Alex Katz Art

The "Black Dress" sculptures by Alex Katz are more than figurative sculptures. They are a homage to elegance, fashion and the female body. This cut-out is made from powder-coated alu...

Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chal...

Artist: Alex Katz Title: Vincent 1 from White Shirt series Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Edition: 50; signed and numbere...

An artwork of uncommon beauty, Purple Irises on Red, by Alex Katz was created by the artist in 2023, is hand-signed and numbered in pencil measuring 24 x 30 inches (61 x 76 cm), unfr...

Adored by collectors and art lovers around the globe, Alex Katz is renowned for his elegant and distinctive version of figuration. Born in 1927, Katz has been dedicated to art-makin...

TECHNICAL INFORMATION: Alex Katz Ariel (set of 3) 2016 Baked archival UV inks on shaped powder-coated aluminum 60 x 28 in. (overall dimensions) Edition of 40 Engraved signed and n...

A beautiful and enigmatic image rendered as an original screenprint created in 2021, Ariel 2 is hand-signed and numbered by Alex Katz, the artwork measuring 60 x 37 in. (153 x 94 cm)...

Created as a three-dimensional cut-out on aluminum by Alex Katz in 2020, Dancer II is printed the same on each side with UV-cured archival inks and mounted on an aluminum base.  With...

Created in 2021 as an archival pigment print, Alex Katz's Big Smile (Vivien) is hand-signed and numbered. Measuring 35 x 70 in. (89 x 178 cm.), unframed, thi...

An artwork of uncommon beauty, Yellow Flags on Brown, by Alex Katz was created by the artist in 2023, is hand-signed and numbered in pencil measuring 24 x 30 inches (61 x 76 cm), unf...

Created by Alex Katz in 2022, Vivien is hand-signed and numbered in pencil, measuring 32 x 24 in. (81 x 61 cm.), unframed, from the edition of 150 as issued.

Created by Alex Katz in 2019, Red Dancer 1 is a screenprint in colors, hand-signed in pencil and numbered, the artwork measuring 36 x 108 in. (91.5 x 274 cm),...

Created by Alex Katz in 2018, Laura 2 is an original etching, hand-signed in pencil and numbered, the artwork measures 42 x 42 in. (107 x 107 cm), unframed, fr...

Alex Katz’s Large Black Hat (Ada) (2012) distills representation into its most minimalistic visual form, continuing the artist’s decades-long project of rendering presence as an act ...

Technical Information: Alex Katz Alex and Ada 1984 Screenprint 30 x 36 in. Edition of 75 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art

We are proud to present a brand new edition by Alex Katz. "Yellow Flags on White" is one of the latest works that has been published. It is an homage to his landscape and flower artworks...

Technical Information Alex Katz Sunset 2, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 42 x 46 i...

This print is priced fairly, offered at the same wholesale discount extended to our partner galleries and private dealers. We strongly encourage prospective buyers to compare our lis...

This print is priced fairly, offered at the same wholesale discount extended to our partner galleries and private dealers. We strongly encourage prospective buyers to compare our lis...

This print is priced fairly, offered at the same wholesale discount extended to our partner galleries and private dealers. We strongly encourage prospective buyers to compare our lis...

This print is priced fairly, offered at the same wholesale discount extended to our partner galleries and private dealers. We strongly encourage prospective buyers to compare our lis...

Edition of 150.

Silkscreen in 25-colors on Saunders Waterford HP High White 425 gsm paper edition of 60

We are proud to present a brand new edition by Alex Katz. "Purple Irises in White" is one of the latest works that have been published. It is an homage to his landscape and flower artworks...

TECHNICAL INFORMATION Alex Katz Dancer 1 2019 Silkscreen 60 x 36 in. Edition of 60 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine A...

"Ada" from 2011 is a Japanese woodblock in thirty-one colors on New Hosho paper. We are offering the number 18/70. 3 Artist's proofs. Ada is Alex Katz' wife and his most important mu...

Adored by collectors and art lovers the world over, Alex Katz is renowned for his elegant and distinctive version of figuration. Born in 1927, Katz has been dedicated to art-making s...

Alex Katz (b. 1927) Ada 9 — From the ADA Portfolio, 2022, (/100) Silkscreen in colors on Saunders Waterford High White HP 425 gsm paper 54 x 40.50 in (137.16 x 102.87 cm)

This is an outstanding charcoal drawing by Alex Katz. He is portraying "Chris", who was model for several paintings and prints. Drawings do have an important impact to Alex Katz pain...

Alex Katz (b. 1927) has been dedicated to art-making since the 1950's - however, it wasn't until the 60's when he established his signature 'flat' figurative style. Over the succeedi...

"Laura 5" is a very special work by Alex Katz. Despite from that he became famous for his bright colors, this print is made in various shades of gray. So this classical Katz portrait...

Edition of 60

The "Black Dress" sculptures by Alex Katz are more than figurative sculptures. They are a homage to elegance, fashion and the female body. This cut-out is made from powder-coated alu...

We are proud to present a brand new edition by Alex Katz. "Purple Irises on Red" is one of the latest works that have been published. Edition of 100, signed, numbered and dated.

Archival pigment inks on Innova etching, 315 gsm fine art paper. Left panel: 46 x 15.25 in. Center panel: 46 x 23 in. Right panel: 46 x 15.25 in. Edition 23/100.

Technical Information: Alex Katz Sunrise 1 2022 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 54 x 40 1/2 in. Edition of 100 Pencil signed and numbered

ALEX KATZ (1927-Present) Alex Katz' 'Rudy' is a 1972 graphite drawing on paper. This original piece is signed 'Alex Katz '73', previously acquired from Marlborough Gallery, New Yor...

The present work “Freesia” by Alex Katz from 2023 is a color woodcut in seven colors. In terms of both style and motif, the work is one of the most recent in his landscape and floral...

Technical Information: Alex Katz Straw Hat 3 2022 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 75 1/2 x 42 in. Edition of 100 P...

TECHNICAL INFORMATION Alex Katz Sunrise, from Sunrise Sunset Portfolio 2020 Archival Pigment inks on Innova etching cotton rag 315 gsm paper 55 x 42 in...

TECHNICAL INFORMATION: Alex Katz Vivien in White Coat 2021 Silkscreen 54 x 39 in. Edition of 60 Pencil signed and numbered

In 2022 Alex Katz published the Straw Hat series. These are three beautiful works showing individual portraits of women, each wearing a kind of straw hat. They have this warm, summer...

Yellow Flags 4 - 21st Century, Alex Katz Landscape Print, Orange, Yellow, Flowers, "Yellow Flags 4" is one of Alex Katz's famous flower prints. His flowers are the most reduced form...

ALEX KATZ (1927-Present) Katz's 1974 'Profile of Vincent' is a drypoint on German etching paper. Signed and numbered to lower left ‘AP 5/10 Alex Katz’. This work is artist's proof 5...

TECHNICAL INFORMATION Alex Katz Dancer 3 2019 Silkscreen 60 x 36 in. Edition of 60 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art Condition: This work...

Edition of 15

TECHNICAL INFORMATION Alex Katz Sweatshirt 2 (Alex and Ada Suite) 1990 Screenprint 36 x 28 5/8 in. Edition of 150 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum...

TECHNICAL INFORMATION: Alex Katz Sasha 1 2016 Archival pigment inks on Crane Museo Max paper 32 x 16 in. Edition of 90 Pencil signed & numbered Accompanied with COA by Gregg Sh...

Edition of 100

Created by Alex Katz in 2017, Belinda is an archival pigment print on Crane Museo Max paper. Hand-signed in pencil and numbered, the artwork measures 30 x 22 in. (76 x 56 cm), unfram...

Created by Alex Katz in 2017, Alba is an archival pigment print on Crane Museo Max paper. Hand-signed in pencil and numbered, the artwork measures 30 x 22 in. (76 x 56 cm), unframed,...

Created by Alex Katz in 2017, Jessica is an archival pigment print on Crane Museo Max paper. Hand-signed in pencil and numbered, the artwork measures 30 x 22 in. (76 x 56 cm), unfram...

TECHNICAL INFORMATION Alex Katz Yellow Flags 3 2020 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 33 x 22 in. Edition of 15...

Technical Information: Alex Katz Tree 10 2022 Screenprint 37 1/2 x 38 in. Edition of 60 Pencil signed and numbered

Alex Katz (b. 1927) Ada 3 — From the ADA Portfolio, 2022, (/100) Silkscreen in colors on Saunders Waterford High White HP 425 gsm paper 54 x 40.50 in

Created by Alex Katz in 2019, Dancer II is an original screenprint in colors, hand-signed by the artist in pencil, and numbered, measuring 60 x 44 in. (153 x 111 cm), unframed, from ...

Edition of 100.

Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 119 x 86 cm. (46¾ x 33¾ in.)

Silkscreen in 25-colors on Saunders Waterford HP High White 425 gsm paper edition of 60

Alex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the two wars. Katz was raised in St. Albans by his Russian parents. His mother had been an actress and possessed a deep interest in poetry and his father, a businessman, also had an interest in the arts. Katz attended Woodrow Wilson High School for its unique program that allowed him to devote his mornings to academics and his afternoons to the arts. In 1946, Katz entered The Cooper Union Art School in Manhattan, a prestigious college of art, architecture, and engineering. At The Cooper Union, Katz studied painting under Morris Kantor and was trained in Modern art theories and techniques. Upon graduating in 1949, Katz was awarded a scholarship for summer study at the Skowhegan School for Painting and Sculpture in Maine, a grant that he would renew the following summer. During his years at Cooper Union, Katz had been exposed primarily to modern art and was taught to paint from drawings. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan’s plein air painting gave him “a reason to devote my life to painting.” Katz’s first one-person show was held at the Roko Gallery in 1954. Katz had begun to develop greater acquaintances with the New York School and their allies in the other arts; he counted amongst his friends’ figurative painters Larry Rivers and Fairfield Porter, photographer Rudolph Burckhardt, and poets John Ashbery, Edwin Denby, Frank O’Hara, and James Schuyler. From 1955 to 1959, usually following a day of painting, Katz made small collages of figures in landscapes from hand-colored strips of delicately cut paper. In the late 1950s, he moved towards greater realism in his paintings. Katz became increasingly interested in portraiture, and painted his friends and his wife and muse, Ada. He embraced monochrome backgrounds, which would become a defining characteristic of his style, anticipating Pop Art and separating him from gestural figure painters and the New Perceptual Realism. In 1959, Katz made his first cutout, which would grow into a series of flat “sculptures;” freestanding or relief portraits that exist in actual space. In the early 1960s, influenced by films, television, and billboard advertising, Katz began painting large-scale paintings, often with dramatically cropped faces. In 1965, he also embarked on a prolific career in printmaking. Katz would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut. After 1964, Katz increasingly portrayed groups of figures. He would continue painting these complex groups into the 1970s, portraying the social world of painters, poets, critics, and other colleagues that surrounded him. He began designing sets and costumes for choreographer Paul Taylor in the early 1960s, and he has painted many images of dancers throughout the years. In the 1980s, Katz took on a new subject in his work: fashion models in designer clothing. In the late 1980s and 1990s, Katz focused much of his attention on large landscape paintings, which he characterizes as “environmental.” Rather than observing a scene from afar, the viewer feels enveloped by nearby nature. Katz began each of these canvases with “an idea of the landscape, a conception,” trying to find the image in nature afterwards. In his landscape paintings, Katz loosened the edges of the forms, executing the works with greater painterliness than before in these allover canvases. In 1986, Katz began painting a series of night pictures—a sharp departure from the sunlit landscapes he had previously painted, forcing him to explore a new type of light. Variations on the theme of light falling through branches appear in Katz’s work throughout the 1990s and into the 21st century. At the beginning of the new millennium, Katz also began painting flowers in profusion, covering canvases in blossoms similar to those he had first explored in the late 1960s, when he painted large close-ups of flowers in solitude or in small clusters. More recently Katz began painting a series of dancers and one of nudes, which was the subject of a 2011 exhibition at the Kestnergesellschaft in Hanover. Katz’s work continues to grow and evolve today. Alex Katz's work has been the subject of more than 200 solo exhibitions and nearly 500 group exhibitions internationally since 1951. In 2010, Alex Katz Prints was on view at the Albertina Museum in Vienna, which showed a retrospective survey of over 150 graphic works from a recent donation to the museum by Katz of his complete graphic oeuvre. The National Portrait Gallery in London presented an exhibition titled Alex Katz Portraits. In June 2010, The Farnsworth Art Museum in Rockland, Maine opened Alex Katz: New Work, exhibiting recent large-scale paintings inspired by his summers spent in Maine. Katz was also represented in a show at the Metropolitan Museum of Art, New York, curated by Marla Prather, entitled Facing the Figure: Selections from the Permanent Collection, 2010. In 2009-2010, Alex Katz: An American Way Of Seeing was on view at the Sara Hildén Art Museum, Tampere, Finland; Musée Grenoble, Grenoble, France; and the Museum Kurhaus Kleve, Kleve, Germany. In 2007, Alex Katz: New York opened at the Irish Museum of Modern Art, Dublin, Ireland. The show, which included approximately 40 paintings and aquatints, was the first exhibition to concentrate primarily on Katz’s relationship with his native city. The Jewish Museum, New York, presented Alex Katz Paints Ada in 2006-2007, an exhibition of 40 paintings focused on Katz’s wife, Ada, dating from 1957 to 2005. It coincided with an exhibition devoted to Katz’s paintings of the 1960s at PaceWildenstein, Alex Katz: The Sixties, on view from April 27 through June 17, 2006 at 545 West 22nd Street. Alex Katz in Maine, an exhibition of landscapes and portraits made over six decades, opened at The Farnsworth Art Museum and Wyeth...