Paris Etching

Paris: Cadart & Luquet, 1865. Etching on buff, cream laid paper, 9 3/8 x 13 7/8 inches, full margins.

Mussard, Léopold Costume design for a 13th century Arbalétrier. Paris: 1836. Etching with hand coloring in watercolor on cream wove paper, 5 1/2 x 8 9/16 inches (138 x 216 mm), full...

Paris: Cadart, 1876 Etching on watermarked D & C Blauw cream laid paper, 6 x 9 1/4 inches (151 x 234 mm), full margins.

A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream lai...

Paris: Delatre, 1850. Etching on Chine collé mounted to heavy cream wove paper, 2 7/8 x 2 5/8 inches (72 x 65 mm), full margins.

Paris: Cadart & Luquet, c1870. Etching with engraving on Chine-collé mounted to wove paper, 14 1/4 x 9 5/8 inches (360 x 244 mm) full margins.

François Viète, Seigneur de la Bigotière (1540–1603), is known by mathematicians as the “Father of Algebra.”. Paris: 1861. Etching on tissue-thin Japon paper, 8 1/4 x 5 1/2 inches (...

Paris: J & A Lamercier, 1885. Etching with aquaint on Arches laid paper with a partial watermark, 7 x 4 5/8 inches (176 x 118 mm), full margins.

A boy kneels on a grass slope, trying to tempt an unseen animal. Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid ...

Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper, 9 5/8 x 12 3/4 inches (243 x 322 mm), full margins with thr...

A fascinating image of a well-known theif robbing a merchant of goods held atop her head. Paris: circa 1670. Etching and engraving on cream laid paper, 6 3/4 x 4 15/16 inches (17...

"Art softens even the most ferocious." Paris: Cadart & Luquet, 1865. Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper, 12 1/2 x 9 1/2 inc...

Paris: L'Artiste, 1879. Etching with drypoint on cream laid paper, 9 3/4 x 4 1/2 inches (248 x 115 mm), full margins.

Paris: Jules Géruzet, 1860. Etching on cream laid paper, 3 1/2 x 5 inches (88 x 121 mm), full margins.

Other books by Haden not already mentioned are: • Etudes a l'eau forte (Paris, 1865) • About Etching (London, 1878-1879) • The Art of the Painter-Etcher (London...

Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 ...

A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream la...

Other books by Haden not already mentioned are: • Etudes a l'eau forte (Paris, 1865) • About Etching (London, 1878-1879) • The Art of the Painter-Etcher (London...

Paris: 1861 Etching, drypoint, and engraving on cream laid paper, 6 x 4 1/4 inches (152 x 108 mm), full margins.

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

Published by Graphiques Internationales and Editions de Francony, Paris, 1975. Printed by Ateliers Rigal, Paris. Drypoint and etching with stencil coloring on Arches and hand-signed...

Debutler trained at the École des Beaux-Arts in Amiens before four years of post-graduate study with Johnny Friedländer in Paris, and her etchings were published in Paris by Éditions...

The work sits in the most refined phase of Debutler’s mature printmaking, exhibited under the heading eaux-fortes originales at Galerie Pierre Hautot in Paris in April 1974. Debutler...

Printed by Atelier Lithographique, Paris. Drypoint etching over chromolithograph with embossing on BFK Rives watermarked paper.

Education: New York University, undergraduate and graduate degrees Bella Arte (Rome, Italy) figurative drawing and painting Hayter School of Art (Paris, France) graphic arts, etching...

Education: New York University, undergraduate and graduate degrees Bella Arte (Rome, Italy) figurative drawing and painting Hayter School of Art (Paris, France) graphic arts, etching...

Tropez with Figures (etching); Clocher de St. Tropez (etching); Flood in Paris (1922, lithograph) Brussels (Mus. royaux des Beaux-Arts de Belgique): Saint-Tropez.

Cantini): Antille (1943); Terrier (1946); The Mélusine Sisters (1958); Napoleon's Soul (1967); Diana and Endymion New York (MoMA): Figure; Sand (1927); Leonardo da Vinci and Isabella...

Galerie des Modes was the most expansive and perhaps the best-known Gallery in Paris. The etching is accompanied by a description of the model’s attire.

Galerie des Modes was the most expansive and perhaps the best-known Gallery in Paris. The etching is accompanied by a description of the model’s attire.

Aware of the creative differences amongst the group, in 1960, he moved To Munich where he received a grant from the German government to study etching in the House der Kunst. In 196...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

West gained recognition as an artist upon the publication of his etching “The Spirit of St. Louis”, when Charles Lindbergh arrived in Paris.

Education: New York University, undergraduate and graduate degrees Bella Arte (Rome, Italy) figurative drawing and painting Hayter School of Art (Paris, France) graphic arts, etching...

Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper 14 1/2 x 10 5/8 inches (367 x 268 mm), full margins.

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

Ceneri Louis Edouard Morand (1852–1917) was a French artist known for his contributions to the genre of portraiture and his work in both painting and etching. Born in Paris, he was p...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

In 1971, he co-founded Faculty of Graphic. In 1970s Polish etchings gained world-wide recognition thanks to the activity to artists such as Rózga, whose works are in the collections...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

From 1906 until his death in 1925, he was a professor at the École des Beaux-Arts in Paris as head of the etching workshop. In 1908, he was admitted to the Académie des Beaux-Arts.

Lucy Garnot was an early French 20th century artist who specialized in etchings of Paris landmarks and scenic views of the city of lights.

The disc-shaped design adds a touch of modernity, while the black etchings showcase the iconic address of Chanel's flagship boutique in Paris.

It illustrates with woodcuts or etchings works by Paul Morand, Montherlant, Mauriac, Delteil.

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...

Her linocut “Blow up” was chosen for collection of contemporary etching, National Library, Paris. She works as a freelancer in the fields of book illustration, pattern and graphic de...