Alessandro Nastasio Prints and Multiples

A colorful, myth-based female nude along with a portriat of a mermaid by the same artist. Lithograph in color on white wove paper, 18 1/4 x 11 3/4 inches (462 x 297 mm), full margin...

Milan: c1970. Aquatint in colors on white wove paper with an unknown watermark, 19 1/2 x 12 1/2 inches (495 x 317 mm); sheet 20 x 24 1/4 inches (508 x 615 mm), full margins. Signed,...

Milan: c1970. Aquatint in colors on white wove paper with an unknown watermark, 19 1/2 x 12 1/2 inches (495 x 317 mm); sheet 20 x 24 1/4 inches (508 x 615 mm), full margins. Signed ...

Aquatint and etching with decorative embossing printed in colors on white wove paper with an unknown watermark and a deckle edge, 18 1/2 x 15 inches (470 x 380 mm); sheet 27 x 19 1/2...

Bird on a Tree is an original signed limited edition ( 24/60 ) woodblock print by the Italian artist Alessandro Nastasio. It is in very good condition. Paper size 16.25 x 13.75 image 7 x 6.75 Nastasio was born in Milan in 1934. In 1952 he followed the “free school of the nude” led by Aldo Salvatori. In 1960 he attended the Atelier of Giorgio Upilio where Giacometti, Lam, Fontana, De Chirico worked and where he had the opportunity to study the themes of the inspiring myths. He worked at the MAF foundry with the master Tullio Figini who shared the secrets of the lost wax Renaissance fusion and where he met the masters Crocetti, Manfrini, Manzu , Minguzzi, Fabbri,. He then moved on to Quinto de Stampi at the De Andreis foundry where Marino Marini, Pomodoro, Rudy Wach, Strebelle, Negri and Rosental operated. A regular reader of the great sapienzal texts of antiquity, he trained in particular on the Bible which he illustrated with woodcuts, aquatints, etchings and linocuts, especially the Song of Songs, the book of Ecclesiastes and several pages of the Gospels He also drew his inspiration from the philosophical-religious tradition of the Eastern world through the reading of Rig-Veda, Upanisad and the Matnavi of Rumi. In 1966-67 he obtained the chair at the Academy of Fine Arts of Brera and for thirty years he devoted himself to the teaching of Art Education in various schools. Nastasio created works both pictorial and plastic in collaboration with famous architects such as: Figini and Pollini, De Carli, Gardella, Faranda, Selleri, Ponti. His great talent soon came to the attention of various art dealers: first Max G...

Milan: 1969. Linocut on watermarked CM Fabriano deluxe paper, 23 1/2 x 19 3/4 inches (596 x 501 mm), the full sheet. Signed, numbered 2/10, dated, and extensively inscribed in penci...

A colorful, myth-based female nude along with a proof impression of the same image. Lithograph in color on white wove paper, 18 1/4 x 11 3/4 inches (462 x 297 mm), full margins. Sig...

Regal Flower Arrangement is an original limited edition( 25/50 ) lithograph by Alessandro Nastasio. A large vase of purple flowers and lots of greenery in set on a purple table and is exploding with color and energy. Alessandro Nastasio was born in Milan in 1934. In 1952 he followed the “free school of the nude” led by Aldo Salvatori. In 1960 he attended the Atelier of Giorgio Upilio where Giacometti, Lam, Fontana, De Chirico worked and where he had the opportunity to study the themes of the inspiring myths. He worked at the MAF foundry with the master Tullio Figini who shared the secrets of the lost wax Renaissance fusion and where he met the masters Crocetti, Manfrini, Manzu , Minguzzi, Fabbri,. He then moved on to Quinto de Stampi at the De Andreis foundry where Marino Marini, Pomodoro, Rudy Wach, Strebelle, Negri and Rosental operated. A regular reader of the great sapienzal texts of antiquity, he trained in particular on the Bible which he illustrated with woodcuts, aquatints, etchings and linocuts, especially the Song of Songs, the book of Ecclesiastes and several pages of the Gospels He also drew his inspiration from the philosophical-religious tradition of the Eastern world through the reading of Rig-Veda, Upanisad and the Matnavi of Rumi. In 1966-67 he obtained the chair at the Academy of Fine Arts of Brera and for thirty years he devoted himself to the teaching of Art Education in various schools. Nastasio created works both pictorial and plastic in collaboration with famous architects such as: Figini and Pollini, De Carli, Gardella, Faranda, Selleri, Ponti. His great talent soon came to the attention of various art dealers: first Max G...

Leaves of Love-Orange Lady is an original signed limited edition (XXII/ XXX) lithograph by Alessandro Nastasio showing a full figured orange colored nude holding flowers in each hand standing with her bare feet on the ground. She appears to have wing like orange and green leaves surrounding her. Paper size 18.25 x 11.75 image 13 x 7.75 in very good condition. Alessandro Nastasio was born in Milan in 1934. In 1952 he followed the “free school of the nude” led by Aldo Salvatori. In 1960 he attended the Atelier of Giorgio Upilio where Giacometti, Lam, Fontana, De Chirico worked and where he had the opportunity to study the themes of the inspiring myths. He worked at the MAF foundry with the master Tullio Figini who shared the secrets of the lost wax Renaissance fusion and where he met the masters Crocetti, Manfrini, Manzu , Minguzzi, Fabbri,. He then moved on to Quinto de Stampi at the De Andreis foundry where Marino Marini, Pomodoro, Rudy Wach, Strebelle, Negri and Rosental operated. A regular reader of the great sapienzal texts of antiquity, he trained in particular on the Bible which he illustrated with woodcuts, aquatints, etchings and linocuts, especially the Song of Songs, the book of Ecclesiastes and several pages of the Gospels He also drew his inspiration from the philosophical-religious tradition of the Eastern world through the reading of Rig-Veda, Upanisad and the Matnavi of Rumi. In 1966-67 he obtained the chair at the Academy of Fine Arts of Brera and for thirty years he devoted himself to the teaching of Art Education in various schools. Nastasio created works both pictorial and plastic in collaboration with famous architects such as: Figini and Pollini, De Carli, Gardella, Faranda, Selleri, Ponti. His great talent soon came to the attention of various art dealers: first Max G...

Milan: c1970. Aquatint in colors on white wove paper with an unknown watermark, 19 1/2 x 12 1/2 inches (495 x 317 mm); sheet 20 x 24 1/4 inches (508 x 615 mm), full margins. Signed ...

Milan: c1970. Lithograph on white wove paper, 20 x 24 1/4 inches (508 x 615 mm), the full sheet. Signed and titled (illegible) in pencil in the lower margin. In good condition with ...