Candida Hofer Photography

This exquisite chromogenic print by Marilyn Minter (b. 1948), titled Prism, exemplifies the artist’s radical expansion of photo-real imagery into a realm of heightened sensuality, su...

This is a series of photography portraiture of flowers as subject matter. #773 31.5x42" image dimensions - Edition of 10 Archival pigment print Signed and numbered About this se...

"OPTASIA 02" Abstract Photography 39" x 39" inch Edition 3/5 by Giuliano Bekor OPTASIA 02 39" x 39" inch Edition 3/5 Archival pigment print. Signed and numbered by the artist. Comes with COA issues by the artist. Not framed. Ships in tube. OPTASIA 02 Inspired by a Corinthian mosaic floor from a Roman villa decorated with a medal, bearing the head of Dionysos, the god of wine, theatre and religious ecstasy, 2nd century AD. OPTASIA series A palimpsest of forms and emotions OPTASIA is the new body of work by Giuliano Bekor, the internationally acclaimed photographer, perpetually in love with Greece and Greek culture. On show for the first time, the collection is part of the Life Art Festival 2018 in Greece and an ideal opportunity for the photographer to create artworks inspired by emblematic ancient treasures: Cycladic art...

A breathtaking homage to the grandeur of knowledge, Reinhard Görner’s Shining Wall of Books captures the luminous beauty of one of the world’s most rever...

Represented by George Billis Gallery, NYC & LA --In 2013, I first saw Carol Inez Charney’s striking semi-abstract photographs depicting details of modernist architecture partially ob...

This masterful photograph by renowned architectural photographer Reinhard Görner captures the timeless elegance of the George Peabody Library in Baltimore. Known as the 'cathedral of...

Jacob and Wilhelm Grimm Centre Berlin Germany 2019 60 x 75 inches 152.4 x 190,3 cm Edition of 7 signed and numbered on label, verso In Jacob and Wilhelm Grimm Centre, Reinhard Gör...

"Emulsion 23" Photography 48" x 48" inch Edition of 10 by Giuliano Bekor Emulsion series. Title of artwork: EM23 Year: 2010 Print size: 48x48 Inches trim bleed Rarity: Limited editi...

In Kings Road (2022) Mona Kuhn lyrically reconsiders the realms of time and space within the architectural elements of the Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. Fundamentals (2022) Kings Road: A Rudolph Schindler House 45" x 60" / 114cm x 152cm / edition of 3 30" x 40" / 76cm x 102cm /edition of 12 limited edition photograph printed under artist supervision + accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography...

27 "× 40" available unframed Paul Raphaelson’s photographs of the Domino Sugar Factory in Williamsburg, Brooklyn document a topic of co...

Dynamic Sink Pulse One One One One, 2009 digital chromogenic print, aluminum back mount, acrylic face mount  36 x 36 inches / 914 x 914 mm edition of 3 plus AP available print edition 2/3 Christina McPhee’s expansive abstract paintings, drawings, photographs, and videos test or query how can we know, and who is we? Moving from within a matrix of measurement, observation and contingent effects, her work resists characterization as product, and continually accesses fields outside itself. For her, process equals trial. Her work emulates potential forms of life, in various systems and territories, from a perspective of the non-self– a world beyond identity. McPhee’s dynamic, performative, physical engagement with materials, in both her analogue and digital works, is a seduction into surface-skidding calligraphic gestures and mark-making. The tactics of living are in subterfuge, like the ‘dazzle...

Lambda digital-c print on Ilford Ilfoflex Archival Super Gloss. Signed, dated, titled, and numbered 1/8 on verso. Artist Andrew George is based in Los Angeles. He recently premiere...