New York Etching

the East River in New York City, connecting Lower Manhattan at Canal Street with Downtown Brooklyn at

Blanche Grambs, known to friends as 'Grambs' (1916-2010) was born in China. She came to New York as

studied at the Cincinnati Art Academy and the Art Student's League in New York City. Exhibitions: Art

Etching on medium stock, cream wove paper, 5 15/16 x 10 3/16 inches (151 x 259 mm), full margins

bottom edge. Although this etching was made in 1930, it has the look of one of Sloan’s New York

Otto Kuhler, 'The Gateway to the New World', etching (artist's proof), edition 16, 1926, Kennedy 25

of Painters in Water Color in 1867 and the New York Etching Club in 1878. The 1870s were filled

. Unfortunately for Dolice, both realist art and copperplate etchings fell out of favor in New York City after

Philadelphia. Dolice’s New York City etchings depict the city's landmarks, old buildings, and neighborhoods

Eastman School of Art. He worked in New York State and in Texas. The etching Harlem River is signed and

later New York. His images frequently depict cities in snow, twilight, or softened atmospheric

'New York, Central Park', etching, edition 40, c. 1930. Signed in pencil. Titled and numbered '14

227 mm); sheet size 19 1/8 x 13 3/8 (486 x 338 mm). New York City's Grand Central Station viewed from

etching with Joseph Pennell at the Art Students League in New York. He made his first etching in 1925 in

, Washington, DC. This etching of New York's harbor is seen from the Battery, with several of the old buildings

Academy in New York City. He soon turned his attention also to etching, and in December 1879, produced his

in New York City. He soon turned his attention also to etching, and in December 1879, produced his

. Provenance: Ex. collection Kennedy Galleries, New York. ABOUT THE IMAGE The George Washington Bridge is a

William Anderson Sherwood (American, 1875-1951) New York Stock Exchange, Early 20th century Etching

architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by

, '21/150' and titled, lower left, 'New York: East River'. Published by Rudolph Lesch and with copyright

, '54/150' and titled, lower left, 'New York: Hoboken Ferry'. Stamped in plate, lower right, with

Clearly a view from New York City across the Hudson River to the New Jersey Palisades, this small

"The Who's Tommy" Broadway Musical New York Times Published Cast Signed Pete Townsend Al

Etching and sand ground on cream laid paper, 10 1/2 x 7 5/8 inches (262 x 193 mm), full margins

Reginald Marsh, 'A Morning in May', etching, 1936, edition 100 (Whitney, 1969), Sasowsky 169

Richard Haas Puck Corner, SOHO, New York, 1971 Etching and Aquatint (affixed to white matting) Hand

worked as a civil engineer. His mother, Ida Cynthia Alford, was born in Oswego, New York on June 25, 1851

General Washington Saying Farewell to His Officers in Fraunces Tavern, New York This etching

museum standards, unframed. An impression of this work is in the permanent collection of the New York

Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915

Amalia Avia (Spain, 1939) 'Llegada a Nueva York', 1982 engraving on paper, edition of 6 12.3 x 16.6

New York: c 1920. Etching with aquatint printed in brownish black ink on cream wove paper, 8 3/4 x

New York: c 1920. Etching with aquatint printed in brownish black ink on cream wove paper, 8 3/4 x

This is a beautiful new etching - a whimsical, imaginative, exquisitely detailed piece. Other

Beautiful New York subject etching by noted Austrian artist Robert Kasimir (1914-2002). The color

1857 Mexican Boundary Survey Report. James David Smillie helped organize the New York Etching Club

Etching Society, New York. 465mm by 595mm (platemark) 500mm by 650mm (sheet)

York. This etching is from the series “Portraits”.

in New York, where he studied etching with James D. Smillie. Roth exhibited some in New York and

life. Fourteen of Mr. Reisman's etchings of New York life were in the show Works on Paper at the Museum

American Society of Painters in Water Color in 1867 and the New York Etching Club in 1878. The 1870s were

American Society of Painters in Water Color in 1867 and the New York Etching Club in 1878. The 1870s were

in Water Color in 1867 and the New York Etching Club in 1878. The 1870s were filled with travel for

, Roth began taking night classes at the National Academy of Design in New York, where he studied etching

One Person Show - Cordoba Gallery, New York, N.Y., USA 1971 Return to painting and making etchings

Caraccio Etching Studio - New York Publisher: Ronald Feldman Fine Arts, Inc. - New York

, New York, 1970. Etching dearly portraying the artist's children Giulia and Mileto. Giacomo Manzù

of Painters in Water Color in 1867 and the New York Etching Club in 1878. The 1870s were filled

founding the American Society of Painters in Water Color in 1867 and the New York Etching Club in 1878

instrumental in founding the American Society of Painters in Water Color in 1867 and the New York Etching Club

instrumental in founding the American Society of Painters in Water Color in 1867 and the New York Etching Club

Pennsylvania Academy of the Fine Arts. Later, he worked with Frederick Keppel to sell his etchings in New York

Schutz, Anton (1894-1977). 543 Hub of the World. Published in New York, 1927. Original etching

found in The Museum of Modern Art (MOMA), New York. Diptych etching with electric tools on two sheets

good for framing. Please look at all photos and view our other listing of L. Meslay etchings of New

Collector's Guild, New York. The etching would be a great addition to any collectors of Picasso's works and