Amalric Walter Paperweights

Brass oval paperweight with "25" on top, stamped 2015 DE VERA on the bottom with the gallery's prior Crosby Street address.

This a Daum crystal Pate de Verre single flower (it can be a Groundsel) and large leaves bowl depicting different shades of blue and turquoi...

Logistics and International Shipping We provide a comprehensive export service so that your only concern is enjoying your acquisition. • Door-to-Door Service: Pieces located in our A...

Paperweight golf gold made entirely in solid brass in gold finish with golf ball pattern. Also available in palladium or ruthenium.

A Classic set of four beautiful pressed papiers designed by Carl Auböck and produced by the Carl Auböck Werkstätte. The set consists of a stone in leather, an egg, foot and hand. Sam...

Murano midcentury modern 1960s Millefiori flower, green, blue, red, white murine Italian Art Glass paperweight.

This French Art Nouveau pâte de verre paperweight (or "Presse Papiers") by Amalric Walter and Henri Bergé is an earlier, and smaller version of a series of "Langouste" paperweights f...

Fish in glass paste in a gradient of green and blue, signed A Walter Nancy Good general condition, small chip at the mouth of the fish and below the tail Art Nouveau Amalric Walte...

Francois Decorchemont Pate-de-Verre Chameleon Paperweight sculpted with orange and clear bubbled glass. Francoise Decorchemont pioneered the pate de Verre industry in the turn of the...

A French "Langouste", pâte de verre paperweight by Amalric Walter and Henri Bergé. The brown crayfish with red spots straddles a green and yellow curved base. Circa 1920. A simil...

This exquisite Trois Capricornes du Chêne covered box was designed by Amalric Walter and Henri Bergé for La Marquise de Sévigné, the celebrated French luxury chocolatier founded in 1...

Gabriel Argy-Rousseau Pâte de Verre Chevalier Paperweight, Circa 1920 Art Nouveau - Art Deco period mottled glass is shades of red, pink, orange and purpl...

This stunning pate de verre frosted crystal flower paperweight or decorative sculpture is by Daum, France, and was hand-made circa 1970. The sculpture features a lovely cactus flower...

François-Emile Decorchemont Pate-de-Verre Glass Mold Of A Female Ladies Face. A rare, large and very heavy sculpture of either a mask or a modeled face. At 3.5 inches thick in glass with a peach, pink or rose color; this statue was exhibited in the Brooklyn Museum, New York in 1971. With much research; I haven’t seen or heard of a similar form by Decorchemont. The original Brooklyn Museum loan sticker is on verso with the Decorchemont stamp on her left cheek. For serious collectors or rare Art Deco, Art Nouveau glass. Circa 1910 Molded Signature DECORCHEMONT Height: 7 Inches (13.3 cm) Width:. 5.2 Inches (16.5cm). AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont French, 1880-1997 François Décorchemont, originally an accomplished painter and potter of recognized ability, turned to the making of glass in 1904. Pâté de verre was the medium in which he excelled and for which he is best known. After studying decorative art in Paris, François Décorchemont returned to his native Conches in 1910 to develop new techniques in stained glass, particularly in the use of crystal to give multicolored and faceted panes. After 1909, while continuing to produce fine glass paste pieces, Francois Decorchemont began to experiment with a new casting technique. François Decorchemont, Emile's son and also an artist, helped out in his father’s studio, in particular helping him to research the possibilities of creating jeweled adornments in pates d'email (enamel pastes) for Gerome's polychrome sculptural creations. Francois Décorchemont, a potter and painter at the outset of his career, became fascinated with the IDEA of developing and utilizing a thin translucent glass material in his work. It was in essence the revival and an adaptation of a long forgotten Egyptian glass-making process using colored crystal powdered glass, metallic oxides and an adhesive paste. This "new" material, known as pâte de verre was developed around the turn of the century, principally at the Sevres porcelain factory, by a number of artists working there, notably Henri Cros and Albert Dammouse. The end of the 19th century was an illuminated period in the history of art. Impressionist painting appeared and created an interest in glass as material. Traditional sculpting materials such as bronze and marble made way for glass with its possibilities of light and color. Henry Cros and François Décorchemont became the leaders of French pâte de verre and facilitated the proliferation of this colorful glass. His first major work, in 1934, was inn the Eglise Sainte-Odile near Porte Champerret in Paris, some 300 square meters of brilliant colors. After the war, he devoted his work to churches in the Eure, including of course Beuzeville where, thanks to the generosity of the local council, the church is lit at night so that his work can be admired from outside. During the first half of the 20th century a number of French artists became famous for their work in pâte de verre, and Francois Decorchemont among them. March 2014, 20th Century’s Greatest Art Dealer Felix Marcilhac’s Collection Privee at Sotheby’s - Chang Yi Entrusts Antoine Leperlier in the Bidding of a Francois Decorchemon's Original. It has been reported that Felix Marcilhac’s Collection Privee auction at Sotheby’s brought in 33,125 Euros (28,000 RMB), three times the estimated price. Marcilhac is considered the greatest Art Deco dealer...

Venini Murano Cannette glass paperweight, designed by Ludovico De Santillana. Clear bubble over a heavy base decorated with applied filigrana cane segments. Perfect condition.