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Amos Sewell Art

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Artist: Amos Sewell
Morning Coffee Break, Saturday Evening Post Cover, 1959
Morning Coffee Break, Saturday Evening Post Cover, 1959

Morning Coffee Break, Saturday Evening Post Cover, 1959

By Amos Sewell

Located in Fort Washington, PA

Medium: Oil on Board Signature: Signed Lower Left Sight Size 27.00" x 23.75;" Framed 34.50" x 37.50" Original cover illustration for The Saturday Evening Post, September 12, 1959. ...

Category

1950s Amos Sewell Art

Materials

Oil, Board

Hunters
Hunters

Hunters

By Amos Sewell

Located in Fort Washington, PA

Date: 1943 Medium: Oil on Board Dimensions: 17.50" x 25.50" Signature: Signed Lower Left Born in San Francisco, Amos Sewell was a ranking California tennis player in his 20s wh...

Category

1940s Amos Sewell Art

Materials

Oil, Board

"Child of the Terror" Saturday Evening Post Illustration, February 1, 1941
"Child of the Terror" Saturday Evening Post Illustration, February 1, 1941

"Child of the Terror" Saturday Evening Post Illustration, February 1, 1941

By Amos Sewell

Located in Fort Washington, PA

Story illustration for "Child of the Terror" by Helen Fawley for The Saturday Evening Post, published February 1, 1941, page 17. The full caption reads: "'So happy to be German once...

Category

Mid-20th Century Amos Sewell Art

Materials

Charcoal

The Hatchet - American Realist Oil Painting, Circa 1950, Signed
The Hatchet - American Realist Oil Painting, Circa 1950, Signed

The Hatchet - American Realist Oil Painting, Circa 1950, Signed

By Amos Sewell

Located in Miami, FL

High drama and fear is exressed on the faces of 5 kids as they anticipate the outcome a scary event. Signed lower left From the Estate of Charles Martignette. Most likey for the Sa...

Category

1950s American Realist Amos Sewell Art

Materials

Oil

The Audience, Saturday Evening Post Cover
The Audience, Saturday Evening Post Cover

The Audience, Saturday Evening Post Cover

By Amos Sewell

Located in Fort Washington, PA

Medium: Oil on Board Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, July 28, 1956. The Post described, “The cows don't realize it is rude t...

Category

1950s Amos Sewell Art

Materials

Oil, Board

“I won’t let you take our Katie away!” Illustration for River Singer
“I won’t let you take our Katie away!” Illustration for River Singer

“I won’t let you take our Katie away!” Illustration for River Singer

By Amos Sewell

Located in Fort Washington, PA

Illustration for third and final installment of "River Singer" by Pete Martin for The Saturday Evening Post, published August 30, 1947, page 26. The full caption reads: “Katie’s br...

Category

1940s Amos Sewell Art

Materials

Mixed Media, Board

Let's Go Fishing, Original Cover Painting for The Saturday Evening Post
Let's Go Fishing, Original Cover Painting for The Saturday Evening Post

Let's Go Fishing, Original Cover Painting for The Saturday Evening Post

By Amos Sewell

Located in Fort Washington, PA

Original cover illustration for The Saturday Evening Post, published August 25-September 1, 1962. A little boy eager to go fishing sits watching his father sleep away the morning. ...

Category

1960s Amos Sewell Art

Materials

Board, Mixed Media

Tricking Trick-or-Treaters, Halloween Cover for The Saturday Evening Post
Tricking Trick-or-Treaters, Halloween Cover for The Saturday Evening Post

Tricking Trick-or-Treaters, Halloween Cover for The Saturday Evening Post

By Amos Sewell

Located in Fort Washington, PA

Date: 1951 Medium: Oil on Canvas Dimensions: 30.00" x 25.00" Signature: Signed Lower Left Original Halloween cover illustration for The Saturday Evening Post, November, 3, 1951. A ...

Category

1950s Amos Sewell Art

Materials

Canvas, Oil

YMCA Camping Trip
YMCA Camping Trip

YMCA Camping Trip

By Amos Sewell

Located in Fort Washington, PA

Medium: Gouache on Board Signature: Signed Lower Right Sight Size 23.00" x 19.50;" Framed 32.00" x 28.00"

Category

20th Century Amos Sewell Art

Materials

Gouache, Board

Parent- Teacher Conference, Saturday Evening Post Cover
Parent- Teacher Conference, Saturday Evening Post Cover

Parent- Teacher Conference, Saturday Evening Post Cover

By Amos Sewell

Located in Fort Washington, PA

Medium: Oil on Board Signature: Signed Lower Left Sight Size 26.00" x 24.00", Framed 32.00" x 20.00" Original cover illustration for The Saturday Evening Post, December 12, 1959. T...

Category

1950s Amos Sewell Art

Materials

Oil, Board

The Confrontation, Story Illustration for the Saturday Evening Post, 1940
The Confrontation, Story Illustration for the Saturday Evening Post, 1940

The Confrontation, Story Illustration for the Saturday Evening Post, 1940

By Amos Sewell

Located in Fort Washington, PA

An illustration depicting a circa late 19th century woman confronting a child, whose holster and gun are lying at his feet. Story illustration for "Pony-Express Boy" by M.G. Chute f...

Category

1940s Amos Sewell Art

Materials

Paper, Charcoal

Man Leading Horse
Man Leading Horse

Man Leading Horse

By Amos Sewell

Located in Fort Washington, PA

Date: 1945 Medium: Gouache Dimensions: 23.50" x 35.50" Signature: Signed Lower Left Story illustration, older man leading horse, concerned kids. "Don't sell him, Uncle Pete' Ba...

Category

1940s Amos Sewell Art

Materials

Gouache

Boy at Carnival
Boy at Carnival

Boy at Carnival

By Amos Sewell

Located in Fort Washington, PA

Medium: Oil on Board Signature: Signed Lower Right Featured in the Saturday Evening Post.

Category

20th Century Amos Sewell Art

Materials

Oil, Board

Secret Project
Secret Project

Secret Project

By Amos Sewell

Located in Fort Washington, PA

Magazine Story Illustration Signed lower left Amos Sewell had a special empathy for children and also particularly enjoyed depicting homespun, rural subjects. These special gifts were ideally combined in the illustrations he made for a series of stories about Babe, Little Joe, Big Joe, and Uncle Pete by R. Ross Annett that ran for over twenty years in The Saturday Evening Post. Sewell was born in San Francisco and studied nights at the California School of Fine Arts, working days in a bank. After some years of this, he decided to try his luck as an illustrator in the East. To get there, he shipped out as a working hand on a lumber boat going by way of the Panama Canal. In New York, he studied at the Art Students League and at the Grand Central School of Art. Among his teachers were Guy Pene DuBois, Julian Levi...

Category

1940s Other Art Style Amos Sewell Art

Materials

Board, Oil

"Remembered Anger, " Story Illustration for the Saturday Evening Post

"Remembered Anger, " Story Illustration for the Saturday Evening Post

By Amos Sewell

Located in Fort Washington, PA

Medium: Oil on Board Signature: Signed Lower Right Story featured in The Saturday Evening Post, 1945 “Remembered Anger” by Martha Albrand Story illustration: Man in showgirl's dres...

Category

1940s Amos Sewell Art

Materials

Oil, Board

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This captivating mid-century Spanish painting by Alfredo Opisso immerses the viewer in the lively atmosphere of a café or bar, where figures gather to drink, sing, and dance. Rendere...

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Early 20th Century European School, view of the city, with buildings in the background, gouache on paper unsigned in a beautiful custom made Haydenryk frame under glass.

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"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers
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Located in New York, NY

"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers Douglas Crockwell (1904-1968) "Paper Making" 19 x 39 inches Oil on board, c. 1936 Signed verso Framed: 28 x 47 Provenance: Estate of the Artist BIO Spencer Douglass Crockwell was born into a comfortable middle class household on April 29, 1904 in Columbus, Ohio. His father, Charles Roland Crockwell, was a mining engineer; his mother, Cora, was the daughter of an Iowa attorney. He became a commercial artist and experimental filmmaker who spent a good part of his career creating illustrations and advertisements for the Saturday Evening Post. In 1907 the Crockwell family moved to St. Louis, Missouri, where he graduated from high school and then attended from Washington University. Initially he studied engineering, but soon switched to business. While still an undergraduate, Crockwell took courses at the St. Louis School of Fine Arts and quickly realized that he wanted to be an artist. After graduating from Washington University in 1926, Crockwell continued to study at the St. Louis School of Fine Arts until 1929. The following year he relocated to Chicago and continued his studies at the American Academy of Art. In 1930 and 1931 he studied in Europe on a Traveling Fellowship. In 1932 Douglass Crockwell moved to Glens Falls, New York, which was to be his home for the remainder of his life. The following year he married Margaret Braman. They had three children, a son Douglass and two daughters, Johanna and Margaret. During the depression he created murals and posters for the Works Progress Administration including Post Office murals in White River junction, Vermont; Endicott, New York; and Macon, Mississippi. In 1934 he painted Paper Workers, Finch Pruyn & Co. (the leading Glens Falls, New York company) for the WPA. In the 1930s Crockwell developed an interest in experimental animated films that occupied him for the rest of his life. In 1936 and 1937, he collaborated with David Smith, a sculptor, to create surrealist films. Because of his interest in experimental films, his output of paintings was limited to just twenty to forty illustrations a year during this time. Crockwell painted his first of many Saturday Evening Post cover in 1933. He also worked for Life, Look, and Esquire, and numerous national advertisers including Friskies dog food, Welch’s Grape Juice, Republic Steel...

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1930s American Modern Amos Sewell Art

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Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern
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Demonstration #1 Hélène Duclos, 21st Century, Contemporary figurative art blue
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Materials

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Girl with Muff
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Rosehip-21st Century Still-life Painting of a Glass Bowl with Pink Rosehips
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Man Reaching Down: Tondo
Man Reaching Down: Tondo

Michael LeonardMan Reaching Down: Tondo, 1989

$103,405

H 32.68 in Dm 32.68 in

Man Reaching Down: Tondo

By Michael Leonard

Located in London, GB

Alkyd-oil on Masonite, signed and dated (middle left), 61cm (diam.), (83cm diam. framed). (This work was kept by the artist for his personal collection. It remained in his collection...

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Previously Available Items
"The Sea Was Upon Them" Illustration for "Crazy Waters" in Saturday Evening Post
"The Sea Was Upon Them" Illustration for "Crazy Waters" in Saturday Evening Post

"The Sea Was Upon Them" Illustration for "Crazy Waters" in Saturday Evening Post

By Amos Sewell

Located in Fort Washington, PA

Story illustration for “Crazy Waters” by Leonard H. Nason for The Saturday Evening Post, published January 22, 1938, page 10. The full caption reads: “The sea was upon them. It pick...

Category

1930s Amos Sewell Art

Materials

Charcoal, Board

The Well Meaning Kidnapper
The Well Meaning Kidnapper

The Well Meaning Kidnapper

By Amos Sewell

Located in Fort Washington, PA

Story illustration for "The Well-Meaning Kidnapper" by Logan Carrol, published in The Saturday Evening Post, February 3, 1951, page 24. The full caption reads: "'Don't you know kidn...

Category

1950s Amos Sewell Art

Materials

Oil, Board

Amos Sewell art for sale on 1stDibs.

Find a wide variety of authentic Amos Sewell art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Amos Sewell in paint, board, oil paint and more. Not every interior allows for large Amos Sewell art, so small editions measuring 14 inches across are available. Customers who are interested in this artist might also find the work of Tom Lovell, Robert Riggs, and Martha Walter. Amos Sewell art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,350 and tops out at $249,000, while the average work can sell for $8,500.

Artists Similar to Amos Sewell