says Rashid, “and a … a … very nice …” He tries to describe the shape of the award with his hands but gives up. “It’s time that whole trophy thing changes. It’s kitsch. They’re functionless things.” Rashid was asked to design one for the DaimlerChrysler Design Awards (he’s a past recipient). “I was going to make it electro-luminescent. When the lights go out, it has a sensor so it turns on,” he says. But the trophy-as-night-light, a reminder of one’s worth in the darkest hours, didn’t impress Chrysler’s people. He never heard back. They may well be gnawing their knuckles over that decision right now because Rashid’s conquest of the realm of product design is all but complete. A lush and suitably worshipful retrospective of his work, Karim Rashid: I Want to Change the World (Thames & Hudson; 249 pages), hits Australasian bookstores this month. There was a crowd around anything with his stamp on it-including stools, chess sets and storage units-at the recent International Contemporary Furniture Fair in New York City. More than 2 million North Americans are throwing their rubbish into a receptacle he designed, while 750,000 or so park their rears on one of his cheapo plastic chairs. It’s not just in North America. He has been dubbed Der Poet des Plastiks by a retailer in Germany and the prolifico progettista Americano by Interni magazine in Italy. Trophies he may despise, but accolades Rashid can handle. The problem with being the Most Famous Industrial Designer in All the Americas is that you’re still less famous than someone who got kicked off Survivor the first week. Most people cannot name the designer of one nonclothing item in their homes. Rashid, who was born in Egypt, raised in Canada and is living in New York City, is more than happy to bring an end to this anonymity. Not just because he wants to be famous, although there seems to be that, but because he believes design should be a bigger part of the social discourse. “I have been almost alone in this country, trying to make design become a public subject,” he says. His chief method of persuasion is to make the banal better so that people notice design more. He likes creating expensive furniture and perfume bottles just fine, but what really gets his juices going is the everyday: manhole covers, a cremation urn, disposable cigarette lighters, garbage bins, salt and pepper shakers, plastic pens. “I want American Standard to come to me to do the toilets for Home Depot,” he says. In many ways Rashid is more like an itinerant industrial evangelist than a designer. He traveled 200 days last year. He claims to have been to every major mall in America, where he signs his products in high-end design stores and trolls about observing humans interacting with the objects around them. He has taught at design schools for more than a decade, and his work has been in 11 art shows in the past eight months. But mostly he has proselytized the corporate barbarians. And like any good missionary, he has learned to speak the language of his converts. One of the first things he does when he gets new clients is tour their factories to understand their manufacturing capacity. He also visits the retail outlets to see how the product might be displayed. And he really knows how to sell, especially himself. “I work with a guy in L.A.,” says Rashid, declining to name him. “He made a lot of really bad furniture. His business was hand-to-mouth. I proposed seven or eight projects. The pieces I’ve done for him have already become iconic.” The subtitle of his monograph, I Want to Change the World, is not ironic, just characteristically immodest. “Most industrial-design studios try to interpret a client’s needs and come up with a style,” says Paul Rowan, co-founder of housewares manufacturer Umbra. “Karim has his own personal vision.” It helps that Rashid’s vision incorporates things that Rowan needs, like a design that will stack and ship easily and that creates little waste in the making. Rashid’s father was a set designer for Canadian TV who rearranged the family furniture every Sunday. So perhaps it was ordained that Karim would grow up to become one of the pioneers in non-cheesy plastic, making objects that have energy and personality but aren’t wacky. He, like many of his generation, has championed the could-only-be-designed-with-computers blob. But his is not just a blob for its own sake. His Oh Chair...

This is a stainless steel version of the "IRONPOT" series, which consists of a ring of pipes. Rough polished finish.Included is a water tray that goes in the bottom. It allows taller...

Vintage Japanese Minimalist Studio Pottery Vase from Tokoname, 1970s, in Very Good conditions. Designed 1970 to 1979 This piece has an attribution mark. Additional information: Mate...

The vases in the Tosca collection embody elegance and craftsmanship with their unique design. Handmade from borosilicate glass, their simple appearance is enhanced by a fluttering ne...

GHOST COLLECTION What about when the parts are bigger than the whole? A fraction that subjugates the integer. An expansion of the aura in x-ray vision. The Ghost Collection is a con...

YURI ZATARAIN, Ceramic Vase, circa 1990, Mexico, comes with white marble base 6" x 6" x 2" h Crafted in the 1990s in Mexico, this exquisite vase is a remarkable piece from the early...

This captivating vintage vase showcases a truly unique biomorphic design, reflecting a harmonious blend of nature-inspired forms and artistic craftsmanship. Its distinctive wavy, und...

This exquisite vintage ceramic vase is a fine example of Chulucanas pottery from Peru, a region renowned for its ancient pre-Inca techniques and sophisticated modern appeal. The sphe...

Created out of a playful approach to materiality and form, this item is a ceramic vase as well as a sculptural piece. The designer Julien Renault chose to mainly follow his intuition...

The vases in the Tosca collection embody elegance and craftsmanship with their unique design. Handmade from borosilicate glass, their simple appearance is enhanced by a fluttering ne...

Embrace the understated elegance of this Vintage Boho Glazed Ceramic Bud Vase, a charming testament to artisan craftsmanship. Its organic, spherical form and textured white glaze exu...

This striking original studio pottery vase is a masterclass in Postmodern graphic design, bringing a visceral, artistic energy to any space. Handcrafted with a sophisticated matte bl...

Meiping vases were traditionally used to hold the branches of plum trees, celebrated in China as symbols of strength. This contemporary update made in Jiangxi province streamlines th...

Drawing on a long Chinese tradition of monochrome ceramics, this striking short-necked vase is cloaked in an all-over milky white glaze. Sculpted by artisans in China's historic Jian...

Drawing on a long Chinese tradition of monochrome ceramics, this tall gooseneck vase is coated in a deep blue glaze, reminiscent of a dark night sky. The vase features a rounded, glo...

Sydney cash design in year 2000 for Moma New York glass vase optical art. Measure height 10 inches x diameter 3", is in black and transparent colours. Perfect condition.

This handcrafted “Lumière” marble vase made in Tuscany, Italy, features an expressive silhouette with charming rounded volumes and pleasant proportions. Made from the elegant Spanish...

This exquisite handblown art glass vase, adorned with delicate gold flecks is so special and ready to be added into a glass collection, or given as a gift to someone special. The asy...

Set of 2 Vintage German White Porcelain Op Art Vases from Hutschenreuther, 1970s

Set of three bottle-shaped single-flower vases by Bruno Gambone (circa 1990s). All three are glazed stoneware pieces with modern, multi-coloured geometric motif. The middle-sized vas...

This contemporary metal-plated woven bowl or vase is a striking collectible design object, meticulously handcrafted in Italy using traditional techniques. Created by Federica Paoli f...

Make a commanding architectural statement with this spectacular monumental cast aluminum floor vase. Stamped with the "AZ" maker's mark, this striking vessel features a dramatic coni...

This exceptional vintage studio pottery vase originates from Peru, showcasing a masterful blend of traditional Andean craftsmanship and contemporary sculptural form. The vessel featu...