Charlie Mackesy Art

This piece, titled "Wanderer 10" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through" is made of collage, charcoal, pastel, acrylic, and gra...

This piece, titled "The Meeting 30" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of ink transfer, charcoal, pastel, acrylic, a...

NANCY CHUNN (American, born 1941) Untitled mixed media work Ink and pastel on newspaper De-acidified artistically rendered edition of Washington Post, October 5, 1997, various headlines and illustrations Dimensions Framed, 31 in. x 22 in. Sheet 23 X 14 With a whimsical red mercedes Benz convertible, Snowman, President Bill Clinton, racing cars and the Text "the check is in the mail". Nancy Chunn is an American artist (born 1941) based in New York, Known for her commitment to geopolitical issues, Chunn’s work includes a diverse range of paintings. Nancy Chunn was born in Los Angeles, California and received her Bachelor of Fine Arts in 1969, from the California Institute of the Arts, Santa Clarita, California. She began her career in Southern California before moving to New York in the late 1970s, where she currently lives and works. Chunn has exhibited internationally and has been represented by Ronald Feldman Fine Arts in New York since 1985. Chunn currently teaches at the School of Visual Arts in New York, and taught a master painting class at Otis College of Art and Design in Los Angeles in 2007. Chunn’s paintings commonly expose the political arena and portray the power of the media to define and control public opinion. Her work is mostly painting focused on narrative, cultural references and social problems, history, and symbolism both in the global community. She often uses the news, and famously newspapers to draw inspiration and information, adding her own commentary to these sources. The work she produces is colorful, cartoonish, and laced with humorously dark commentary. A self-proclaimed “political junkie,” she achieved critical success with her early map like paintings of tyrannized nations and has continued her commitment to documenting world events and the repeating cycle of history in the paintings she has produced since the early 1980s. She is largely recognized for the yearlong Front Pages project, where she applied images and text to provide commentary on every cover page of The New York Times from January 1 to December 31, 1996. In 1997, Rizzoli produced a hardcover book illustrating each of the project’s works. Chunn was a 2009 Guggenheim Fellow. She was named Honoree of the fall 2007 Jennifer Howard Coleman Distinguished Lectureship and Residency at Otis College of Art and Design. In 2005, Chunn received an Anonymous Was A Woman Award. She has also twice received a Fellowship Award in Painting from the National Endowment for the Arts, namely in 1985 and 1995. Public collections City of Chicago, Chicago, IL Ms. Foundation for Women, New York, NY Chicago Museum of Contemporary Art, Chicago, IL The New York Times, New York, NY The Progressive Corporation, Cleveland, OH The Prudential Insurance Company of America, Newark, NJ Commissions Public School 125, Queens, NY permanent installation painting, commissioned by the City of New York, 1995 Chicago Library Uptown Branch, Chicago, IL, permanent installation painting, commissioned by the City of Chicago, 1993-1995. Select Exhibitions Include 2017 The Times The FLAG Art Foundation Chelsea New York. The exhibition uses The New York Times as its point of departure. Artists included: Carlos Rolón, Ellsworth Kelly, Felix González-Torres, Fred Tomaselli, Nancy Chunn, On Kawara, Richard Prince, Rirkrit Tiravanija, Robert Gober, Suzanne Caporael. 2009 Black and White Works Ronald Feldman Fine Arts Soho NYC Artists included: Andy Warhol, Bruce Pearson, Buckminster Fuller, Chris Burden, Eleanor Antin, Hannah Wilke, Ida Applebroog, Joseph Beuys, Leon Golub, Les Levine, Nancy Chunn, Todd Siler, Vitaly Komar & Alexander Melamid 1995 Strung Into the Apollonian Dream... took place at Feature Inc. in New York, New York from January 20 - February 24, 1995. Artists included Michael Banicki, Nancy Chunn, Tom Friedman, Felix Gonzalez-Torres, Jenny Holzer, Peter Huttinger, Mike Kelley, Louise Lawler, Sherrie Levine, Allan McCollum, David Moreno, Hirsch Perlman, Raymond Pettibon, Adrian Piper, Richard Prince, David Robbins, Rene Santos...

"Piano cocktail" according Boris Vian "Froth on the Daydream" L'Écume des jours

NANCY CHUNN (American, born 1941) Untitled mixed media work Ink and pastel on newspaper De-acidified artistically rendered edition of Washington Post, October 23, 1997, various headlines and illustrations Dimensions Framed, 31 in. x 22 in. Sheet 23 X 14 With some whimsical illustrations and a stencilled Mazel Tov text Nancy Chunn is an American artist (born 1941) based in New York, Known for her commitment to geopolitical issues, Chunn’s work includes a diverse range of paintings. Nancy Chunn was born in Los Angeles, California and received her Bachelor of Fine Arts in 1969, from the California Institute of the Arts, Santa Clarita, California. She began her career in Southern California before moving to New York in the late 1970s, where she currently lives and works. Chunn has exhibited internationally and has been represented by Ronald Feldman Fine Arts in New York since 1985. Chunn currently teaches at the School of Visual Arts in New York, and taught a master painting class at Otis College of Art and Design in Los Angeles in 2007. Chunn’s paintings commonly expose the political arena and portray the power of the media to define and control public opinion. Her work is mostly painting focused on narrative, cultural references and social problems, history, and symbolism both in the global community. She often uses the news, and famously newspapers to draw inspiration and information, adding her own commentary to these sources. The work she produces is colorful, cartoonish, and laced with humorously dark commentary. A self-proclaimed “political junkie,” she achieved critical success with her early map like paintings of tyrannized nations and has continued her commitment to documenting world events and the repeating cycle of history in the paintings she has produced since the early 1980s. She is largely recognized for the yearlong Front Pages project, where she applied images and text to provide commentary on every cover page of The New York Times from January 1 to December 31, 1996. In 1997, Rizzoli produced a hardcover book illustrating each of the project’s works. Chunn was a 2009 Guggenheim Fellow. She was named Honoree of the fall 2007 Jennifer Howard Coleman Distinguished Lectureship and Residency at Otis College of Art and Design. In 2005, Chunn received an Anonymous Was A Woman Award. She has also twice received a Fellowship Award in Painting from the National Endowment for the Arts, namely in 1985 and 1995. Public collections City of Chicago, Chicago, IL Ms. Foundation for Women, New York, NY Chicago Museum of Contemporary Art, Chicago, IL The New York Times, New York, NY The Progressive Corporation, Cleveland, OH The Prudential Insurance Company of America, Newark, NJ Commissions Public School 125, Queens, NY permanent installation painting, commissioned by the City of New York, 1995 Chicago Library Uptown Branch, Chicago, IL, permanent installation painting, commissioned by the City of Chicago, 1993-1995. Select Exhibitions Include 2017 The Times The FLAG Art Foundation Chelsea New York. The exhibition uses The New York Times as its point of departure. Artists included: Carlos Rolón, Ellsworth Kelly, Felix González-Torres, Fred Tomaselli, Nancy Chunn, On Kawara, Richard Prince, Rirkrit Tiravanija, Robert Gober, Suzanne Caporael. 2009 Black and White Works Ronald Feldman Fine Arts Soho NYC Artists included: Andy Warhol, Bruce Pearson, Buckminster Fuller, Chris Burden, Eleanor Antin, Hannah Wilke, Ida Applebroog, Joseph Beuys, Leon Golub, Les Levine, Nancy Chunn, Todd Siler, Vitaly Komar & Alexander Melamid 1995 Strung Into the Apollonian Dream... took place at Feature Inc. in New York, New York from January 20 - February 24, 1995. Artists included Michael Banicki, Nancy Chunn, Tom Friedman, Felix Gonzalez-Torres, Jenny Holzer, Peter Huttinger, Mike Kelley, Louise Lawler, Sherrie Levine, Allan McCollum, David Moreno, Hirsch Perlman, Raymond Pettibon, Adrian Piper, Richard Prince, David Robbins, Rene Santos...

This piece, titled "Wanderer 16" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of collage, charcoal, pastel, acrylic, and graphi...

Oil on canvas Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who / what can we believe? Who / what can we trust? How real is our view of the world? And how is that perspective angled, and ultimately limited? These are the issues at the heart of my work as an artist. Painting, drawing, engraving and embroidery give me the freedom to approach my subjects from an ambivalent and flexible standpoint. I am building up a dynamic body of work, like pieces that you can put together in one way or another to shape different structures, pierced with numerous openings. And the title that I give each piece acts as a possible clue as to how to enter inside that system. I can portray both softness and monstrosities. I focus on the links and barriers lying between living beings and their surroundings, and evoke how permeable these connections are. My aim is not to create a visual documentary reporting fact, but rather immerse myself in observing everyday life, and in a host of images depicting real events (pictures, photos and videos). Instilled with these images, I can give a more personalized, unique and allegorical vision of the world around me. I am also interested in the key transition periods of human existence, those turning points that forge our identity within a family, a group, and society as a whole at the heart of a specific environment. I centre on what makes up and creates cohesion (rituals, myths and tales….), and indeed the opposite - what leads to life becoming shattered, hindered and frustrated (moving populations, exile and migration…) Amidst a landscape roaming with wild beasts and hybrid creatures, between love and separation, metaphors for our own desires and fears lie in hiding, or reveal themselves in the painted or embroidered spaces. Sometimes they are etched with lines, symbols and tiny architectural designs. These works might depict our inner landscapes, as if harking back to a primordial and cosmic point of origin. My most recent collections recreate the images of bodies or landscapes using abstract zones and figurative details that have no direct link with either anatomy or geography. Intimacy and the unspeakable are themes that run throughout my work, and I make sure to incorporate areas of both visual tension and relief, so as to give the viewer the space to project him or herself into the work. And here, such paradoxes can only be reached through the interplay between abstraction and figuration.” 2 / Thierry Delcourt Psychiatrist, psychoanalyst and author of works on the process of artistic creation, and the conditions of existential and social creativity : "Entering into the world of Hélène Duclos in her drawings, paintings, embroidery and words means letting yourself be carried away by a torrent towards strange shores of creation where only a few artists have ever dared to venture. As if perched on a watchtower on the threshold of different worlds, Hélène Duclos throws us out of our depth, plunging us into spaces filled with destitute mankind, and guiding us through her stem-like maze of a scheme, bristling with roots and clues. But the mystery here, like a poetic, human rebus that never ends, only compels us to take a closer look.” 3 / Hélène Duclos ‘s biography : After graduating from the Duperré School of Applied Arts in Paris with a degree in textile design, I set off on a six-month sea voyage from Vannes in Brittany, to Dakar. On returning to France, I set up my atelier...

This layered paper and drawing collage titled "Mass Study II" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood panel. Using found ...

A rare, early original self portrait by American artist Robert McIntosh(1916-2010) Robert McIntosh was extremely prolific and exhibited throu...

This piece, titled "Wanderer 9" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through" and made of collage, charcoal, pastel, acrylic, and gra...

Oil on canvas Signed Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who /...

Bratin Khan - Enlightened - 30 x 24 inches (unframed size) Charcoal and Pastel on Canvas , 2012 ( Framed & Ready to Hang ) Style : Marked for the refined handling of line work and p...