Paris Etching

Tome VIII – Plate III, p. 26. Paris, Imprimerie Royale, 1771. Engraving (etching and burin), approx. 24.5 × 19.5 cm.

Etching and drypoint on cream laid Van Gelder Zonen watermarked paper, 8 7/8 x 6 1/2 inches (220 x 164 mm), full margins. Signed, titled, and inscribed "ed. 100" in pencil, lower mar...

Contact us. "Books for the Paris Review" 1997-99 Initialed "HH" numbered "49/80" and dated "97" by artist in pencil, lower edge 21.5"H 22.75"W (work) 15"H 16.25"W (framed) Lift...

This artwork titled "Paris, Boulevard de la Madeleine" c.1930, is a color etching by Austrian artist Luigi Kasimir 1881-1962.

Tome XI – Plate II (or III), p. 142. Paris, Imprimerie Royale, 1771. Engraving (etching and burin), approx. 24.5 × 19.5 cm.

André Dignimont - Belle Epoque Portrait - Original Etching Paris, Le Gerbier, 1946 Edition of 340 André Dignimont was born in Paris.

In 1971, he co-founded Faculty of Graphic. In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections...

A superb, dark impression of a well known scene by Arms. Etching with aquatint on watermarked handmade F.J. Head & Co. laid paper, 12 3/8 x 13 15/16 inches (315 x 354 mm), full marg...

In 1971, he co-founded Faculty of Graphic. In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections...

He started exhibiting his works in 1958 in Paris. His etchings are even rarer than paintings since he realized his first engraving in 1966 and produced them only until the 1990s.

This artwork titled "Paris, Montmartre, Le Sacre Coeur" c. 1970 is a color etching by noted Austrian artist Robert Kasimir, 1914-2002.

Emil Orlik (1870-1932), Die Loge im Gaite Montparnasse (Paris), drypoint, etching and soft ground, 1911, signed and numbered in pencil lower right, for the portfolio Zuschauer und Zu...

Plate from Buffon's Histoire Naturelle, Générale et Particulière Tome III, Plate VI, page 202 Paris, Imprimerie Royale, 1771 Copperplate etching and engraving on laid paper Plate ma...

Medium: original etching. Published in Paris in 1906 for the Revue de l'art ancien et moderne.

In 1971, he co-founded Faculty of Graphic. In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections...

In 1971, he co-founded Faculty of Graphic. In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections...

Jean Émile Laboureur - Under the Cross - Original Etching Paris, Le Gerbier, 1946 Edition of 340 JEAN-ÉMILE LABOUREUR Founder in 1923 of the Société des Peintres Graveurs Indépendan...

In 1971, he co-founded Faculty of Graphic. In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections...

Artist: Hans Figura (Austrian, 1898-1978) Title: Les Quais with Notre Dame de Paris Year: Circa 1950 Medium: Color etching with aquatint on silk Edition: Unknown Plate mark ...

Tome XI – Plate VI, p. 142. Paris, Imprimerie Royale, 1771. Engraving (etching and burin), approx. 24.5 × 19.5 cm.

Original etching. This is the frontispiece etching published in Paris in 1930 by Floury for Marcelle Berr de Turique's monograph on the artist Dufy.

Beggars is an original Modern artwork realized in the first decades of the 19th Century by Dominique Vivant Denon (Chalon-sur-Saône, 1747 - Paris, 1825). Original B/W Etching on pap...

Schneiderman catalog 26.x. 1861. Etching. Image 6 3/4 x 10. Edition of 30 in this state.

Original etching, first state, published by Cadart, Paris.

L'oiseau bleu is a print realized by Johnny Friedlaender (Plonia, 1912 - Paris, 1992). Etching on paper. Hand-Signed lower right, edition lower left.

World map is an original modern artwork realized by Hubert Nicholas - Jaillot, printed by Louis Cordier in  Paris 1719. Etching on copper The artwork depicts two hemispheres, conti...

This artwork titled "Les bouquinistes, with Notre Dame de Paris" c.1930 is a color etching on wove paper by noted Austrian artist Luigi Kasimir, 1881-1962.

Plate from Histoire Naturelle, générale et particulière, Tom. V, Pl. XXIX, p. 300. Paris, 1771. Etching and engraving on laid paper.

From Histoire Naturelle, générale et particulière. Paris, 1771. Etching and engraving on laid paper.

From Histoire Naturelle, générale et particulière. Paris, 1771. Etching and engraving on laid paper.

This is an etching by Frank Brangwyn Overall: 32 3/4 by 39 3/4 inches Sight: 22 3/4 by 30 inches Condition the paper toned and with very slight cockling overall goods

Flowerpot is an original artwork realized by French artist Hervé Le Bourdelles (Paris, 1928). Etching print. Hand-signed on the lower right in pencil.

Composition is an original contemporary artwork realized in the 1960s by Rainer Maria Küchenmeister (Ahlen, 1926 - Paris, 2010). Original Etching on paper. Sigled on paper on the ...

From Histoire Naturelle, générale et particulière. Paris, 1771. Etching and engraving on laid paper.

In 1971, he co-founded Faculty of Graphic. In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections...

It also sold original art including etchings, lithographs, and paintings. Starting in the 1930's and continuing into the 1950's, Sydney Lucas traveled to Europe periodically and cont...

In 1971, he co-founded Faculty of Graphic. In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections...

In 1971, he co-founded Faculty of Graphic. In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections...

In 1971, he co-founded Faculty of Graphic. In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections...

In 1971, he co-founded Faculty of Graphic. In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections...

"Femme à la guitare" is an print realized by Ossip Zadkine (Vitebsk 1890 - Paris 1967) in 1962 Color etching - artist's proof.

In 1971, he co-founded Faculty of Graphic. In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections...

L'Auberge is a fine black and white etching and aquatint realized by Henri-Charles Toussaint (Paris,1849-1911), after an original painting made in 1875 by Eugène Isabey (Paris, 1803-...

In 1971, he co-founded Faculty of Graphic. In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections...

In 1971, he co-founded Faculty of Graphic. In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections...

In 1971, he co-founded Faculty of Graphic. In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections...

In 1971, he co-founded Faculty of Graphic. In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections...

Composition is a Contemporary artwork realized by Laurent Schkolnyk (Paris, 1953). Original Etching on paper. Passepartout is included (cm 60 x 40).

Composition is an original Contemporary artwork realized by Laurent Schkolnyk (Paris, 1953). Original Etching on paper. Passepartout is included (cm 60 x 40).

From Histoire Naturelle, générale et particulière. Paris, 1771. Etching and engraving on laid paper.

From Histoire Naturelle, générale et particulière. Paris, 1771. Etching and engraving on laid paper.

From Histoire Naturelle, générale et particulière. Paris, 1771. Etching and engraving on laid paper.

From Histoire Naturelle, générale et particulière. Paris, 1771. Etching and engraving on laid paper.

From Histoire Naturelle, générale et particulière. Paris, 1771. Etching and engraving on laid paper.

Plate from Histoire Naturelle, générale et particulière, Tom. V, Pl. XXXI, p. 300. Paris, 1771. Etching and engraving on laid paper.

From Histoire Naturelle, générale et particulière. Paris, 1771. Etching and engraving on laid paper.

V, Pl. XXVIII, p. 300. Paris, 1771. Etching and engraving on laid paper.