Panel Landscape Paintings

The verdant green, mountainous landscape of Gregory Hennen's Virginia home are the subject for this rich, highly detailed contemporary landscape painting in oil on panel. Recording t...

This diptych Sunset Clouds , is part of Sunset Song Series, painted entirely en plein air under dimmed light in sunset hours, with no artificial light to guide her, Shizico Yi embrac...

A storm-split sky over a broad coastal plain, a plein air painting by Gustav (Gustaf) Ericson Fischer. Oil on panel, signed and dated “Gust. E-son F-r 81”, depicting a vast open coas...

Jardin d’Automne is Shizico Yi’s latest series of studies of late summer flora from her garden. Preserving the final vibrant days of the summer into mid autumn, she continues paintin...

Three Sisters is a deeply personal tribute by Shizico Yi to her two beloved cousin-sisters, with whom she was brought up with by her grandmother. After sixteen years apart from the ...

Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas or panel.

The gentle light of the sunset dissolves into the foamy surf, tinting the waves with shades of rose and gold. In this moment, the ocean seems to whisper its eternal secrets, flowing ...

A beautiful copy by an unknown artist, of the original painting "Wall Street - The Noon Hour" originally created in 1925 by the great American artist Felicie Waldo Howell (1897-1968)...

Summer – Lotus is a unique painting by contemporary artist Lumi Mizutani. The painting is made with japanese pigments, silver and gold leaves on Japanese paper mounted on panel, dime...

Contemporary abstract landscape painting in oil on linen mounted on panel with carefully ordered patterns, geometric shapes and delicate lines in bright prismatic colors against a li...

The night sky over the densely treed forest of Hennen's Wyatt Mountain, Virginia home is the subject of this rich, highly detailed contemporary landscape painting in oil on panel set...

«Amber Light» is a fleeting and rare moment when the sea glows from within, filled with warm golden light. A wave sparkles like a drop of amber, inviting us into the slow, quiet rhy...

Bonaventura Peeters the Elder (1614–1652) attr., Stormy Coastal Scene with Merchant Vessels, Galliot, and Dolphins Framed by rugged cliffs and illuminated under a dark, swirling sk...

This special large Ink and Gold leaf on canvas board created by Shizico in early autumn, her Cat and the garden take centre stage. The pictorial language in this series pays homage t...

Acquired by the gallery directly from the artist Artist Statement "Located in the North Fork of Big Pine Canyon in the Sierra Nevada Ridge, Temple Crag rules over the landscape. I'v...

Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas or panel.

Sunset Song Series stands as one of the most iconic works featured in the upcoming Summer Exhibition UK, 2025—a rare and luminous collection of latest artworks we’re thrilled to pres...

Devin Michael Roberts' (US based) "At Last Light" is an oil painting depicting a a brilliant sunset. Artist bio/statement: Devin Michael Roberts is an American Contemporary realist...

Created in March 2022, during the first weeks of the war in Ukraine, Light of Hope carries a deep emotional resonance. This hyperrealistic seascape unites the fiery energy of a sunse...

Framed Size: 35.5" x 44.5" Paysage Marin is a vibrant testament to Olive’s lifelong relationship with the sea. It captures a fleeting moment of natural power; waves smashing, foam f...

Henri Pearson (French, 19th Century) Harbour Scene with Fishing Boats and Figures on the Shore Oil on wood panel, circa 1880–1890 This evocative harbour scene by the French painter H...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas or panel.

Michael Magrin's ( US based) "Sunset West" is an original, handmade oil painting of a sunset above Colorado plains. This piece is framed in a "barn wood" frame and is ready to hang. ...

➡️Landscape of the Pyrenees ⬅️ This lovely artwork is landscape painting...looks to a Vincent Van Gogh painting ⭐Structural Analysis⭐ The painting depicts a river flowing through...

Adriaen de Grijef (Leiden 1657 - Brussels 1722) - The Return from the Hunt. 40 x 36 cm unframed, 56 x 51 cm with frame. Oil on panel, in a carved and gilded wooden frame. - Signed...

Umbrian painter (16th century) - Madonna and Child in a Landscape (Madonna Conestabile). 19 x 18 cm unframed, 34 x 33 cm with frame. Oil on canvas mounted on panel, in a gilded woo...

Artist: John L. Loughlin – American (1931-2004) Title: Coastal Scene Year: 1990 Medium: Oil on Panel Sight size: 9.5 x 13.5 inches. Framed size: 13.5 x 17.5 inches Signature: Signe...

Maroniez is best known as an accomplished painter of the sea and the life of fishermen. He painted mainly in Brittany ( France ) Museums and galleries holdings : Boulogne: Mussel b...

This charming painting by Ernest Walbourne is a quintessential example of the artist’s ability to capture the serene beauty of rural life. Known for his idyllic landscapes and depict...

Late 19th Century French Barbizon School oil on wood panel of poplar trees in a landscape by Richard. The painting is signed bottom left. The painting is on a quality chamfered panel. A very charming, almost impressionist, rendition of a line of iconic French trees in a landscape. Before them an earth drive has been ploughed up by the wheels of passing carts and horses. Richard has created a wonderful perspective that draws us in to the painting and he has created a contrast between the strong greens of the trees and fields against the whites and blues of the sky. The painting is reminiscent of the works of Monet from the 1890s. to whom the poplar trees were a continuing inspiration. The Barbizon school of painters was part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape paintings, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, colour, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but his work has a poetic and literary quality which sets him somewhat apart. Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français and Émile van Marcke. In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters. Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work. In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school: Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny. During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille. In the 1870s those artists, among others, developed the art movement called Impressionism and practiced 'plein air' painting. In contrast, the main members of the school made drawings and sketches on the spot, but painted back in their studios. The Post-Impressionist painter Vincent Van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden. The Barbizon painters also had a profound impact on landscape painting in the United States. This included the development of the American Barbizon school by William Morris Hunt. Several artists who were also in, or contemporary to, the Hudson River School studied Barbizon paintings for their loose brushwork and emotional impact. A notable example is George Inness, who sought to emulate the works of Rousseau. Paintings from the Barbizon school also influenced landscape painting in California. The artist Percy Gray...

"Aspen Stand" (2014) by Robert Moore is an original handmade oil on panel painting that depicts an aspen forest in dim sunlight.

A superb example of a Barbizon inspired landscape painted by the "Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute peak of his abi...

Portrait of a Horse British School, 20th century oil painting on panel, unframed paintings size: 8 x 10 inches condition: excellent provenance: from a private collection here in England A very fine equestrian portrait of this horse. Painted with tremendous detail and finesse, the horse is accentuated against its clear background - a technique enjoyed many George Stubbs in the 18th century and Francis...

Jacob Dhein's "Chicago Rain" a 2023 original oil on panel, stands at 17.7 x 23.6 inches. This piece highlights Dhein's ability to capture reflection, diffusion, and a beautiful impre...

Signed and dated figures in landscape oil on canvas by French impressionist painter Maximilien Luce. The piece depicts two women in a garden in Gisors - a commune in the French depar...

Walking down a forgotten country lane, littered with stones and broken limbs, carpeted with the new growth of spring, I am exhilarated by warm days and the end of a long winter. I’m ...

Original antique oil on canvas nocturne depicting a moonlit Scandinavian seaside landscape. The moon breaks through drifting clouds, casting silvery light across the calm waters wher...

Signed oil on paper laid on panel seascape c.1907 by French post impressionist painter Achille-Emile Othon Friesz. The piece is a study of a view of a boat in a quay at Normandy, Fra...

Vintage Oil Landscape Art of Redwood National Park Forest in California by 20th Century Artist, Tobias Everet Spence Art measures 14 x 17 inches Frame measures 21 x 24 inches Th...

This exquisite painting, titled "Rocky Path With Figures" is a captivating example of Thomas Barker of Bath's talent. Despite its small size, measuring only 13 x 11 cm, this piece sh...

A fine antique seascape oil painting on panel by the celebrated marine artist, Frederick Judd Waugh (1861-1940), depicting the Atlantic of the coast of Maine, circa 1910. The painting is finely executed with bold and decisive brush strokes with crisp edges, one can almost hear the roar of the ocean as the surf crashes upon the rocks. The painting is signed lower right "Waugh" and is housed in the original carved & gilded frame. Condition is very good indeed, this fine seascape by one of America's most acclaimed late 19th early 20th century marine artists is ready to grace your wall. The painting will be accompanied with a certicificate of authenticity & provenance. Frederick Judd Waugh was an American artist, primarily known as a marine artist. During World War I, he designed ship camouflage for the U.S. Navy, under the direction of Everett L. Warner. Waugh was the son of a well-known Philadelphia portrait painter, Samuel Waugh. He studied at the Pennsylvania Academy of Fine Arts with Thomas Eakins, and at the Académie Julian in Paris with Adolphe-William Bouguereau. After leaving Paris, he moved to England, residing on the island of Sark in the English Channel, where he made his living as a seascape painter. In 1898 he was recorded as living in Heath and Reach, Bedfordshire. In 1908, Waugh returned to the U.S., settling in Montclair Heights, New Jersey. He had no studio until art collector William T. Evans (a railroad financier and President of the dry goods firm, Mills Gibbs Corporation) offered him one in exchange for one painting a year. In later years, he lived on Bailey Island, Maine, and in Provincetown, Massachusetts. Waugh’s marinescapes were highly acclaimed, garnering him the Popular Prize at the Carnegie International Exhibition for five years in a row, a feat accomplished by no other artist. In 1914, he was a judge of the art exhibit on Monhegan Island, Maine during the 1914 Ter-Centenary celebration of the Voyage of Captain John Smith. In addition to his marinescapes, Waugh sometimes published work in periodicals, such as The Green Sheaf, to which he contributed at least one illustration. He also produced paintings and sketches on legendary and mythological themes; see, for instance, his 1921 sketch “Levitation in Dream No. 3”, and his c. 1912 painting “The Knight of the Holy Grail”. In 1918, Waugh was recommended to serve as a camouflage artist (or camoufleur) for the U.S. Navy, as a member of the Design Section of its marine camouflage unit. That section was located in Washington, D.C., and was headed by American painter Everett L. Warner. According to a biography of Waugh, “Many large ships, including the Leviathan, were painted according to his designs. Though the enterprise was of course a team effort in which no man played a solo part, he had every reason to be proud of his record. Only one ship with his system of camouflage was lost during the war”. Waugh was known to produce literary work, publishing a short poem in Pamela Colman Smith’s short-lived periodical The Green Sheaf; a fairy tale in The English Illustrated Magazine; and, in 1916, the book The Clan of Munes...

This painting depicts a colorful Mid Century Street in Paris France, a popular subject of the times painted by many important impressionist 20th Century painters. This piece is a bol...

Venetian painter (18th century) - Allegory of Asia and Allegory of America. 60 x 53 cm unframed, 71 x 64 cm with frame. Pair of oil paintings on gold-ground panels, in carved and g...

'Rivière de Mon Paix' by Raoul André Ulmann. Pair of Fine French Impressionist Oils, Musée d'Orsay, Luxembourg Museum. Sold as a pair. --- Raoul André Ulmann (French, 1867-1941) Ea...

French 19th century Chickens in a landscape Charles-Emile Jacque (23 May 1813 – 7 May 1894) was a French painter of animals (animalier) and engr...

In this contemporary landscape painting in oil on panel by David Konigsberg, the drama and sublime beauty of New York State's Hudson Valley is captured. The artist is widely recogniz...

German School, 1700s The Road to Emmaus oil on panel unframed: 24.3 x 17.5 cm (9.6 x 6.9 inches) framed: 34.5 x 28 cm (13.6 x 11 inches) Provenance: Swedish author and artist Amel...

The Angelic Visitation Dutch School, mid 17th century circle of Rembrandt (Dutch 1606-1669) oil on wooden panel, framed in faux tortoiseshell style frame. framed: 25 x 28.75 painting...

Adolphus Knell 19th-century English fishing boast at Sea. Owning in a 19th-century English fishing boat captured at sea circa 1880 by Adolphus Knell, with the sun rising or setting...

Devin Michael Roberts' (US based) "Orange on Blue" is an oil painting depicting a cloudy shore with a bright orange sunset shining through the clouds. Artist bio/statement: Devin Mi...

* No US duty or taxes to pay on this item * A beautful early 20th century French imprressionist oil on panel depicting a wooded river landsape. The work is superbly executed very,...

A highly important Flemish Old Master oil painting by Peter Van Lint (1609-1690), titled "Preparing for the Hunt", the painting is dated & signed by the artist, 1620. The painting wa...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Panel Year: 2025 Style: Impressionism, Title: Summer Trees, Size: 37.5" x 25.5...

James Van Fossan's "Sky 61" is an original, handmade oil painting that depicts a skyscape of grey and white clouds arching through a blue sky and the sunlight dances through it.

'Seaweed Harvester II', 2021 is a gorgeous painting of two men gathering seaweed on the beach. The multiple blues of the sky and sea are reflective of the ephemeral time and moment t...

Elizabeth Geisler is best known for her dazzling contemporary water reflection paintings that bridge realism with abstraction. Up close, the paintings appear ambiguous and loose, yet...

Contemporary abstract landscape painting in oil on linen mounted on panel with carefully ordered patterns, geometric shapes and delicate lines in prismatic colors against a light pin...

An idyllic view of cattle and sheep grazing in a pasture before an oak tree with a blue sky with bollowing clouds beyond. William S Rose (1810-1873) Cattle and sheep grazing in rou...

Landscape, c. 1930-40s, oil on panel, signed lower right, 16 x 20 inches Jeanette Maxfield Lewis was a California-based landscape painter and etcher. Born in Oakland, she spent much...