Elizabeth Murray Abstract Composition, colored pencil and paper collage, Signed
By Elizabeth Murray
Located in New York, NY
Elizabeth Murray Untitled Abstract Composition, 1990 Graphite, colored pencil and paper collage on paper (frame bears the original Paula Cooper Gallery label) Signed and dated Spring...
Paper, Mixed Media, Color Pencil, Graphite
$2,240Sale Price|20% Off
"We Meet Again" by Elizabeth Murray (Green, Purple, Red, Abstract, Numbers)
By Elizabeth Murray
Located in New York, NY
Brightly colored shapes bounce and collide on a vibrant yellow background. This lithograph is an example of Murray's mature work. This image was used to feature Lincoln Center's cele...
Screen
$2,500
"Untitled Abstract" Art Colorful Graphic Black Pink Orange Purple Blue Pop Art
By Elizabeth Murray
Located in Austin, TX
Unframed: 27.75" x 34.38" Framed: 35.5" x 45.5" Edition 42 of 100 Medium: Lithograph Signed: Left Right, Elizabeth Murray "From the Doctors of the World Portfolio" Elizabeth Murray...
Digital Pigment
Tybid
By Elizabeth Murray
Located in Miami, FL
TECHNICAL INFORMATION Elizabeth Murray Tybid 2004 Lithograph 16 x 13 in. Edition of 150 Pencil signed & numbered Accompanied with COA by Gregg Shienbaum Fine Art Condition...
Lithograph
Fritz Scholder, "Walking Dog" Lithograph, 1977
By Fritz Scholder
Located in Los Angeles, CA
Fritz Scholder (1937 2005) Walking Dog 1977 Lithograph, Edition 80/100 Hand signed "Scholder" lower right, numbered lower left. Full sheet size, 22 inches x 30 inches. Printer: Tam...
Lithograph
$744Sale Price|20% Off
H 40 in W 83 in
Reflections on Lido Island Cyanotype Triptych, Contemporary Seascape
By Kind of Cyan
Located in Barcelona, ES
This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...
Lithograph, Monotype, Paper
$2,592
H 23.63 in Dm 14.18 in
"Damien Hirst (3)", Painting on cut aluminium, Pop Kinetic art, 60 x 60 cm
By Jose Guedes
Located in Carballo, ES
The root of Guedes's work is located in the MADÍ movement, of Argentine origin and little repercussion in Spain, which attaches great importance to the tensions that are established ...
Digital Pigment
Composition, Float Series, Dale Chihuly
By Dale Chihuly
Located in Fairfield, CT
Artist: Dale Chihuly (1941) Title: Composition, Float Series Year: 2017 Medium: Silkscreen and acrylic on Waterford paper Edition: 18/110 Size: 37 x 25 inches Inscription: Signed and...
Acrylic, Screen
$1,118Sale Price|20% Off
H 23.63 in W 29.93 in
Roy IV Color Print, Pop Art Style, Mid-20th Century, Edition 25
By Roy Lichtenstein
Located in Slovak Republic, SK
A Hahnemuehle Fine Art Print, attributed to Roy Lichtenstein. Editioned 25.
Photographic Paper, Color, Archival Pigment, Digital Pigment
$645
H 18 in W 24 in
A Potted Succulent and a Rhizome - Original Vibrant Abstract Botanical Painting
By Krisanne Souter
Located in Los Angeles, CA
Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...
Paper, Ink, Acrylic, Watercolor, Color Pencil
I Promise To Love You
By Tracey Emin
Located in London, GB
2014 Colour offset lithograph on 250 gsm glossy wove paper 70 x 50 cm Edition of 500 Signed and dated in pen by Tracey Emin Published by Emin International Stored in its original tub...
Paper, Lithograph, Offset
$645
H 24 in W 18 in
Mystic Rhizome - Original Colorful Organic Abstract Botanical Painting on Paper
By Krisanne Souter
Located in Los Angeles, CA
Krisanne Souter weaves together elements of nature and ancient feminine archetypes, such as the Mother and the Mystic. Botanical themes, playful elements, and unexpected surprises ar...
Paper, Ink, Acrylic, Watercolor, Color Pencil
$3,000
H 40 in W 30 in D 0.1 in
"Pensive (Thoughtful)" Print 40 x 30 inch Ed. of 50 by Gerard Marti
By Gerard Marti
Located in Culver City, CA
"Pensive (Thoughtful)" Print 40 x 30 inch Ed. of 50 by Gerard Marti Lithograph Not framed. Ships rolled in tube Signed and numbered by the artist. “Pensive” is an elegant evening ...
Lithograph
I Am The Last Of My Kind
By Tracey Emin
Located in London, GB
Published by the Royal Academy
Lithograph, Offset
$6,500
H 50 in W 50 in D 2 in
Specifically Nowhere, Yellow (Abstract Geometric Painting with Grids on Yellow)
By Donise English
Located in Hudson, NY
Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background "Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish. More about the work: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...
Canvas, Gouache, Archival Paper, Color Pencil, Graphite
Royal Curtain, Gene Davis
By Gene Davis
Located in Fairfield, CT
Artist: Gene Davis (1920-1985) Title: Royal Curtain Year: 1980 Medium: Silkscreen on Arches paper Edition: 41/250, plus proofs Size: 30 x 21.5 inches Condition: Good Inscription: Sig...
Screen
The Clock
By Elizabeth Murray
Located in New York, NY
A very good impression of this color screenprint on Coventry Rag paper. Signed, dated and numbered 2/108 in pencil. Published by The Lincoln Center/List Print Program, New York.
Color, Screen
Sold
H 33.5 in W 25.5 in D 0.1 in
1980 Elizabeth Murray 'American Dance Festival 1980' Abstract Pink, Yellow Offset
By Elizabeth Murray
Located in Brooklyn, NY
Paper Size: 33.5 x 25.5 inches ( 85.09 x 64.77 cm ) Image Size: 33.5 x 25.5 inches ( 85.09 x 64.77 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...
Offset
Sold
H 32 in W 30 in
Elizabeth Murray-Bowtie-32" x 30"-Offset Lithograph-2005-Abstract-sculpture
By Elizabeth Murray
Located in Brooklyn, NY
Exhibition poster for an Elizabeth Murray show at the Museum of Modern Art October 23, 2005- January 9, 2006. Hand signed by the artist in black marker.
Offset
Sold
H 31.5 in W 39 in
Abstract Pigment Print from Doctor's of the World Portfolio by Elizabeth Murray
By Elizabeth Murray
Located in Long Island City, NY
Artist: Elizabeth Murray, American (1940 - 2007) Title: Untitled from Doctor's of the World Year: 2001 Edition: 24/100 Medium: Pigmented Digital Print, signed, numbered, and dated in...
Digital, Digital Pigment
"Elizabeth Murray"
By Elizabeth Murray
Located in New York, NY
This is a signed poster from Elizabeth Murray's 2005 exhibition at the Museum of Modern Art (MoMA) in New York. Elizabeth Murray "Elizabet...
Offset
The Clock, Elizabeth Murray
By Elizabeth Murray
Located in New York, NY
Elizabeth Murray reshaped Modernist abstraction into a high-spirited, cartoon-based, language of form whose subjects included domestic life, relationships and the nature of painting ...
Screen
untitled
By Elizabeth Murray
Located in Surfside, FL
A bright, colorful expressive piece signed verso on the stretcher. Elizabeth Murray, a New York painter who reshaped Modernist abstraction into a high-spirited, cartoon-based, language of form whose subjects included domestic life, relationships and the nature of painting itself. Pace Wildenstein, has represented her work since 1995. Murray received a full-dress retrospective spanning her 40-year career at the Museum of Modern Art in 2006, one of handful of women to be so honored. In 1999 she was the recipient of a MacArthur Foundation “genius” grant. Ms. Murray belonged to a sprawling generation of Post-Minimal artists who spent the 1970s reversing the reductivist tendencies of Minimalism and reinvigorating art with a sense of narrative, process and personal identity. Her art never fit easily into the available Post-Minimal subcategories like Conceptual, Process or performance art. This may have been because her loyalty to painting, which was out of fashion, was unwavering. At the same time, her blithe indifference to the distinctions between abstraction and representation or high and low could put off serious painting buffs. Both tendencies enabled her to be one of a small group of painters — including Philip Guston, Frank Stella and Brice Marden — who during the 1970s rebuilt the medium from scratch, recomplicating and expanding its parameters and proving that it was still ripe for innovation, in part because of its rich history. Her sources ranged from Cézanne, Picasso, Gris and Miró to Stuart Davis, Al Held and Agnes Martin. As she remarked in the 1987 catalog to her first big museum show, which traveled to the Whitney in 1988: “Everything has been done a million times. Sometimes you use it and it’s yours; another time you do it and it’s still theirs.” In Ms. Murray’s mature work, eccentrically shaped or multipanel canvases fused Cubism’s shattered forms and Surrealism’s suggestive biomorphism with the scale and some of the angst of Abstract Expressionism and more than a touch of Disneyesque humor and motion. Born in Chicago in 1940, Ms. Murray had a hardscrabble childhood that included bouts of homelessness caused in part by the ill health of her father. Ms. Murray traced her interest in art to watching a nursery-school teacher cover a sheet of paper with thick red crayon, an experience that she said gave her an indelible sense of the physicality of color. She drew constantly from an early age, inspired mostly by newspaper comic strips, and once sent a sketchbook to Walt Disney asking for a job as his secretary. By the fifth grade she was selling erotic drawings to classmates for a quarter. In 1958, she entered the School of the Art Institute of Chicago. Her goal, to become a commercial artist, was derailed by a Cézanne still life...