Emmanuelle Vroelant Interior Paintings

On an elongated, almost panoramic format, a vast pale territory — tender green, cream, mist — occupies nearly the whole canvas, while in the upper right corner a dense mass of intens...

Formation Process unfolds a canvas saturated with matter: marble powder and mortar carve a thick texture across the whole surface. A dense cluster of colours occupies the upper centr...

The entire surface of the canvas is covered with crumpled plant fibres, glued down to give the background a fibrous, organic texture close to handmade paper or woven bark. In the upp...

The Elegance of Trees in Winter raises up tree silhouettes drawn in a fine, nervous black line, rising in a dense cluster at the centre of the canvas. Their branches scratch at a shi...

The entire right half of the canvas is occupied by a dark, gridded weave, almost wire-mesh-like — bringing to mind barbed wire or a fence — from which long streaks of ochre and gold ...

Something ethereal, little substance, but breath.

Seen up close, Fresco reads like a section of wall lifted whole: a surface entirely cracked, whitened, on which only a few rare colours surface — as though time had eaten away everyt...

abstract "Traces" Traces left by torn-away posters, traces of cultural and political expressions.

Perharidy, improbable light of a stormy evening.

After a winter walk, “with no particular light,” Emmanuelle Vroelant was struck by the rising greens — lichen and moss taking over every horizontal surface, while the trees still sto...

Swimming in the open sea is a healing, gives a feeling of benefit from April to October, I enjoy entering the cold water of Roscoff and staying there...

"Open space 4" After a long walk on the Breton coasts of Finistery in the wind and the sensation of a wild and strong nature, the pleasure of feeling in the natural elements, being ...

"Autumn is coming" Just an ambiance of autumn colours

It is a winter without sadness, the clouds loaded and free to transform, it was the year 2016...

Nostalgia envelops a large square in pastel tones — cream, blue-grey, muted gold, a few touches of coral. A cloud-like mass occupies the centre of the canvas, as though suspended, w...

The elongated horizontal format unfolds across three clearly distinguishable panels. Vast swirls of grey, blue and ochre sweep across the entire composition with no fixed point of re...

The long horizontal band format unfolds a palette of milky whites and blues, punctuated on the left by a few touches of yellow and soft green, and further to the right by delicate vi...

Abstract painting, large, acrylique, linen canvas, 2020. Chinese Mythology sets a vertical format ablaze, saturated with red and orange as though incandescent from within. A sinuous form in vivid turquoise blue, born of oxidation, winds from top to bottom of the canvas, moving between passages of black and brown that evoke, without naming it, the elongated silhouette of a dragon. The deep red of the ground and the vibrant turquoise of this trail resonate against each other, setting the warmth of memory against the mineral coolness of the chemical reaction. “A travel memory, the need to paint in red... The red made me think of the oxidised bronze dragons you see in the temples of Southeast Asia.” Emmanuelle Vroelant...

In March 2022, just a few weeks after the start of the war in Ukraine, Cherished Liberty carries the immediate imprint of current events in Emmanuelle Vroelant’s work. The title alon...

Against a pale, almost immaculate ground, though crossed by broad ochre and gold veils in its upper half, The Unexpected lets burst forth, at the center and toward the bottom, a clus...

Faces emerge gently from a pale, cracked ground, as if surfacing out of a mist or a shared memory. None is given an age or an origin: children, adults, and elderly people stand side ...

Abstract painting Acrylic mixed media on Linen, canvas 120 x 100 cm, 2018 The format here is vertical, almost a standing figure. A brown-ochre silhouette stands out in the upper thi...

Warning's vertical format heightens the sense of imbalance between a turbulent sky — almost ablaze with dark reds, blacks and browns — in its upper third, and a calmer horizon below,...

Turquoise unfolds, in a vertical format, a range of deep blues darkening almost to black at the edges, the better to let a white and turquoise light burst forth at its heart with an ...

The title is enough on its own… tonic color chords.

Two globes overlap at the centre of an earthy, finely cracked ground, criss-crossed with linear fissures radiating out like dried veins: one, silvery and milky, its surface speckled ...

Against an intense black ground, blocks of warm color — ochre, burnt orange, terracotta — arrange themselves almost like an architectural composition, punctuated by a woven texture t...

The question mark in the title already says everything about the doubt inhabiting Future?. A grey and golden sphere, its surface worked like weathered metal, occupies the centre of t...

Joy, the possibility of trusting myself, but remaining flexible. The anguish of time passing too quickly and old age…

The force that lifts the water and the blast of foam

"Shanghai in the mist" Coming back from China exhibit