Alex Katz Art

Ariel 2021 Silkscreen on Saunders Waterford 425 gsm fine art paper Diptych 60 x 37 inches (153 x 94 cm) each Edition of 60 Suite of 2: $32,000 Single print also available. Please c...

Alex Katz (born 1927) Big Smile (Vivien) 2021 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 35 x 70 inches (89 x 178 cm) Edition of 75/100 With flat plane...

Created in 1990, this color Woodcut on Echizen-Kozo paper is hand-signed by Alex Katz (Brooklyn, 1927 - ) in pencil in the lower right margin and is numbered from the edition of 100 ...

Title: David Salle and Janet Leonard (From the portfolio 'Pas de Deux ') Artist: Alex Katz 1927 - PRESENT Year: 1993 Technique: Color screenprint Alex Katz's paintings and sculptures monumentalize common moments of everyday life. Katz was influenced by the golden age of the billboard business when hand-painted advertisements...

An artwork of uncommon beauty, Purple Irises on White, by Alex Katz was created by the artist in 2023, is hand-signed and numbered in pencil measuring 24 x 30 inches (61 x 76 cm), un...

An artwork of uncommon beauty, Yellow Flags on White, by Alex Katz was created by the artist in 2023, is hand-signed and numbered in pencil measuring 24 x 30 inches (61 x 76 cm), unf...

An artwork of uncommon beauty, Yellow Flags on Brown, by Alex Katz was created by the artist in 2023, is hand-signed and numbered in pencil measuring 24 x 30 inches (61 x 76 cm), unf...

An artwork of uncommon beauty, Purple Irises on Red, by Alex Katz was created by the artist in 2023, is hand-signed and numbered in pencil measuring 24 x 30 inches (61 x 76 cm), unfr...

Archival pigment ink print, on Innova Etching Cotton Rag 315 gsm 24 x 30 inches (61 x 76 cm)

Archival pigment ink print, on Innova Etching Cotton Rag 315 gsm 24 x 30 inches (61 x 76 cm)

The set "Porcelain Beauty" consists of 6 porcelain enamel artworks on aluminum plate. Alex Katz was life-long influenced by advertising e.g. the Ame...

This is one of the latest prints by Alex Katz. The half portrait is an audacious way to create a portrait. The multiple zoom and the clear frontal portrait are very typical for Katz ...

"Vivien in White Coat" - This is a very stunning "portrait" by Alex Katz who became famous for his portraying. It is a so called "lost profile" which is a...

In 2022 Alex Katz published the Straw Hat series. These are three beautiful works showing individual portraits of women, each wearing a kind of straw hat. They have this warm, summer...

This work is not a typical landscape by Alex Katz. It is a very stunning, nearly abstract work which is made of a combination of printing techniques like woodcut, lithograph and scre...

Yellow Flags 4 - 21st Century, Alex Katz Landscape Print, Orange, Yellow, Flowers, "Yellow Flags 4" is one of Alex Katz's famous flower prints. His flowers are the most reduced form...

"Beauty 5" is from Alex Katz' Beauty series. The topic "beauty" is a very important one for Katz. His whole body of work is due to beauty and it is a reminiscence to his wife Ada, to...

"Dancer 1" is from Alex Katz Dancer series. He is obsessed by fashion and the ballet and often works together with models and dancers. His works show ...

"Dancer 1" is from Alex Katz Dancer series. He is obsessed by fashion and the ballet and often works together with models and dancers. His works show ...

"Dancer 1" is from Alex Katz Dancer series. He is obsessed by fashion and the ballet and often works together with models and dancers. His works show ...

"Dancer 1" is from Alex Katz Dancer series. He is obsessed by fashion and the ballet and often works together with models and dancers. His works show ...

"Ada 2 (Outline)" is a stunning piece of art. Usually, Katz is well known for his cut-outs, but this is an "outline" sculpture made of high glossy polished aluminum. It is light as a...

"Sunrise 1", a cool, zoomed portrait in the characteristic style of Alex Katz. Wonderful colors and a the feeling of a hot summer day. Signed "Alex Katz" bottom right and numbered "3...

The "Black Dress" sculptures by Alex Katz are more than figurative sculptures. They are a homage to elegance, fashion and the female body. This cut-out is made from powder-coated alu...

The "Black Dress" sculptures by Alex Katz are more than figurative sculptures. They are a homage to elegance, fashion and the female body. This cut-out is made from powder-coated alu...

"Laura 5" is a very special work by Alex Katz. Despite from that he became famous for his bright colors, this print is made in various shades of gray. So this classical Katz portrait...

"Red Hat Ada" is a very typical portrait of Alex Katz' wife and life-long muse Ada. Over 70 years of marriage, he has depicted her uncountably often. This is a very outstanding portr...

"Flags" is a stunning woodcut from 2013. It is a very stylized view over a wide flower meadow. Typically, Katz is using a clear and straight color palette. It is beautiful to see how...

"Ada" from 2011 is a Japanese woodblock in thirty-one colors on New Hosho paper. We are offering the number 18/70. 3 Artist's proofs. Ada is Alex Katz' wife and his most important mu...

This is an outstanding charcoal drawing by Alex Katz. He is portraying "Chris", who was model for several paintings and prints. Drawings do have an important impact to Alex Katz pain...

Created by Alex Katz in 1995, Pas de Deux is comprised of five individual screenprints, each hand-signed and numbered, each measuring 36 x 20 inches (91.4 x 50.8 cm), each, unframed,...

We are proud to present a brand new edition by Alex Katz. "Purple Irises in White" is one of the latest works that have been published. It is an homage to his landscape and flower artworks...

We are proud to present a brand new edition by Alex Katz. "Purple Irises on Red" is one of the latest works that have been published. Edition of 100, signed, numbered and dated.

We are proud to present a brand new edition by Alex Katz. "Yellow Flags on Brown" is one of the latest works that has been published. It is an homage to his landscape and flower artworks...

We are proud to present a brand new edition by Alex Katz. "Yellow Flags on White" is one of the latest works that has been published. It is an homage to his landscape and flower artworks...

"Coca-Cola Girl 8" is a very special one out of Alex Katz's Coca-Cola Girl series. These figures bear witness of his deep engagement with the ideas of advertisment, figurative art an...

"Coca-Cola Girl 3" is one out of Alex Katz's Coca-Cola Girl series. These figures bare witness of his deep engagement with the ideas of advertisment, figurative art and how to come t...

"Coca-Cola Girl 2" is one out of Alex Katz's Coca-Cola Girl series. These figures bare witness of his deep engagement with the ideas of advertisment, figurative art and how to come t...

Alex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the two wars. Katz was raised in St. Albans by his Russian parents. His mother had been an actress and possessed a deep interest in poetry and his father, a businessman, also had an interest in the arts. Katz attended Woodrow Wilson High School for its unique program that allowed him to devote his mornings to academics and his afternoons to the arts. In 1946, Katz entered The Cooper Union Art School in Manhattan, a prestigious college of art, architecture, and engineering. At The Cooper Union, Katz studied painting under Morris Kantor and was trained in Modern art theories and techniques. Upon graduating in 1949, Katz was awarded a scholarship for summer study at the Skowhegan School for Painting and Sculpture in Maine, a grant that he would renew the following summer. During his years at Cooper Union, Katz had been exposed primarily to modern art and was taught to paint from drawings. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan’s plein air painting gave him “a reason to devote my life to painting.” Katz’s first one-person show was held at the Roko Gallery in 1954. Katz had begun to develop greater acquaintances with the New York School and their allies in the other arts; he counted amongst his friends’ figurative painters Larry Rivers and Fairfield Porter, photographer Rudolph Burckhardt, and poets John Ashbery, Edwin Denby, Frank O’Hara, and James Schuyler. From 1955 to 1959, usually following a day of painting, Katz made small collages of figures in landscapes from hand-colored strips of delicately cut paper. In the late 1950s, he moved towards greater realism in his paintings. Katz became increasingly interested in portraiture, and painted his friends and his wife and muse, Ada. He embraced monochrome backgrounds, which would become a defining characteristic of his style, anticipating Pop Art and separating him from gestural figure painters and the New Perceptual Realism. In 1959, Katz made his first cutout, which would grow into a series of flat “sculptures;” freestanding or relief portraits that exist in actual space. In the early 1960s, influenced by films, television, and billboard advertising, Katz began painting large-scale paintings, often with dramatically cropped faces. In 1965, he also embarked on a prolific career in printmaking. Katz would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut. After 1964, Katz increasingly portrayed groups of figures. He would continue painting these complex groups into the 1970s, portraying the social world of painters, poets, critics, and other colleagues that surrounded him. He began designing sets and costumes for choreographer Paul Taylor in the early 1960s, and he has painted many images of dancers throughout the years. In the 1980s, Katz took on a new subject in his work: fashion models in designer clothing. In the late 1980s and 1990s, Katz focused much of his attention on large landscape paintings, which he characterizes as “environmental.” Rather than observing a scene from afar, the viewer feels enveloped by nearby nature. Katz began each of these canvases with “an idea of the landscape, a conception,” trying to find the image in nature afterwards. In his landscape paintings, Katz loosened the edges of the forms, executing the works with greater painterliness than before in these allover canvases. In 1986, Katz began painting a series of night pictures—a sharp departure from the sunlit landscapes he had previously painted, forcing him to explore a new type of light. Variations on the theme of light falling through branches appear in Katz’s work throughout the 1990s and into the 21st century. At the beginning of the new millennium, Katz also began painting flowers in profusion, covering canvases in blossoms similar to those he had first explored in the late 1960s, when he painted large close-ups of flowers in solitude or in small clusters. More recently Katz began painting a series of dancers and one of nudes, which was the subject of a 2011 exhibition at the Kestnergesellschaft in Hanover. Katz’s work continues to grow and evolve today. Alex Katz's work has been the subject of more than 200 solo exhibitions and nearly 500 group exhibitions internationally since 1951. In 2010, Alex Katz Prints was on view at the Albertina Museum in Vienna, which showed a retrospective survey of over 150 graphic works from a recent donation to the museum by Katz of his complete graphic oeuvre. The National Portrait Gallery in London presented an exhibition titled Alex Katz Portraits. In June 2010, The Farnsworth Art Museum in Rockland, Maine opened Alex Katz: New Work, exhibiting recent large-scale paintings inspired by his summers spent in Maine. Katz was also represented in a show at the Metropolitan Museum of Art, New York, curated by Marla Prather, entitled Facing the Figure: Selections from the Permanent Collection, 2010. In 2009-2010, Alex Katz: An American Way Of Seeing was on view at the Sara Hildén Art Museum, Tampere, Finland; Musée Grenoble, Grenoble, France; and the Museum Kurhaus Kleve, Kleve, Germany. In 2007, Alex Katz: New York opened at the Irish Museum of Modern Art, Dublin, Ireland. The show, which included approximately 40 paintings and aquatints, was the first exhibition to concentrate primarily on Katz’s relationship with his native city. The Jewish Museum, New York, presented Alex Katz Paints Ada in 2006-2007, an exhibition of 40 paintings focused on Katz’s wife, Ada, dating from 1957 to 2005. It coincided with an exhibition devoted to Katz’s paintings of the 1960s at PaceWildenstein, Alex Katz: The Sixties, on view from April 27 through June 17, 2006 at 545 West 22nd Street. Alex Katz in Maine, an exhibition of landscapes and portraits made over six decades, opened at The Farnsworth Art Museum and Wyeth...

Created by Alex Katz in 2019, Red Dancer 1 is a screenprint in colors, hand-signed in pencil and numbered, the artwork measuring 36 x 108 in. (91.5 x 274 cm),...

Created by Alex Katz in 2018, Laura 3 is a two-color original etching, hand-signed in pencil and numbered, the artwork measures 42 x 42 in. (107 x 107 cm), unframed, from the edition...

Created by Alex Katz in 2018, Laura 2 is an original etching, hand-signed in pencil and numbered, the artwork measures 42 x 42 in. (107 x 107 cm), unframed, fr...

Created by Alex Katz in 2020, Homage to Degas is an archival pigment print on Innova Etching Cotton Rag paper. Hand-signed in pencil and numbered, the ...

Created by Alex Katz in 2017, Belinda is an archival pigment print on Crane Museo Max paper. Hand-signed in pencil and numbered, the artwork measures 30 x 22 in. (76 x 56 cm), unfram...

Created by Alex Katz in 2017, Alba is an archival pigment print on Crane Museo Max paper. Hand-signed in pencil and numbered, the artwork measures 30 x 22 in. (76 x 56 cm), unframed,...

Created by Alex Katz in 2017, Jessica is an archival pigment print on Crane Museo Max paper. Hand-signed in pencil and numbered, the artwork measures 30 x 22 in. (76 x 56 cm), unfram...

Created by the Alex Katz in 2018, Laura x4 is a photoengraving and aquatint on Saunders Waterford paper. Hand-signed in pencil and numbered, the artwork measures 42 x 168 in. (107 x ...

Technical Information: Alex Katz Straw Hat 3 2022 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 75 1/2 x 42 in. Edition of 100 P...

Technical Information: Alex Katz Sunrise 1 2022 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 54 x 40 1/2 in. Edition of 100 Pencil signed and numbered

Technical Information: Alex Katz Tree 8 2022 Woodcut and Lithograph 39 3/4 x 39 1/4 in. Edition of 60 Pencil signed and numbered

Technical Information: Alex Katz Tree 10 2022 Screenprint 37 1/2 x 38 in. Edition of 60 Pencil signed and numbered

Created by the artist in 2022, Sunrise 2 is an 8-color woodcut print on Hiromi Izumi paper measuring 25 3/4 x 17 1/4 in. (65 x 44 cm), unframed, the artwork hand-signed in pencil, an...

Alex Katz (b. 1927) Sunrise 1, 2022, (33/100) Archival Pigment Ink on Innova Etching Rag Fine Art Paper 54 x 40.50 in

Alex Katz (b. 1927) Straw Hat 3, 2022, (49/100 + 20 AP + 6 HC + 1 BAT + 1 RTP) Archival pigment ink print, hand varnished on Innova Etching Cotton Rag 315 g...

Created by Alex Katz in 2022, Vivien is hand-signed and numbered in pencil, measuring 32 x 24 in. (81 x 61 cm.), unframed, from the edition of 150 as issued.

A beautiful and enigmatic image rendered as an original screenprint created in 2021, Ariel 2 is hand-signed and numbered by Alex Katz, the artwork measuring 60 x 37 in. (153 x 94 cm)...

With the simplest of line akin to a drawing by Matisse, Alex Katz renders Ada (Purple) in elegant simplicity. Created in 2022 as an original one-color woodcut in an edition of just ...

With the simplest of line akin to a drawing by Matisse, Alex Katz renders Ada (Black) in elegant simplicity. Created in 2022 as an original one-color woodcut in an edition of 150, t...