The Paris Salons 1895

This book is the third in the comprehensive multi-volume series on the decorative arts of the Paris Salons 1895-1914, it provides a virtually complete visual record of the amazing ra...

This is the third in a multi-volume collection providing a visual catalogue record of the decorative arts of the Paris Salons. Included in this volume are reproductions of the catalo...

Page 410. The Paris Salons 1895-1914 Volume III: Furniture, Alastair Duncan 1991.

Exhibitions: Exposition Universelle, Paris, France, 1900. Literature: Alastair Duncan, "The Paris Salons: 1895-1914, Volume II: Furniture", 1996, p. 379.

In the manner of de Feure’s renowned textiles, this piece is decorated with elegantly painted abstract floral and vegetal designs, circa 1890. Pictured in “The Paris Salons 1895-...

Lampen und Leuchter, Art Nouveau Art Deco, Wolf Uecker, Schuler. The Paris salons 1895-1914, Alistair Duncan. Published by the Antique Collectors Club.

France: circa 1915-1920 Private Collection, Amsterdam Christie's, Amsterdam, 15 November 2000, lot 125 Acquired from the above by the present owner A. Duncan, The Paris Salons, 1895-...

Exhibited: L'Art dans Tout, Paris 1901. Literature: Alastair Duncan, "The Paris Salons" 1895-1914, Volume III; Furniture, Antique Collectors' Club, Woodbridge, 1996, page 287 this...

The artist is referenced in authoritative literature including Etains 1900 by Philippe Dahan and The Paris Salons 1895-1914 by Alistair Duncan. A collector’s item for enthusiasts of ...

Exhibitions: Exposition Universelle, Paris, France, 1900. Literature: Alastair Duncan, "The Paris Salons: 1895-1914, Volume II: Furniture", 1996, p. 379.

Circa 1901-1902. Pictured in: The Paris Salons 1895-1914, by Alastair Duncan, p. 15, 162.

A beautiful play on an ancient means of sourcing ink, this sculpture's tranquility and solidity give it the aura of an ancient carving, circa 1897. Pictured in: "The Paris Salons 18...

This rare model is documented in important reference publications including Etains 1900 by Philippe Dahan and The Paris Salons 1895–1914 by Alastair Duncan, further enhancing its col...

H: 73.5 cm – W: 161 cm – D: 110 cm Circa: 1900 (Scratches, sun damage, and stains on the tabletop; restorations) Provenance: Private collection from the Hôtel Majestic in Nice A si...

Item#: S-19716 Artist: Paul-François Berthoud Circa: 1902 Dimensions: 17.5" height, 20.5" width, 4" depth Materials: Bronze Signed: “Berthoud” Literature: Bronze planter pictured in...

A similar table is pictured in: The Paris Salons 1895-1915, Vol. III: Furniture, by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors' Club, 1996, p. 109.

Olland, Dictionnaire des maitres verriers, marques et signatures, nouvelle edition Dijon, 2023, page 145 Literature: A. Duncan 'The Paris Salons 1895-1914, volume IV, page 228 Émile...

Materials: Patinated Bronze Signed: ''GURSCHNER'' Literature: Art Nouveau Sculpture by Alastair Duncan, p. 49, and in The Paris Salons 1895-1914, vol. 5 by Alastair Duncan, p. 305.

Artist: Émile Gallé Circa: 1903 Dimensions: 35.5" height, 49" width, 26.5" depth Materials: French walnut, Fruitwood, Bubinga wood, Red coconut palm wood, Sugar maple wood, Gilt bras...

Literature: Alastair Duncan, The Paris Salons 1895-1914, Volume III: furniture, woodbridge 1988, P.209 J.

Maury, Daum dans les musées de Nancy, Nancy, 1989, cover and p. 178, no. 64 A. Duncan, The Paris Salons 1895-1914, Vol. IV: Ceramics and Glass, Woodbridge, 1998, p. 36 H.

Institute for the Arts, Rice University, Houston and the Art Institute of Chicago, Chicago, 1976, p. 225 Alastair Duncan, The Paris Salons 1895-1914, Volume 3, New York, 1996, p. 232...

Institute for the Arts, Rice University, Houston and the Art Institute of Chicago, Chicago, 1976, p. 225 Alastair Duncan, The Paris Salons 1895-1914, Volume 3, New York, 1996, p. 232...

Institute for the Arts, Rice University, Houston and the Art Institute of Chicago, Chicago, 1976, p. 225 Alastair Duncan, The Paris Salons 1895-1914, Volume 3, New York, 1996, p. 232...

Materials: Walnut, Burled Wood Veneer, Acid-Etched Glass, Clear Glass, Original Silk-Lined Interior Literature: Alastair Duncan, "Art Nouveau Furniture," London, 1982, p. 96 Alastair...

Literature: A. Duncan, The Paris Salons 1895-1914: Volume III: Furniture, Suffolk, 1996, p. 390 (similar design illustrated) Exhibeted: The design was first presented at the Exposi...

Die Jugendstil - Sammlung: Band 1: Künstler A-F, exh. cat., Museum für Kunst und Gewerbe, Hamburg, 1979, pp. 465-466, cat. no. 655. A. Duncan, The Paris Salons 1895-1914, Volume V: O...

He settled there permanently in 1891, received honorable mention at the Paris Salon in 1895, and was appointed professor of sculpture at the Akademie für Angewandte Kunst in 1900.

Bibliography: - Alastair Duncan, The Paris Salon 1895-1914 volume IV: ceramics and glass, - Antique Collectors' Club, Woodbridge, 1998, p. 275 pour le service en cristal de 1904

Bahieu (1847-1916), a Belgian-born painter known for landscapes and scenes of daily life, exhibited regularly at the Paris Salon between 1885 and 1895 and is listed in the Benezit Di...

For an illustration of a similar model, see: Duncan, Alastair, "The Paris Salons, 1895-1914", Volume 3 Furniture, p.302.

- Alastair Duncan, The Paris salons 1895-1914, vol. V – objets d’art and metalware, The Antiques collectors’ club, London, 1999.

A very similar table in: The Paris Salons 1895-1914 Volume III: Furniture, by Alastair Duncan, Antique Collectors’ Club, p. 444.  

Good condition Dimensions: H. 95cm, W. 78cm, D. 77cm Literature: THE PARIS SALON 1895 – 1914 VOLUME III : FUNITURE P.217.  

Debain designs see: The Paris Salons 1895-1914, Vol. V: Objets d’Art & Metalware, Alastair Duncan (Woodbridge, Suffolk: Antique Collectors’ Club, 1999), p. 208.

A superb two-volume set of books which will provide an unequalled source of reference and a unique visual record of the jewellery shown at the Paris Salons from 1895 to 1914. It illu...

A book providing a virtually complete visual record of the amazing range of furniturecreated during the twenty year period which saw the rise, and demise of the style known as Art No...

Gallia stamp and numbered 4367. Designed for the Paris Salon 1902. This model is illustrated on page 181 of the book “The Paris salons 1895-1914” by Alistair Duncan.

Bronze-ware made for La Maison Moderne 1902-1904. Literature: “The Paris salons 1895-1914” by Alistair Duncan. Published by the Antique Collectors Club.

A fine and rare French Art Nouveau carved wood and wrought iron Reference: "The Paris Salons 1895 - 1914 Volume III: Furniture" by, Alastair Duncan ©1996 pg.408 Notes: Thi...

(MG# S-14478) A similar vase is pictured in: “The Paris Salons 1895-1915, Vol. V: Objects d’Art and Metalware” by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors’ Club, 1...

Berman, Abage. nr. 1765 and on page 96 of “The Paris salons 1895-1914” Alistar Duncan. Published by the Antique Collectors Club.

An identical example is published and photographed in: "The Paris Salons 1895 - 1914 Volume III: Furniture" by, Alastair Duncan; pg.217.

A French Art Nouveau two-tier table by Louis Majorelle, featuring fruitwood marquetry in a floral design depicting orchids, circa 1900. Pictured in The Paris Salons 1895-1914, Volu...

A similar pedestal is pictured in The Paris Salons 1895-1915, Vol. III: Furniture, by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors’ Club, 1996, p. 40 (Exposition de l’Eco...

Circa 1900. Signed, "Cardeilhac Paris". A similar bowl is illustrated in: The Paris Salons 1895-1915, Vol.

A similar object is pictured in: The Paris Salons 1895-1915, Vol. V: Objects d’Art and Metalware, by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors' Club, 1999, p. 175.

Pictured in: Alastair Duncan and Georges de Bartha, Glass by Galle, p. 63 and Alastair Duncan, The Paris Salons 1895-1914, volume IV: Glass, p.42.

France 1930. About Gallia. ?“The Paris salons 1895-1914” by Alistair Duncan. Published by the Antique Collectors Club. ?

Literature:
 “Etains 1900” Philippe Dahan, les éditions de l'amateur. 
 “The Paris salons 1895-1914” by Alistair Duncan. Published by the Antique Collectors Club.


A similar table is pictured in: The Paris Salons 1895-1915, Vol. III: Furniture, by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors’ Club, 1996, p. 305 (Living room furnitur...

A similar table is pictured in: The Paris Salons 1895-1915, Vol. III: Furniture, by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors' Club, 1996, p. 305 (Living room furnitur...

Similar model pictured in The Paris Salons: 1895-1914 Vol IV, by Alastair Duncan, page 233.

A similar chair is pictured in: The Paris Salons, 1895-1910, Volume III: Furniture, by Alastair Duncan, Antique Collectors’ Club, Publishers, page 215 (side chair, published 1908).

Examples of Gallé’s “ombelles” furniture are pictured in: The Paris Salons 1895-1915, Vol. III: Furniture, by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors’ Club, 1996, pp...

Page 410. The Paris Salons 1895-1914 Volume III: Furniture, Alastair Duncan 1991.

A similar pitcher is pictured in: The Paris Salons 1895-1915, Vol. IV: Ceramics and Glass, by Alastair Duncan, Woodbridge, Suffolk: Antique Collectors' Club, 1998, p. 195.