Daum Furniture

An impressive mid 20th Century French pâte-de verre limited edition glass study designed by Louis Laubignat and produced by Daum. The figure of a seated lady with her legs crossed wi...

Made by the world-renowned French maker of ‘Daum’ of Nancy, France circa 1960-80. An antique crystal masterpiece of exceptional proportions, the vase crystallizes the extraordinary k...

Mouth blowed star shaped colorless prime quality lead crystal candle holder from Daum, France. Measure 9 inches at widest point by 3.25 i...

Set of 6 - Bouton rose wine glasses made by world famous Crystal Manufacturer Daum France The base in the shape of rose petals, the leg simulating champagne bubbles. The base is in f...

A French wheel carved cameo and martelé glass "Crocus" vase by Daum. This Daum vase has gray cameo glass. It is decorated with stems and leaves ascending from the bulbous foot lead...

Daum Nancy enameled glass box, circa 1910 inscribed in gilt, "Daum Nancy" with the Croix de Lorraine.

Hand blown glass vase by french manufacture DAUM. Thick and heavy bubbled glass. Made in France circa 1930. Signed "Daum Nancy France" with the cross of Lorraine

Luxury at its finest, high-end art glass green dague by Daum, France. A beautiful green dague. On top of the dague, there is a head of a horse looking downward. We have another dagu...

Daum Nancy, French Cameo & Wheel Carved Art Glass Vase, circa 1900 The frosted glass body acid-etched with repeating fern leaf motifs and overlaid and acid-etched with Irises and ...

A beautiful and substantial light blue French crystal bowl or ashtray, organic modern design, from luxury Maison, Daum, France, circa mid-20th cent...

PRESENTING A STUNNING Daum Violet Amethyst Pate de Verre Vase with original box and packaging,, Retains original Sacks Fifth Avenue Label. Made by the W...

Delicate Art Nouveau cameo vase of the early 20th century: Baluster-shaped stem vase with bulbous base on a stand ring with long, slender, curved neck, colorless glass with flaky whi...

Beautiful 3-light chandelier. Executed in 4 separate pieces of glass in the "P@te de Verre" technique. Manufactured and signed by Daum in Nancy, France circa 1940.

Beautiful and large pine cone etched glass suspension by the Daum # Nancy manufacture in collaboration with Louis Majorelle for the iron works. France early 1900s. In good condition...

Enhance your private interior with this extraordinary Daum Nancy France bud basket crystal vase, a striking example of artistic mastery. Crafted circa 1970, this rare and captivating...

Daum Cameo Glass and Wrought Iron Maple Leaf Table Lamp, circa 1920 Art Nouveau Art Deco design. Mottled and variegated glass base with with carve...

Sign: Daum Nancy Daum is the name of a factory established in 1875 in the city of Nancy, France. When the notary Jean Daum became the owner of an industrial furnace, that of Nancy G...

Vase A by Cesar Baldaccini for Daum, France, 1970s, is a magnificent work of art that seamlessly combines form and function. Designed by renowned French sculptor Cesar Baldaccini, this multi-faceted vase is a stunning example of his mastery of sculptural forms. Made by renowned French glassmaker Daum, this vase features a highly polished, multi-faceted surface that reflects and refracts light in fascinating ways. The veneers are perfectly aligned and flawlessly executed, creating a breathtaking sense of depth and texture. The vase is signed "Daum France", which adds a touch of authenticity and provenance to the piece. This is a true collector's item, sought after by art lovers and collectors around the world. Functional, the Argos vase is ideal for presenting flowers or other decorative objects. Its sculptural form and multi-faceted surface create a dynamic backdrop that enhances the beauty of any arrangement. Overall, the Argos vase by Cesar Baldaccini for Daum, France, 1970s, is a masterpiece of design and craftsmanship. Its striking form, impeccable craftsmanship and exceptional provenance make it a highly coveted piece that is sure to impress and enchant anyone who sees it. Cesar Badaccini (1921-1998) His parents, Omer and Lelia Baldaccini, Italians of Tuscan origin, ran a bar in Marseille where César was born, with his twin sister Amandine, in 1921 in the popular district of Belle-de-Mai, at 71 rue Loubon, in the 3rd arrondissement1. "I am basically an absolute self-taught," he will say2. At the time, he designed and tinkered with carts for his little brother with cans. Nevertheless, after first working for his father (he also helped a butcher neighbor for a meager salary after leaving school at the age of twelve), he followed the courses of the École supérieure des beaux-arts de Marseille from 1935 to 1939; in 1937, he obtained three prizes, in engraving, drawing and architecture3. Not mobilized during the war (he also escaped the STO), he lived on scams before settling in Paris to be admitted, in 1943, to the École nationale supérieure des beaux-arts with Michel Guino, Albert Féraud, Daniel David, Eugène Dodeigne and Philippe Hiquily, like him in the workshop of Marcel Gimond. In 1945, he returned to Marseille to marry Maria Astruc, with whom he set up a business (they divorced in 1959). He returned to Paris in 1946 where he occupied a studio in an old brothel at 21 rue de l'Échaudé, whose rooms, following the Marthe Richard law, had been assigned to students4. There he met Émilenne Deschamps, who would later become one of his muses. Faced with the impossibility for him to work the stone, because of its cost, he turned to other materials3. From 1947, he worked on plaster and iron. In 1949, he was introduced to arc welding in an industrial carpentry in Trans-en-Provence and used lead in pushed sheets and welded iron wires. In 1951, he visited Pompeii and remained marked by the casts of the bodies of the inhabitants caught in the lava3. In 1952, he used inexpensive recovered materials and made his first sculptures in welded scrap metal: his means were then still modest. Thus, for lack of money and to afford marble, César will recover in the scrap dumps the materials of his first sculptures: tubes, bolts, screws that become insects or end up in the powerful curves of the Venus de Villetaneuse (1962). In 1954, he exhibited at the Lucien Durand gallery in Paris and obtained the "collabo" prize for a sculpture entitled Le Poisson5, made in Villetaneuse, a city where he worked for a dozen years thanks to the help of a local industrialist, Léon Jacques6. He gained fame when his work was bought for 100,000 francs in 1955 by the State for the National Museum of Modern Art7. The same year, he exhibited at the Salon de Mai. The following year, the MNAM bought Chauve-souris from 1954 and the museum of modern art in the city of Paris Le scorpion from 1955. From 1954 (Torse, MOMA), he also made sculptures in welded metal, then in partially polished bronze, of busty women (Ginette, 1958, Victoire de Villetaneuse, 1965). In 1956, he participated in the Venice Biennale then in the São Paulo Biennale and in the Documenta II in 1959. In 1958, he signed a contract with the Parisian gallery Claude Bernard3. In 1961, he approached Marino di Teana and joined the group of Nouveaux réalistes, a movement founded by art critic Pierre Restany8, including Arman, Jean Tinguely, Niki de Saint Phalle and Gérard Deschamps. When he could afford a workshop in 1957, rue Campagne-Première in Paris, he married Rosine Groult-Baldaccini (met at the Beaux-Arts in 1948) with whom he had a daughter, Anna, a year later. He also begins to frequent the world of the In 1968, he created at the National Manufacture of Sèvres a porcelain Ashtray published in fifty copies. Made of porcelain with a semi-matt pearly cover, it represents a plaster mold used for the production of the pieces, and was produced from an original aluminum model. In 1971, during a premiere at the Lido, he found more media than him: Salvador Dalí, the master of extravagance. He debates the same year in Italiques with François Truffaut, Lucien Bodard and Asher Ben...

Luxury at its finest, high-end glass vases with violet and orange colors by Daum, France. The vase - made out of art glass - has violet and orange glass on the bottom. In the glass ...

Vintage crystal sculpture of an abstract sailboat by Daum, France c. 1970's. The piece is in great condition with no chips or cracks. Signed "Daum, France" on the base. Dimensions: 2...

A stunning French art glass paperweight beautifully presented with a single central flower head by renowned glass makers Daum and dating from the 20th century. The paperweight is han...

French Art Deco Table Lamp by Daum (Croismare), 1920s – Blown Glass & Wrought Iron This exquisite French Art Deco table lamp by Daum, crafted in their Croismare workshop during ...

Luxury at its finest, made by the World renowned French maker of ‘Daum’ of Nancy, France circa 1960-80. This item crystallizes the extraordinary know-how of the Daum craftsmen. Limit...

French Art Deco frosted molded glass vase by Daum, Nancy, France, 1920s. Height: 7.7"(19.5)cm, Diameter: 6.9"(17.5cm). Molded signature "Lorrain Nancy France" (see photo). In this pe...

Luxury at its finest, high-end glass plate with roses by Daum, France. This exquisite Art Nouveau dish by Daum exemplifies the mastery of French glassmaking. Crafted using the pâte ...

Luxury at its finest, high-end glass panter sculpture by Daum, France. The panter - made out of art glass - is lying on a green tree. A beautiful sculpture. Founded in 1878 in Nanc...

A signed Daum miniature vase from the early 1900s, featuring a delicate winter landscape in acid-etched and polychrome enamel over multilayered glass. At just 1.58 inches tall, this...

Luxury at its finest, high-end glass ball with a butterfly and clock by Daum, France. A delicate crystal clock encased in a smooth, oval glass form, adorned with a softly tinted but...

Luxury at its finest, high-end glass carafe with ape by Daum, France. A delicate crystal carafe with an orange ape on top of it - made out of art glass. We also have a similar caraf...

Large Daum France Glass Platter with Bubbles Mid 20th Century. A beautiful and large art glass platter or dish or centerpiece by Daum, France. Mid 20th century. It shows a wonderful...

Etched and enameled glass vase, France, circa 1905. Etched signature to side: Daum Nancy 3501 with the cross of Lorraine. Provenance: private collection.

"Toute petite étrangeté" cocoon vase by Philippe Starck for Daum, France, 1980s. Signed.

Beautiful glass sculpture / bowl made by the French maker Daum Nancy. Made of multicolored pasta glass, satin finish. The figurine is in very good condition. Signed on the bottom.

Luxury at its finest, high-end glass candleholders by Daum, France. A delicate pair of crystal candleholders in the shape of fishes. The vibrant colors create a playful set, made ou...

Daum : Crystal table lamp by Daum with acid engraved Chardon motif, signed on the bottom and with original sticker This model its gilt gold finish. Unique and Timeless Design: Daum is a renowned French crystal manufacturer known for its exquisite craftsmanship and artistic designs. Vintage Daum crystal...

French Daum crystal glass table lamp, around 1960s ( signed ) Original condition Brass version ( europe e27 ).

Vase With gold Sign: Daum Nancy France Daum is the name of a factory established in 1875 in the city of Nancy, France. When the notary Jean Daum became the owner of an industrial fur...

Daum French Pate de Verre Hibiscus Lavender Vase This vase measures: 9.5 wide x 9.5 deep x 10 inches high We take our photos in a controlled lighting studio to show as much detail ...

This wrought iron and glass “Les Roses” floor lamp by Edgar Brandt and Daum surprises and delights with its high Art Deco styling. A calyx of wild rose buds and stylized cabbage rose...

A French Art Deco serpent lamp by Edgar Brandt and Daum titled “La Tentation”. The lamp features a rich brown, bronze Boa Python, almost completely vertically extended, wrapped aroun...

DAUM NANCY SIGNED MARKED FRANCE FRENCH ART DECO GLASS VASE PATE VERRE Daum Nancy signed marked Pate verre art deco vase in perfect condition, ...

Pair of table lamps by Daum France Crystal lamp base of semi-circular form, with fossil design. The shades are in fine green Silk. Both are Signed 'Daum France.  

French Art Deco Pate-De-Verre Alligator Sculpture, Daum France.

This large clear glass vase has been crafted with a beautiful swirl design on either side. Made by the maker Daum in the 1960s, it can also be a decorative piece, or a flower vase. ...

Striking crescent moon shaped, crystal mantel clock by Daum. This rare Mid-Century piece is in excellent working condition and makes an elegant statement in any room.

Cylindrical vase, colourless glass with flaky white and delicate red inclusions, yellowish and green powder inclusions in the lower section, highly etched exterior and delicately pai...

A spectacular Art Deco style crystal fruit dish, from the legendary French Daum cristallerie. Constructed in an undulating Freeform design, this wonderful, heavy, vintage piece is in...

This French Art Nouveau Glass Vase by Daum features ruby-toned handles and bees buzzing amongst the variously colored foliage featured on the vessel. The vase utilizes the famous Dau...

France, circa 1930. An exceptional Art Deco uplighter floor lamp, the black wrought iron stem terminating in a tripod base with foliate scrolls and berries, signed by Charles Piguet...

Gilt bronze lamp around 1900, probably by Majorelle executed by Victor Saglier. Stamped on the foot VS. Glass paste tulip signed Daum Nancy. Lamp electrified and in perfect condition. Total height: 38.5 cm - 15.15 in width: 15cm depth: 13cm weight: 2.3kg Victor Saglier (1809 - 1894) Victor Saglier is a ceramist and goldsmith known in particular for his creations in the Art Nouveau style of the late 19th century. He produces, among other things, objects in enamelled glass, gilded metal and numerous pieces of silverware. On his death, the company was bought by his brothers who continued production until 1948. Victor Saglier's objects are signed by the "VS" brand. Known for his Art Nouveau work, Saglier made several pieces for Louis Majorelle, Daum and Émile Gallé. Its style is typically French Art Nouveau in the language of the École de Nancy. He often drew inspiration from nature for his work, the logic of which helped design both forms and settings. The sign of master goldsmith Victor Saglier is an oval-shaped three-master sailboat surrounded by the letters V and S in a rectangle. Saglier made everyday objects such as glass vases, bowls and pitchers with metal mounts, planters, tea and coffee services and candlesticks in bronze or silver-yellow metal or cast zinc. On his death, the Victor Saglier company at 12 rue d'Enghien in Paris became Saglier Frères. It was run by his brothers Eugène and André until his death in 1948. Daum (French establishment created in 1878) is a glass and crystal workshop located in Nancy. Founded by the industrialist and notary Jean Daum, the workshop was then taken over by his sons Auguste and Antonin, who ran it during the Art Nouveau period. It was not until the Universal Exhibition of 1900 that the company was at the forefront of the decorative art scene, when Daum received the prestigious Grand Prix medal. At this time, Daum glass became more complex, acid treatment was often used in the cutting, enameling and etching of a piece to produce glass masterpieces. Daum also produces applied glass elements, such as handles and ornamental motifs in naturalistic shapes. The Daum brothers quickly became big names in Art Nouveau, rivaling the famous designer Émile Gallé, and established themselves as leaders in the field of decorative glass after his death. In 1906, Daum revived glass paste, a process by which glass is transformed into paste, then it is applied to the surface of a mold and fired. This technique originates from ancient Egypt. Today, Daum is the only industrial crystal manufacturer that uses the glass paste process for its glass objects and crystal sculptures. Following the First World War, Paul Daum began to develop works in the Art Deco style, moving away from naturalistic forms and turning to linear, angular, simplified forms and geometric patterns characteristic of the movement. After the Second World War, Henri and Michel Daum became interested in the transparency of glass and pure lines. Daum collaborates with a large number of famous artists, such as Louis Majorelle, Salvador Dalí, Hilton Mac Connico, Elizabeth Garouste and Mattia Bonetti to create glass paste objects.

Another top quality made, antique French Art Deco pendant light with the wow factor. This Art Deco chandelier by Pierre D'Avesn was all hand-crafted at Daum's (Croismare, Nancy) stu...

Daum Nancy Louis Majorelle Glass mold blown and Cast iron Cache pot or planter Bowl Circa: 1910 Nancy, France Condition: Excellent Diameter: 13.5 Inches Height: 4.8 inches A lovely...

Daum France designed and crafted this elegant crystal cigar ashtray, catchall, or decorative bowl in the 1970s. The mouth-blown clear crystal is heavily carved with a round, weighty ...

Daum crystal table lamp base, Daum France engraved at the bottom, Size crystal base at the bottom 6 x 7cm, top 7 x 23cm, 14cm high, NO SCRATCHES OR DAMAGE Total height with lampshade 37cm, Lampshade oval shape 18cm height, 16cm width x 32cm length, the lamp shade is in perfect condition Made from vintage Pucci silk...

With graceful lines and geometric detailing, this spectacular chandelier is a stunning example of the Art Deco style. Designed by renowned glassmaker Daum in Nancy, France circa 1930, this light fixture features four frosted panels of glass surrounded by nickeled bronze framework with repeating linear motif of billowing circular geometric forms in cross hatched molded glass. This motif is featured across all of the glass elements of the Chandelier. This piece is thickly framed with Nickeled Bronze that features repeating linear motifs in relief form. Four rectilinear bands of Nickeled Bronze rise to an elegant canopy; this period Art Deco fixture will instantly transform your space into a beautiful haven of timeless sophistication. In an era of streamlined and versatile Art Deco style, Daum has become a gold standard for excellence in glass manufacturing. The company has earned the reputation of being one of the finest crystal manufacturers since their founding in 1889 by Edouard and Louis Daum in Nancy, France. This Four Arm Chandelier embodies their commitment to fine craftsmanship and their ability to utilize geometry as a key architectural element in their designs. While four frosted panels surround a rectangular center that house each of the four shade arms., Balancing Art...

Porta Stampi Boboli pâte de verre bowl by Enzo Mari for Daum, circa 2003. Numbered 65/125.

Luxury at its finest, high-end glass vases with violet, blue and orange colors by Daum, France. The vase - made out of art glass - has violet, blue and orange glass on the bottom. I...

Fine orange, green and clear Daum signed acid cut back and gilded vase with flowers and a cute butterfly. A classic shape in a very unusual colorway. Like Galle, Daum was based in Na...

French Art Deco vase by Daum Nancy in yellow acid cut clear and frosted glass, signed.

Luxury at its finest, high-end glass sculpture by Daum, France. Two fishes in blue and salmon colours. The fishes are made of art glass and are a real statement in the room. Founde...