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Clare Leighton Prints and Multiples

British, 1898-1989

Born in London, England, Clare Leighton executed her first wood engraving in 1922 while enrolled at the Central School of Art and Design in London. A year later, her engravings were shown in the Society of Wood Engraver's annual exhibition, and she began to receive critical attention. At the onset of the Second World War, she moved to America. In 1943, Leighton taught at Duke University and eventually settled in Woodbury, Connecticut, where she worked until the late 80s. Leighton's prints show people engaged in various types of work. During her extensive career, Leighton carved more than 900 woodblocks and designed numerous book illustrations, bookplates, engravings, illustrations, and mosaics and stained glass windows. Although known primarily for her work as a printmaker, she was the author of seven books.

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Artist: Clare Leighton
Clare Leighton (1898-1989) - Framed Wood Engraving, Men Breaking up a Barge
By Clare Leighton
Located in Corsham, GB
An exquisite black & white wood engraving by the collectable English/American artist, Clare Leighton (1898-1989). Presented in a fine gilt-effect frame. Unsigned. On paper.
Category

Early 20th Century Clare Leighton Prints and Multiples

Materials

Woodcut

Clare Leighton (1898-1989) - Framed Wood Engraving, Watching the Cricket
By Clare Leighton
Located in Corsham, GB
An exquisite black & white wood engraving by the collectable English/American artist, Clare Leighton (1898-1989). Smartly mount in a fine black frame. Inscribed to the reverse 'First...
Category

Mid-20th Century Clare Leighton Prints and Multiples

Materials

Woodcut

Clare Leighton (1898-1989) - Framed Wood Engraving, Dandelions & Buttercups
By Clare Leighton
Located in Corsham, GB
An exquisite black & white wood engraving by the collectable English/American artist, Clare Leighton (1898-1989). Presented in a fine black frame with gilt. Unsigned. On paper.
Category

Mid-20th Century Clare Leighton Prints and Multiples

Materials

Woodcut

Early 20th Century Wuthering Heights Genre Woodcut -- Death of Earnshaw #28/30
By Clare Leighton
Located in Soquel, CA
Wonderful genre woodcut of a scene from Emily Bronte's "Wuthering Heights" titled "Death of Earnshaw" by Clare Leighton (British/American, 1898 - 198...
Category

1950s Other Art Style Clare Leighton Prints and Multiples

Materials

Paper, Ink, Woodcut

Fat Stock Market
By Clare Leighton
Located in Myrtle Beach, SC
Clare Leighton, 'Fat Stock Market', 1933, wood engraving, edition 100, Boston Public Library 217. Signed, titled, and numbered '11/100' in pencil. A super...
Category

1930s Modern Clare Leighton Prints and Multiples

Materials

Woodcut

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"Fieldwork," an original woodcut on paper by Roger Herman, is a piece for the true collector. This spectacular woodcut cannot be properly communicated digitally – it is a far more impactful and meaningful experience in person. This work of art would definitely enhance most homes or professional settings, perfect for those who have an affinity for abstracts, Neo-Expressionism, modernist paintings, or postmodern art. This woodcut was printed by Hans-Fuss and published by the Graphic Arts Council at LACMA. Work is outfitted with custom, conservation frame. Art historian Howard Singerman's words from the December 1982 ArtForum Magazine: "...Herman's expressionistic style... with its roots in German Expressionism and the New York School, is previously painted. His mean colors, thick pigment, and quick strokes are not a direct record of emotion and activity, they are not painting outside language, but signs for that painting, for an emotion and an activity that are no longer available. The expressionist act is recast as romantic aspiration; in his inscription, Herman evokes painting's past and admits his need for its aura... ...Herman's distance even undermines the emblematic immediacy of his expressionism, which he uses to attain more distance still. Unlike the flattened, aggressive figures that push to, and threaten to push through, the surfaces of most new painting, Herman's figures are situated in middle ground and buried beneath the paint..." Artist: ROGER HERMAN (1947-) Title: FIELDWORK Medium & Surface: ORIGINAL WOODCUT ON PAPER (framed) Signed/Numbered: HAND-SIGNED, NUMBERED, AND TITLED BY ARTIST Number: 36 of 75 Year Created: 1984 Country of Creation: UNITED STATES Image Area Dimensions: 24 x 48 INCHES Paper Dimensions: 38 x 62 INCHES Frame Dimensions:* 41.25 x 65.25 x 1 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY ROGER HERMAN – PRINTED BY HANS-FUSS WITH BLIND STAMP LOWER RIGHT. PUBLISHED BY THE GRAPHIC ARTS COUNCIL AT LACMA. FEATURES CUSTOM CONSERVATION FRAME. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Roger Herman, a German painter and ceramic artist, has become well known for the broad range of styles encompassed within his work across multiple mediums. Roger Herman was born in Germany in 1947, where he began his studies at the Kunstakademie in Karlsruhe. In 1976, he was offered a fellowship from the German Academic Exchange Service (DAAD), which took him across the world to San Francisco. It was here, in California, that his career began to flourish. He started by creating paintings of phenomenal proportion, soon christened as the West Coast parallel of the 80s Neo-expressionist movement. It was highly referential work, drawing on his knowledge of art history, as well as his famed sense of humor. With loose, facile brushwork, his art is reminiscent of the figurative German painters who emerged in the 1970s—like Markus Lüpertz (who taught at the Kunstakademie), Rainer Fetting...
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No Footprints Show, Where the Flowers Grow Deep
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Previously Available Items
Clare Leighton (1898-1989) - Framed Mid 20th Century Lithograph, Snow Shovellers
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A striking illustrative print by the collectable English/American artist Clare Leighton (1898-1989). Taken from the artist's original woodblock series and printed for publication. Sm...
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Clam Diggers - Cape Cod
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CLARE LEIGHTON (1898 – 1989) CLAM DIGGERS CAPE COD, 1946. Wood engraving as published by The Woodcut Society, Alexandria in the original folder. Signed i...
Category

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"The Dance" - Mid Century Modern Figurative Dancer Lithograph
By Clare Leighton
Located in Soquel, CA
Dynamic mid-century figurative lithograph of a dancer by Clare Leighton (English, 1898-1989). Numbered ("33/50"), titled ("The Dance"), and signed ("Clare Leighton") along the lower edge. Circa 1947-57. Presented in a new gray-blue mat. Image size: 7.88"H x 5.88"W Clare Leighton (English, 1898-1989) was born in London on 12 April 1898, the daughter of Robert Leighton (1858–1934) and Marie Connor Leighton (1865–1941), both authors. Clare lived her early life in the shadow of her older brother, Roland - her mother's favorite; the family's rather callous nickname for Clare was "the bystander." Even so, her early efforts at painting were encouraged by her parents and her uncle Jack Leighton, an artist and illustrator. In 1915, Leighton began formal studies at the Brighton College of Art and later trained at the Slade School of Fine Art (1921–23) and the Central School of Arts and Crafts, where she studied wood engraving under Noel Rooke. After completing her studies, Leighton took time to travel through Europe, stopping in Italy, France, and the Balkans. She sketched landscapes and lower-class workers, developing an affinity for portraying rural life. During the late 1920s and 1930s, Leighton visited the United States on a number of lecture tours, emigrating to the US in 1939. She lived in Baltimore for a while and became friends with H. L. Mencken. Leighton became a naturalized citizen in 1945. From 1943 to 1945 she was a member of the Department of Art, Aesthetics, and Music at Duke University. In 1945 she was elected into the National Academy of Design as an Associate member and became a full Academician in 1949. Over the course of a long and prolific career, Leighton wrote and illustrated numerous books praising the virtues of the countryside and the people who worked the land. She was the first woman to produce a book on wood-engraving (Wood-Engraving and Woodcuts, 1932). This played an important part in popularizing the medium. During the 1920s and 1930s, as the world around her became increasingly technological, industrial and urban, Leighton continued to paint rural working men and women. These included a 1938 poster design for London Transport promoting week-end walks in the countryside. In the 1950s she created designs for Steuben Glass, Wedgwood plates, several stained glass windows for churches in New England, and for the transept windows of Worcester Cathedral...
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Mid-20th Century Folk Art Clare Leighton Prints and Multiples

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Corsican Washerwomen
By Clare Leighton
Located in Storrs, CT
Corsican Washerwomen. 1934. Wood engraving. Boston Public Library 258. 8 1/2 x 10 (sheet 7 1/2 x 11). Edition 215, #192. Presentation print for The Print Club of Cleveland in 1936. I...
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Clare Leighton prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Clare Leighton prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Clare Leighton in woodcut print, engraving, ink and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Clare Leighton prints and multiples, so small editions measuring 10 inches across are available. Customers who are interested in this artist might also find the work of Sir Frank Brangwyn, William Lee Hankey, Sir David Young Cameron, and R.A.. Clare Leighton prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $336 and tops out at $2,500, while the average work can sell for $592.

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