Ed Moses Abstract Paintings

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

“WHO #2”, signed and dated 2017 on verso, is an abstract acrylic on canvas by important, Los Angeles artist, Ed Moses (1926-2018) whose distinguished career earned him solo exhibitio...

In a career that spanned 7 decades, Ed Moses received national and international recognition for his practice, known for its restless intensity and ever-evolving style. Considered on...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

In a career that spanned 7 decades, Ed Moses received national and international recognition for his practice, known for its restless intensity and ever-evolving style. Considered on...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

Moses often referred to himself as a “mutator,” driven less by self-expression than by an insatiable curiosity to discover. Never content to remain within a singular visual language,...

An abstract acrylic on canvas by Ed Moses. "Nambo Panel I & II" is a diptych executed in whites, creams, dark green and depicting geometric shapes with various dots, circles and corkscrews against a dark background by Post War artist Ed Moses...

An abstract acrylic on canvas by Ed Moses. "Franco-Del #1 & #3" is a triptych executed in earth tones of browns, grey, black, rust and pine green by Post War artist Ed Moses...