Adolph Gottlieb Prints and Multiples

Image dimensions: 15 x 9.5 cm. Drapery is an original color serigraph on paper, realized around the 1970's by a German artist, whose signature is hard to read. Signed in pencil on ...

Edition of 150 104.1 x 71.7 cms (41 x 28 1/4 ins)

7 Color Silkscreen on 335 GSM Matt Custom Paper. Hand signed, dated and numbered by the artist. Numbered 14/100 (there are also 10 artist's proofs). Published by Counter Editions, London. Printed by Brand X Editions, New York. Artwork size 40 x 30 inches. Custom framed as pictured. Frame size approx 46 x 36 inches. Artwork is in excellent condition. All reasonable offers will be considered. About the Artist: Christopher Wool is a contemporary American painter. In his paintings, Wool contrasts bold stenciled text or abstract brushwork with white backgrounds. In the stenciled works, words run together and breaks arrive at the edges of the canvas, as seen in his Apocalypse Now (1988), which bears the phrase “SELL THE HOUSE SELL THE CAR SELL THE KIDS.” “With the painting the inspiration comes from the process of the work itself,” Wool reflected. “Like music [making the work] is an emotional experience. It’s a visual language and it’s almost impossible to put words to it.” Born on September 16, 1955 in Boston, MA, Wool studied briefly at Sarah Lawrence College, but quickly left to enroll at the New York Studio School. A contemporary of Jean-Michel Basquiat, Julian Schnabel, Cindy Sherman, and others in New York’s downtown art scene in the 1980s, Wool introduced graffiti techniques to his work, later incorporating silkscreens and paint rollers. The artist’s work has been exhibited at numerous institutions around the world, including the Museum of Contemporary Art in Los Angeles, the Gesellschaft für Moderne Kunst am Museum Ludwig in Cologne, and the Guggenheim Museum in New York. Wool currently lives and works between Marfa, TX and New York, NY with his wife the painter Charline von Heyl.

Otto Greis Untitled Composition III Original Silkscreen on Fine Vellum Year: 1960 Sheet Size: 7.6 × 5.625 inches (19.30 × 14.29 cm) Mat Size: 10.6 × 8.125 inches (26.92 × 20.64 cm) F...

No Reply Portfolio by KAWS. Screenprint on wove paper. Each of the 10 screen prints are hand signed, dated and numbered by the artist. Edition PP 3/5. (Pr...

CORITA KENT (Sister Mary Corita) 1918–1986 WORKING ON IT INCESSANTLY, ca. 1970 Color serigraph. Signed and numbered in ink 200/. In generally good condition. Image 22 3/8 x 11 1/2, sheet 23 x 12 1/4 inches. Provenance: Marjorie Kauffman Graphics on original period label. Sister Corita is highly important in the development of modern use of serigraphy with highly charged social and political content expressed in strong colors and dynamic composition. She often made biblical and well as literary references as a major part of the composition. She taught printmaking at Immaculate Heart...

A very good, richly-inked impression of this color screenprint on Japon nacré. The deluxe, Roman numeral edition of 60 on Japon nacré, aside from the regular edition of 100. Signed a...

One screenprint in colors on wove paper, 1984, signed in pencil, dated and numbered from the edition of 144 (total edition includes 18 artist's proofs), 42 3/4 by 35 inches (sheet), ...

Untitled is a brown serigraph glued on white cardboard made Eduardo Chillida. Signed on plate. Good conditions. Image Dimensions: 81 x 55 cm

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and ...

Created by Jim Dine in 1982 as an original color lithograph on wove paper and published by the Louisiana Museum, Humlebaek, Denmark, Louisiana Hearts is hand-signed, dated and number...

Collage was an important part of Louise Nevelson's practice. The process mirrored her approach to sculpture; taking disparate elements and assembling or uniting them into a complex whole. Similar to many of her American contemporaries, Nevelson delved into printmaking. She worked with the leading printing studios in America adopting new techniques while expanding her aesthetic and oeuvre considerably. This collage was the final maquette or design, that would be screen printed becoming "By the Lake" (from "Façade: In Homage to Edith Sitwell"). Nevelson worked with Chiron Press in New York, which had opened in 1962 and was just a stone's throw from her 11th Street home studio. The works in this series were dedicated to the British poet Edith Sitwell who passed away in 1964. Sitwell had published a book of abstract poems titled Façade, the poems' rhythms were counterparts to music set by the famed English composer, William Walton...