Drawings

Transport yourself to the wonder and romance of early flight with this pair of hand-colored antique engravings, each depicting the world’s first hot air balloon ascents in 18th-centu...

Set of watercolor hand-painted botanical prints most likely created in the mid to late 1700s. Some of the descriptions are written in Latin and Greek and accompany absolutely stunnin...

Japanese woodblock print (ukiyo-e), Japan, 19th century, depicting an elegant female figure in an intimate moment. This delicate work illustrates a courtesan or geisha, recognizable by her sophisticated hairstyle adorned with pins, in a scene imbued with refinement and poetry. Created using the traditional woodblock printing technique, it is distinguished by the fineness of the lines, the softness of the colors, and the balance of the composition. Presented in an antique red and gold frame, this antique print bears the marks of time, attesting to its authenticity and history. Style : Ukiyo-e Traditional Japanese Art 19th Century Asian Aesthetic Main Characteristics : Original Japanese Print Japan, 19th Century Woodblock printing technique Depicts a female figure (geisha/courtesan) Soft, patinated colors Antique frame Signs of wear consistent with age Keywords : antique Japanese print, original ukiyo-e, 19th-century Japanese art, Japanese woodblock print, geisha print, vintage Asian decor, antique Japanese art, antique Japanese painting

The Accident – Original Noir Illustration by Charles Burki, 1964 This dramatic original illustration by Charles Burki (1909–1994), signed and dated 1964, captures a moment of chilli...

This powerful framed charcoal drawing by Jeff Dikio captures a solitary matador in a post-performance moment of quiet solitude. The figure is rendered in Dikio’s signature expressive...

Wonderful ink and wash by Pat Kerr, 1946. So evocative of the 1940s. On card. Unsigned. Presented in an antique water gilded frame Drawn for A & C Kay, New Bond St. Lond...

Rare very early watercolor by this famous 'Washington D.C. Colorist'(from the group of Morris Louis, Kenneth Noland and Gene Davis), signed and dated L.L. 1958. Matted and framed in ...

Decorative drawing of Swiss alp

An interesting collection of five (5) drawings by Richard (Rich) Jacobs, circa 2001-2005. A note about the artist: "Rich Jacobs (born 1972 in Long Beach, CA) is an American artist and curator who currently lives and works in Oakland, CA. Jacobs has exhibited in the United States,[1] Europe,[2] Australia, New Zealand and Japan. In 2008 his work Minor Threat...

Beautifully rendered drawing of male nude. This drawing is most probably French in origin, dating to the late 19th or early 20th century. The drawing...

Pair of framed botanical prints features the work of the renowned French floral artist Pierre Joseph Redoute (1759–1840). Known as the "Raphael of flowers," Redouté was celebrat...

This strong and confident drawing of a standing male nude was made by Allyn Cox, probably for one of an array of murals he painted in the 1920s, 30s and 40s, starting with an series of paintings for the William Andrews Clark Memorial Library at UCLA in 1925. Son of Kenyon Cox...

Clearly drawn to protest the induction and destruction of young men in the name of war, this ink sketch depicts three inductees in the British army, surrounded by uniformed officers ...

Art Deco Home Interior Drawing Calderara & Tito Varisco Arch. Milano, 1920 Pencil and Watercolor Paper on Masoniste Very good condiction

Original Illustration of a Viking Longship by Charles Burki, 1963 – Gouache and Ink Drawing Original gouache and ink illustration of a Viking longship under sail, signed and dated “...

A spiritual modern etching with hand coloring on Arches wove paper titled “David Montant La Colline des Oliviers (David Ascending The Mount of Olives)” (pl. 71 from The Bible Series)...

Aquarelle by Jean Rene Prou French decorator for Le France paquebot little damage on the paper on the left see photo

A delicate and intimate ink drawing capturing the serene grace of a sleeping cat, executed with a refined economy of line reminiscent of early 20th-century Belgian modernism. In the ...

original sculpture panel from the 1980s drawing by marta marzotto , probably made in high relief in wood or on a compact support overall size 60 x 60 cm, worked panel 40 x 40 cm ...

This sun-drenched scene, drawn with a vivid palette of bright Mediterranean blues and chalk whites, shows a pattern of gridding by the artist, indicating that this drawing served as ...

This is an antique framed indenture. An English, vellum document in modern frame, dating to the 17th century and later, dated to 1671. Issued in three...

Large French painting dated 1899. Oil painting on canvas, first canvas, depicting a view of a country village with characters and animals of good...

Drawing of a female figure done with watercolor and pencil. Signed M.G. and dated '98. Made with neutral colors and raw lines, this one-of-a-kind drawing depicts a woman posing with...

Original 1964 Gouache by Charles Burki – Dramatic Bear Attack Book Cover Art Original Cover Illustration for “De Groene Klauw” by John Ehle, 1964 This striking original gouache pai...

Original Antique Botanical Etching by Thomas Callender Campbell Mackie M.B.E. (Scottish, 1886–1952) A refined and botanically accomplished etching depicting wild blackberry (Rubus ...

Original Illustration Map of Syria and Lebanon by Charles Burki, 1947 – Ink Drawing Original 1947 pen-and-ink illustration of “Syrie en de Libanon” (Syria and Lebanon) by Dutch arti...

The Equestrian Eye: Original Pastel of a Stallion by Leslie Charlotte Benenson Dated May 16, 1986 This beautifully rendered original pastel is another remarkable addition from our c...

Kelly finds inspiration pertaining to controversial topics through various literary pieces. She will then use some pages from the novel she has chosen as the canvas to paint her inte...

Antique Art Deco Louis Icart print titled "Manon" depicts a woman walking from a carriage. Embossed lower left L.I Paris 6 of 492, pencil signed lower right, framed in a beautiful go...

Always a master draftsman, this lovely drawing by Dunbar Beck demonstrates his mastery of the human figure, with antecedents in Renaissance and Pre-Raphaelite paintings. The drapery ...

Florentine or Flemish school 17th century study of the Medici Lion by Flaminio Vacca. Measures: Sheet 31.7 x 48.8 cm. (12.5 x 19.2 in.) Frame...

The House That Waited – Original Crime Illustration by Charles Burki, 1965 This gripping noir-style illustration by Charles Burki (1909–1994), signed and dated 1965, depicts a tense...

An antique Megillah The Book of Esther, hand written on parchment by an expert Sephardi scribe and richly decorated with hand painted illustrations. The text panels are surrounded by...

Original Illustration “Le Faucon d’Or” by Charles Burki, 1971 – Gouache on Board Original gouache illustration by Dutch artist Charles Burki (1909–1994), signed and dated “Charles B...

White Bunny Drawing by Oleg Cassini for Playboy October 1979, Signed. Illustration of a woman wearing a white body suit, choker, and hat. Signed by Oleg Cassini. Notice the body suit is in the shape of the head of a bunny with clever use of the 'whiskers'. Approximate Measurements: Length: 11" Width: 14" Property from the Collection of Steven Rosengard, Chicago, Illinois This original drawing was commissioned by Playboy and included in the October 1979 issue of Playboy Magazine (pages 225-227) in a feature that included works from designers such as Bill Blass, Oleg Cassini, Edith Head, Fernando Sanchez, and Monika Tilley, among others, who create their versions of the Playboy bunny costume. Candace Collins can be seen modeling some of the designs in the feature. Oleg Cassini is an icon of twentieth-century fashion. Though born to Russian aristocracy and raised in Italy, he built a fashion empire that was unmistakably American. Cassini is perhaps best known for the hundreds of designs he created for First Lady Jacqueline Kennedy (see images 4-8), but his achievements as a collector, connoisseur, and quintessential twentieth-century man go far beyond Camelot. In 1913, Oleg Cassini was born in Paris to the Russian diplomat Count Alexander Loiewski and Countess Marguerite Cassini, a Russian aristocrat of Italian ancestry who also had an interesting link to America. The daughter of Count Arthur Cassini, Russian Ambassador to the United States during the McKinley and Roosevelt administrations, Marguerite dazzled turn-of-the-century Washington as her father’s official hostess and left her mark on the capital city. Stationed in Denmark when the Russian Revolution toppled the czar, Ambassador Cassini and family were exiled to Switzerland before settling in Florence, Italy, where young Oleg was raised. A true Renaissance man, he spoke Russian, French, and Danish before adding Italian and English; he studied medieval and modern European military history and costume and learned to draw; he learned horseback riding, fencing, and the art of chivalry; and, most importantly, he came to understand the struggles of the Russian titled class and other European aristocrats in the wake of the Russian Revolution and World War I. Countess Cassini started a successful fashion business in Florence, and soon the talented young Oleg was sent to Paris to sketch the latest collections for recreation in Italy. In Rome in his early 20s, Cassini created fashions for high society women and designed for a few films, which planted the seed for his move to Hollywood. The drive to reinvent himself brought Cassini to America in the 1930s; in his autobiography he describes arriving nearly penniless in mid-Depression New York City where his title as an exiled Russian Count meant even less than in war-devastated Europe. Down and out, Cassini struggled for employment, having sketching skills but no knowledge of the wholesale trade required for survival in Manhattan’s Seventh Avenue fashion district. However, he excelled at making connections, and Cassini slowly entered New York society. He was soon joined by younger brother Igor (who had studied in America and travelled with the young Emilio Pucci) and his parents, the once-dazzling Countess and his father, the displaced diplomat still loyal to Russia. The family settled in Washington, D.C., and Igor worked his way up the Hearst newspaper chain to become the famous society columnist Cholly Knickerbocker. In New York, Oleg Cassini married the troubled socialite Merry Fahrney (who would go on to marry eight times), but the marriage ended in scandal for Oleg, and he decided to follow his original intention and head for Hollywood. Despite initial difficulties, Cassini gained access to Hollywood’s elite (partially through his skills on the tennis court), and was soon hired as a designer at Paramount Pictures alongside the redoubtable Edith Head. In her 1941 film debut I Wanted Wings, Veronica Lake wore a memorable Cassini design. That same year, Cassini met and married the newest young Hollywood star on the scene, the beautiful 20th Century Fox–talent Gene Tierney. With the outbreak of World War II, Cassini enlisted in the Coast Guard but was transferred to the U.S. Army Cavalry which allowed officers of foreign birth. He attended basic training at Fort Riley, Kansas, and the horsemanship he learned as a boy served him greatly. He attended Officer Candidate School and reached the rank of First Lieutenant (he also became an American citizen at this time, losing his title of Count). Cassini spent several years posted at Fort Riley, where Tierney joined him before he landed a convenient military post in Hollywood. As Tierney’s career thrived (she played the title role in Otto Preminger’s Laura in 1944), she was able to assert her influence over 20th Century Fox’s head Daryl Zanuck, who hired Cassini as designer for Tierney on her 1946 film The Razor’s Edge, which proved to be a brilliant showcase for his talents. The pair separated the same year and, again seeking reinvention, Cassini re-established himself in New York City as a fashion designer. By 1950, the Oleg Cassini label was born. Combining his knowledge of Old World and modern Europe, Hollywood, the tennis courts of Palm Beach and Newport, and of course, New York City, Oleg Cassini invented a new brand of fashion that was distinctly American and of its moment. For his first collection, Cassini took to the stage, narrating the looks and imbuing the scene with his personality, unusual in an industry where the designers typically remained backstage and the models were called by number over a PA. The first collection was a smash — the president of Lord & Taylor devoted all of their storefront windows to his designs — and by 1955 sales had reached $5,000,000. Oleg Cassini’s career had turned a very positive corner. Cassini spent the early 1950s traversing the country, personally selling his collections to department stores in the interior, something his predecessors had never done, and moving between the Hollywood and New York scenes. Cassini’s brother Igor coined the term “the Jet Set” for this generation that constantly flew from New York to Los Angeles (then a ten-hour flight), Las Vegas, Paris, Rome, and the Riviera. In 1954, Cassini set out to woo Grace Kelly and sent her roses every day. The two were briefly engaged before her marriage to Prince Rainier of Monaco. In December 1960, Cassini’s career-defining opportunity came when he was chosen by Jacqueline Kennedy to design her fashions for the White House. Cassini had long known Joe Kennedy and his war-hero son John, and had first met Jacqueline Bouvier before her marriage in the early 1950s. Invited by President-Elect Kennedy to meet Jacqueline at Georgetown Hospital (she had just given birth to son John Jr.) to present to her drawings of potential dresses and First Lady looks, Cassini worked furiously to prepare a new line for the First Lady. Mrs. Kennedy had always had her clothes made by the top French couturiers of the day, but for the White House she wanted an American designer. Cassini wrote in his autobiography that he told the First Lady: “‘You have an opportunity here,’ I said, ‘for an American Versailles.’ She understood completely what I was trying to communicate; she began to talk excitedly about the need to create an entirely new atmosphere at the White House. She wanted it to become the social and intellectual capital of the nation” (Oleg Cassini, In My Own Fashion, 1987, p. 327). Mrs. Kennedy loved Cassini’s design for a gown to wear to the Inaugural Gala (she had already ordered a dress from Bergdorf’s for the Inaugural Ball), and Cassini was selected as the First Lady’s designer and was soon dubbed the “Secretary of Style.” From 1960 to 1963, Oleg Cassini would design over 300 items for Mrs. Kennedy, creating the “Jackie Look” that contributed not only to a fashion revolution but also the dawn of a new age. Cassini wrote that “Jackie played a very active role in the selection of her clothes. She loved brilliant colors — pistachio, hot pink, yellow, and white among others. Her sense of style was very precise; she would make editorial comments on the sketches I sent her. She always knew exactly what she wanted; her taste was excellent” (Oleg Cassini, In My Own Fashion, 1987, p. 334). After the Camelot years, Cassini’s business flourished and grew into a major industry; his name appeared on everything from couture to tennis-, sport-, and swimwear, car interiors, housewares, and perfume. He collected beautiful and rare artwork, arms and armor, and antique furniture, and lived the lifestyle projected by his image. From this period onward, Cassini also came to live in important homes. Of his Gothic Gramercy Park townhouse on Manhattan’s 19th Street he would write imaginatively, “I walked into the foyer and immediately fell in love. It was a place unlike any other in New York, a sixteenth-century Dutch house transported brick by brick from Europe by the Wells Fargo family in the early twentieth century. There was a vaulted, twenty-foot ceiling in the living room, leaded windows, elegantly carved wood paneling...

Italian Master Drawings by Hugo Chapman and David Lachenmann. Publisher Paul Holberton Publishing, 2020. 1st Ed hardcover catalog with dust jack...

Bold and atmospheric, this ink drawing depicts a kneeling nude male figure, his bow arched and his arrow ready to spring forward, surrounded by a flower-bedecked landscape that clearly draws its inspiration from Gustav Klimt's work. To the left, silhouetted against the dark background, a pair of stylized geese -- evidently his target -- are shown flying upward. The sun which dapples the figure of the archer highlights his lithe musculature, and the artist -- Erwin Stolz -- gives the same close attention to the landscape behind. Stolz was well connected to the artistic elite of Vienna, and was friends with Alexander Rothaug...

Artist: Diego Rivera (Mexican; 1886-1957) Title: Picapedrero Medium: Temera on Paper Year: 1946 Image size: 15.25" x 10.75" Presented in a black carved wood frame. A framed drawing o...

Large framed lithograph by Tony Friedlaender. Signed and numbered 44/95. Nicely framed over canvas.

Original Illustration "Office Fight Scene" by Charles Burki, 1973 – Gouache Description: Original 1973 gouache and ink illustration by Charles Burki (1909–1994), one of the Netherla...

Beautiful work of art, gouache on paper, by the Belgian female artist Jo Verbestel. It is a portrait of a mythical figure / fantasy figure, in a somewhat psychedelic style. The paint...

Pair of Original Memento Mori Charcoal Skull Drawings, France, circa 19th Century. They measure 11.5"H x 13"W, and 10.5"H x 14.25"W framed. They were purchased in France and are beli...

Decorate a living room wall or study with this elegant and colorful 18th-century Aubusson gouache painting. Created in the renowned tapestry-making city of Aubusson, France circa 176...

An early 18th or 19th century architectural concept drawing of opposing lions with marble top likely as a console table. Marked in early ink to lower r...

Early 20th Century Woven Ceremonial Royal Fan, Chokwe People, D. R. Congo A rare and finely woven fan attributed to the Chokwe ethnic group of Angola, southwestern D. R. Congo and n...

A set of five original antique etchings depicting horses by Antonio Tempesta, Italian, 1555 to 1630. Engraved circa 1590. Antonio Tempesta, also called il Tempestino, was an Italian ...

In this remarkable drawing, famed muralist Lassell Ripley depicts primitive man, warming himself by the fire with little to wear, looking into the distance toward the bright, white Art Deco spires of modern civilization. The contrast of early mankind with the advances of 1930s America is inspiring and beautiful, and Ripley clearly draw this to prepare for a mural project, probably unexecuted. Ripley is best known for his sportsman paintings, highly collectible today, but early in his career he became known for his murals, including several depicting the life of Paul Revere for the post office in Lexington...

French vintage 20th century charcoal and chalk drawing of a crouched nude male figure in prayer. Beautiful in its monochromatic palette, the work highlights the youthful muscularity,...

Holocaust Prison Camp Scene by Charles Burki, 1965 – Powerful Wartime Illustration This haunting original gouache by Charles Burki (1909–1994), signed and dated 1965, is one of the ...

Original Illustration "Julius" by Charles Burki, 1968 – Gouache Drawing Description: Original 1968 illustration by Charles Burki (1909–1994), the Dutch painter and illustrator renow...

Original Abstract Pen and Ink Drawing by well listed artist Jacob El Hanani. Hand signed and dated 1989. It retains its warm original patina.

A beautiful drawing of The Grand Canal Fabulous quality. On wove quality paper/card Signed on verso. Unframed Free shipping *Robert Hindmarsh Grundy...

Set of Four Mid-Century Business Illustrations – Charles Burki, 1956–1964 This remarkable set of four original gouache and ink illustrations by Charles Burki (1909–1994) exemplifies...

Showing the influence of Cubism and Art Deco, this lovely drawing of a female nude in a topsy-turvy interior -- with a curvy lamp echoed by turned wood posts for bed or stairway -- w...

Original gouache & ink masterwork on paper. The artist captures the magnificence of the era with precise architectural perspective. Cerulean, ochre, & shell white celebrate the nosta...

Set di due bozzetti di moda inizi 1900 di probabile provenienza francese, raffiguranti eleganti dame a passeggio. I due schizzi sono disegnati a china ed acquerello su carta con de...

This is a beautiful ink on paper post-modernist drawing by Peter Drake (b. 1957). An incredibly unique and fascinating work of art. The manipulated dimensions and ephemeral quality o...

Matted and Framed 19th c French Academia Drawing of a Seated Woman. With school stamp embossed on lower right. Paper has watermark that is pictured. I...

This drawing is representing a nude woman. The frame is in a brown color, and the drawing is done on a white support. It has made circa 1940. Art Deco Period. by VAN DOREN (Raymond...

RENE AMES - Vintage oil pastel drawing on paper - signed - contained in a vintage frame with glass - mid 20th century. Fair vintage condition - minor oil spot to the paper (upper ri...