August Mosca was born in Naples, Italy, on August 19, 1909. He and his family emigrated to the United States in 1911. He attended Yale School of Art in 1924–26, before moving to New York City, where he attended Pratt Institute (1929). While living in his studio on Sixth Avenue and West Fourth Street in 1931, he studied at the Art Students League with Harry Wickey. In 1932, Mosca studied at Grand Central School of Art and made his first trip to study in Italy. He met Joseph Stella in 1937, who introduced him to the silverpoint medium which he perfected throughout his life. The year 1939 saw the completion of Mosca's first paintings of New York City bridges and subways. He received the California Palace of the Legion of Honor Medal and took part in the Metropolitan Museum of Art exhibition "Portrait of America" during the mid-1940s. His first solo exhibit was at the Salpeter Gallery in New York City, where he showed annually from 1959–69 and 1961 marked a one-man show at the Guild Hall of East Hampton, New York. The Butler Institute of American Art, the Library of Congress, and the Brooklyn Museum (two silverpoint drawings) acquired his work during that time. During the 1970s, Mosca had solo exhibits in New York’s Cultural Center, the Fordham University and the FAR Gallery. Mosca's work was acquired by the Grey Art Gallery of New York University Art Collection, the Parrish Art Museum (Southampton, New York) and the New York Public Library. He received the President's Award in the Audubon Annual, the Barney Paiser Award and the Purchase Prize in the Society of American Graphics Artists Annual. In 1978, the Association of American Artists commissioned two lithographs. In 1987, East End Arts Council held a one-man exhibition of silverpoint drawings and produced a cable television show in conjunction with the exhibit. Mosca participated in "Impressionism and Post-Impressionism" and "New York: Empire City in the Age of Urbanism 1875–1945" exhibits, in 1988, at Grand Central Art Galleries, followed by “August Mosca, A Fifty-Year Retrospective Exhibit” in 1990. Mosca found his inspiration in the Florentine and Northern Italian schools of the Renaissance which he studied on many trips to Italy. He learned that drawing is the most important part of a painting, bringing this knowledge back to the emerging modernism being explored in New York City. Joseph Stella made a lasting impression on the young Mosca. Stella encouraged him to paint the city in a form that would reflect himself. Drawing the bridges of New York, Mosca said, "After many attempts to capture the fright this bridge inspired in me, I eventually arrived at this mood of translucent tranquility and awesome quietude as I looked long at the crisscrosses, struts, and stresses."
original lithograph
By August Mosca
Located in Henderson, NV
Medium: original lithograph. This lithograph was printed in 1958 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...
Lithograph
original lithograph
By August Mosca
Located in Henderson, NV
Medium: original lithograph. This lithograph was printed in 1957 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...
Lithograph
Subway Station, Architectural Etching by August Mosca
By August Mosca
Located in Long Island City, NY
Artist: August Mosca (1905 - 2003) Title: Subway Station Medium: Lithograph, signed and numbered in pencil Edition: 1/20 Image Size: 14.5 x 16.5 inches...
Lithograph
$2,500
H 19 in W 13.75 in
Losias Sepultus in Mausoleo Patrum from Bibla Sacra by Salvador Dali
By Salvador Dalí
Located in Paonia, CO
Losias Sepultus in Mausoleo Patrum ( Josiah buried in the Mausoleum of his Father ) is a colored lithograph from the original gouache on heavy rag paper from Salvador Dali’...
Lithograph
$900
H 18.88 in W 12.88 in
'Eyes for the Night' — Mid-century American Surrealism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Eyes for the Night', lithograph, 1947, edition 35, Fine and Looney 260. Signed, dated, titled, and annotated 'Ed 35' in pencil. A fine impression, on heavy, cream ...
Lithograph
$475
H 7.125 in W 8.375 in
GREETINGS FROM THE HOUSE OF WEYHE. Many Known Artists Inside the Gallery
Located in Santa Monica, CA
MAYBEL DWIGHT (1875 - 1955) GREETINGS FROM THE HOUSE OF WEYHE, 1928 Lithograph, signed in the plate. Image 7 1/8 x 8 3/8” + printed title. Sheet 8 ¼ x 9” as issued. Xmas card iss...
Lithograph
Between the Clock and the Bed
By Jasper Johns
Located in New York, NY
Created by Jasper Johns in 1989, Between the Clock and the Bed is an original lithograph in colors on John Koller HMP paper measuring 29 ¼ x 41 ¾ in (74.3 x 106 cm), unframed. Hand-...
Lithograph
$12,000
H 13.32 in W 10.38 in
'Financial District', New York City — American Modernism
By Howard Norton Cook
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
Lithograph
$2,800
H 22 in W 29.5 in
Untitled from Doctors of the World Portfolio, hand signed & numbered Pop realism
By Chuck Close
Located in New York, NY
Chuck Close Untitled Daguerreotypes, 2001 Two (2) pigmented digital output iris prints from daguerroeotype printed in a single sheet of wove paper 22 × 29 1/4 inches Signed in pencil...
Pencil, Lithograph, Pigment
$1,200
H 19.82 in W 13.25 in
'I'll Be What I Choose' — Mid-century American Surrealism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
'I'll Be What I Choose: Vanity of Ambition', color lithograph, 1949, edition 40, Fine and Looney 281. Signed, titled, and numbered '23/40' in pencil. Initialed in the stone, lower ri...
Lithograph
Cat and Busybody
By Benton Murdoch Spruance
Located in Middletown, NY
A 1933 lithograph on cream wove paper 14 x 18 inches (354 x 452mm), full margins. Signed, titled, and numbered 17/33 in pencil, lower margin. Minor mat tone around the perimeter of t...
Lithograph
Slack Rope Artist
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Slack Rope Artist', lithograph, 1930, edition 30, Fine and Looney 35. Signed and titled in pencil. Numbered '2' in the bottom right margin. A fine impression, with ...
Lithograph
'Tanks #1' — American Precisionism
By Louis Lozowick
Located in Myrtle Beach, SC
Louis Lozowick, 'Tanks #1', lithograph, 1929, edition 50, Flint 39. Signed, titled, and numbered '11/50' in pencil. Signed with the artist's monogram in the stone, lower left. A superb, richly-inked impression, on cream wove paper, the full sheet with margins (3/4 to 1 7/8 inches), in excellent condition. Matted to museum standards. Image size 13 15/16 x 8 1/16 inches (355 x 204 mm), sheet size 15 3/4 x 11 1/4 inches (400 x 286 mm). Exhibited: 'The American Scene: Prints from Hopper to Pollock', Stephen Coppel, The British Museum, 2008. Literature: 'Prints and Their Creators, A World History', Carl Zigrosser, Crown Publishers Inc, 1974; 'American Lithographers...
Lithograph
$500
H 38 in W 28.5 in D 1 in
Venice 1999 Mourlot Paris Signed Limited Edition Lithograph
Located in Rochester Hills, MI
Artist Name: Jean Vollet Year: 1999 Medium Type: Mourlot Lithograph Size-Width Size-Height: 38'' x 28.75'' Signed Edition Size: Signed in pencil and marked 199/299 Title: Venetia...
Lithograph
Profile of an African Woman — 1920s Modernism
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, Untitled (Profile of an African Woman), lithograph, edition 250, 1929. Signed and numbered 15 in pencil. Number 15 of Volume 2, a series of 10 lithographs publish...
Lithograph
Sold
H 10.88 in W 8.75 in
'Subway No. 3' — Mid-century Modernism, New York City
By August Mosca
Located in Myrtle Beach, SC
August Mosca, 'Subway No. 3', lithograph, c. 1946-56, edition 50. Signed, titled and numbered '28/50' in pencil. A fine, richly-inked impression on off-white, wove paper; the full sh...
Lithograph
Elevated Structure
By August Mosca
Located in Myrtle Beach, SC
August Mosca, 'Elevated Structure', lithograph, c. 1946-56, edition 50. Signed, titled and numbered '28/50' in pencil. A fine, richly-inked impression, on cream, wove paper; the full...
Lithograph