Paris Etching

- Galerie des Arts, Nancy, etchings 1960: Galerie Hervé, "Extraordinary Pantomimes", Paris, paintings 1961

- Galerie des Arts, Nancy, etchings 1960: Galerie Hervé, "Extraordinary Pantomimes", Paris, paintings 1961

. The artwork is the plate n. 18 from a suite of 52 plates entitled "Modes et Manières du jour à Paris à

"Modes et Manières du jour à Paris à la fin du 18e siècle et au commencement du 19e siècle". On the

Biennial of Paris. This is a rare etching by this master. Very good condition. Comes unframed.

Canal Reproduced in 250 copies Fernand De Nobele, Paris Copy 60" An etching of the Prato della

Haden visited him to admire his work and to purchase a set of his Paris etchings, but the disturbed

Engravings by Orfeo Tamburini representing the districts of Paris for the series Paris 20+1

' Art Décoratif, Paris, January, 1908 (illustrated). 'The Complete Etchings of John Marin', Carl

social realism and the exuberant, often gritty glamour of Parisian cabaret culture. Paris: Sagot, c1907

, Paris, France. This etching and drypoint was published by Gazette des Beaux-Arts. The Gazette des Beaux

Paris: Cadart, 1868. Etching on watermarked buff laid Arches paper, 5 1/2 x 9 1/4 inches (140 x

"N. Chauvel" in pencil lower right Publisher: Librairie de l'Art, Paris This etching goes through 10

to 1970 and later studied Printmaking from 1972-1975 at Atelier 17 in Paris, France. This etching is

A an impression after Rembrandt's only state of this image. Paris: 1644. Etching and engraving on

italian by Ester Piazza and in english by Geoffrey Hutchings. The volume includes 9 original etchings

Vollard and unpublished until after his death. Published by Teriade, editeur, Paris, 1948 Etchings printed

etchings of the city of Paris, the most famous of which were published between 1850 and 1854 as the series

Etching by Brunet-Debaines, Alfred (after William Ewart Lockhart) Paris: A. Durand, 1878. Etching

O. Lazar-Vernet, Paris Date: 1970 Medium: Etching and aquatint in colors on BFK Rives Image size

collections of Albertina in Vienna, in Bibliotheque Nationale in Paris and in etchings collection of Ermitage

the kings of France. The preparatory drawing for this etching is in the Musee du Louvre, Paris

Paris: Henri Petiet, 1923. Etching with drypoint and roulette on buff Van Gelder Zonen paper with

Paris: Israël Henriet, c1680. Etching with engraving on cream laid paper, laid down to a cream

Paris: Cadart, 1865. Etching on buff wove paper, 3 1/2 x 7 inches (88 x 177 mm), full margins. In

TWO WORKS / Paris: Cadart, 1865. Each an etching printed on one sheet of buff wove paper. Each

approach to soft ground etching. Exh: Pasadena Paris Salon, 1925; Society of Artists, 1931; Pasadena Art

Paris: Cadart & Luquet, 1865. Etching on buff, cream laid paper, 9 3/8 x 13 7/8 inches, full

Mussard, Léopold Costume design for a 13th century Arbalétrier. Paris: 1836. Etching with hand

Paris: Cadart, 1876 Etching on watermarked D & C Blauw cream laid paper, 6 x 9 1/4 inches (151 x

A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint

Paris: Delatre, 1850. Etching on Chine collé mounted to heavy cream wove paper, 2 7/8 x 2 5/8

Paris: Cadart & Luquet, c1870. Etching with engraving on Chine-collé mounted to wove paper, 14 1/4

Paris: J & A Lamercier, 1885. Etching with aquaint on Arches laid paper with a partial watermark

Algebra.”. Paris: 1861. Etching on tissue-thin Japon paper, 8 1/4 x 5 1/2 inches (210 x 140 mm), full

A fascinating image of a well-known theif robbing a merchant of goods held atop her head. Paris

A boy kneels on a grass slope, trying to tempt an unseen animal. Paris: Cadart & Luquet, 1865

Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua

"Art softens even the most ferocious." Paris: Cadart & Luquet, 1865. Etching and engraving on

Paris: L'Artiste, 1879. Etching with drypoint on cream laid paper, 9 3/4 x 4 1/2 inches (248 x 115

Paris: Jules Géruzet, 1860. Etching on cream laid paper, 3 1/2 x 5 inches (88 x 121 mm), full

University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was

Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and

A lovely, dark impression with excellent provenance. Paris: Lemerre, 1880. Etching, drypoint

are: • Etudes a l'eau forte (Paris, 1865) • About Etching (London, 1878-1879

Paris: 1861 Etching, drypoint, and engraving on cream laid paper, 6 x 4 1/4 inches (152 x 108 mm

with Johnny Friedländer in Paris, and her etchings were published in Paris by Éditions Hautot and

years of post-graduate study with Johnny Friedländer in Paris, and her etchings were published in Paris

. Printed by Atelier Lithographique, Paris. Drypoint etching over chromolithograph with embossing on BFK

St. Tropez (etching); Flood in Paris (1922, lithograph) Brussels (Mus. royaux des Beaux-Arts de

Anna Ładecka is a Paris-based polish illustrator and painter. Graduated from Warsaw Academy of

Anna Ładecka is a Paris-based polish illustrator and painter. Graduated from Warsaw Academy of

Anna Ładecka is a Paris-based polish illustrator and painter. Graduated from Warsaw Academy of

; Young Girls Paris (Prints Collection): Pantomime (1922, etching) Tateshina (Mus. Marie Laurencin)

Vinci and Isabella d'Este (1942) Paris (BNF): About Flowers (1977, etching) Paris (MAMVP): Painting

) figurative drawing and painting Hayter School of Art (Paris, France) graphic arts, etching Ateliers

government to study etching in the House der Kunst. In 1962 he returned to Paris continuing to create