Earl Oliver Hurst Art

Watercolor and pencil on buff wove watercolor paper, 10 x 8 inches (255 x 203 mm). In good condition with overall minor toning. Some watercolor paint splatters on the verso, contem...

Experience the romance and abstraction of 1950s Paris through this striking original mixed media drawing by the acclaimed American Modernist, Frederick E. Conway (1900–1973). This c...

NYC Cityscape American Scene Social Realism Mid-Century Max Arthur Cohn (1903-1998) New York City Skyline 14 x 21 1/2 inches Watercolor on paper, c. 1...

"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape Philip Goodwin (20th Century) "Times Square," 23 ½ x 17 ¼ inches. Gouache...

George Gustav Adomeit (American, 1879-1967) Beachside Village, Maine Watercolor on paper Signed lower right 10 x 14 inches 17.75 x 21.75 inches, framed A major painter of American ...

Howard Daum Factory Along the River, 1937 Signed and dated lower right Watercolor and pencil on paper 12 x 13 3/4 inches Provenance The artist Ashby Gallery, New York Carl Ashby, Ne...

Sir Lawrence Alma-Tadema 1836-1912 Dutch The Balneator Signed and inscribed "L Alma Tadema. op CLXXVI." (lower right) Pencil and watercolor with scratching out on paper on board ...

Pencil and watercolor on paper mounted on cardboard realized by Giovanni Gromo. Hand signed. Very good condition. Includes a contemporary wooden frame cm. 64x55.

Art Seiden was born in Brooklyn, NY in 1923. He received a BA at Queens College and studied for eight years (!) at the Art Students League. Mario Cooper was among his instructors. Up...

Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern Reginald Marsh (American, 1898-1954) Brooklyn Bridge, 1940, Signed and dated Reginald Marsh May 1940 (lr), Watercolor over traces of pencil on paper , 15 x 22 inches sight. Reginald Marsh was born in Paris, France in 1898, the child of artist parents. He was born over a small cafe on Paris' Left Bank. He was brought to the United States in 1900 and was drawing before he was three. He studied art at Yale University and the Art Students League, during which time he worked primarily as an illustrator for New York newspapers and magazines. After studying in Paris in 1925 and 1926, he turned seriously to painting. In 1929 he was introduced to the egg-tempera medium, which he used extensively the rest of his life. Marsh's gusto for painting the bottom crust of society contrasted curiously with his background. His parents, both well-known artists, were steeped in academic traditions. He attended Lawrenceville Academy and Yale; perhaps this elite background made it possible to paint the earthy people he did with a journalist's objectivity. An admirer of Rubens and Delacroix, he disliked modernist art; indeed, his lifelong preoccupation was with people - enjoying themselves at beaches, at amusement parks, or on crowded city streets. Marsh was a second-generation Ash Can School painter and printmaker, best known as an urban regionalist. He spent his days sketching in small notebooks...

WPA Mural Study Mid-Century Modern American Scene Social Realism Workers Anton Refregier (1905-1979) Mural Study, Untitled 7 ¾ x 22 inches (sight) Gouache, pencil, and charcoal on board, c. 1940s Unsigned Provenance: Estate of Seymour Fogel, noted verso Thomas McCormick Gallery...

Frank Nelson Wilcox (American, 1887–1964) Riders Near Camel Rock Monument, Santa Fe, New Mexico, c. 1937 Watercolor on paper Monogram lower right, titled verso 14.5 x 20 inches 18....