Frank Hider Paintings

Scottish Highland landscape scene with English Setter gun dogs, the day's bag, and Red Grouse, after a day shooting. M. Fawcett was a pseudo name for Robe...

Artist Comments
Working from memory, artist Onelio Marrero paints a full moon in the early morning hours over the salt marshes in coastal New Jersey. The silvery glow in the early morning hours reflects dreamily onto still waters. "These wetlands are profoundly affected by the tides," says Onelio. "The channels that meander throughout the marshes invite the viewer to visually follow the bends and turns." There is a timeless and mysterious quality in these natural elements and Onelio's memory of the scene is well served in the execution of this painting.

About the Artist
Onelio Marrero paints city scenes of everyday life. In an impressionistic style he captures the romanticism of New York City, the picturesque fountains in Central Park and the wet city streets after a rainy afternoon. His use of warm tones creates a sense of nostalgia and the feeling that you have visited or seen this particular scene before. Onelio will often paint from direct observation, or he will work from a combination of photographs and combine numerous sources into one piece. In this way his work combines reality with fantasy, creating a new story with each painting. His work captures an appreciation for beauty in all of its greatest forms; nature, art, and people.

Words that describe this painting: marsh, wetland, swamp, inlet, waterway, stream, river, grass, tree, cloud, moon, mist, morning, water, reflection, dawn, impressionism, oilpaint, panoramic, nature, impressionism, nature, oil painting, blue

Morning Moon and Cloud...

Artist Comments
"This work is a representation of the unadorned beauty of nature," shares artist Jose Luis Bermudez. The clear blue sky stre...

Jules SANSON Active in the 1830s and 1840s The arrival of the young girl at the monastery on the shores of Lake Como Oil on canvas 27 x 35.5 cm (31.5 x 39.5 cm with the frame) Signed...

Robert John Hammond British, (1853-1911) Fishing by the Lock Gate Oil on canvas, signed & dated 1893 Image size: 19.5 inches x 14.5 inches Size including frame: 25.75 inches x 20.75 inches A picturesque painting by Robert John Hammond of three figures next to a river lock. One of the figures can be seen fishing on the bank as the others take shade under the trees. Robert John Hammond was a landscape painter born in Blackfriars, London in 1853. By the time he was 18 he had moved to Sutton Coldfield where he initially became an apprentice watchmaker before becoming a full time artist. In 1871, he married Lucy Banner, the sister of the artist Alfred Banner...

Frank Moss Bennett British, (1874-1952) The Bowling Match Oil on canvas, signed & dated 1922, with original slip Image size: 13.5 inches x 19.5 inches Size including frame: 20.25 in...

Dimensions with frame: 22 x 29,5 x 3,5 cm Signed "N. Diaz" in the lower left corner. A richly atmospheric 19th century Romantic landscape painting depicting an intimate woodland clearing animated by delicate figures and fluttering white doves. The composition unfolds beneath a dense canopy of trees, where dramatic brushwork and layered impasto create a sense of movement, mystery, and depth. At the center of the scene, small elegantly dressed figures appear gathered near the water’s edge, possibly engaged in a poetic or symbolic moment. The surrounding birds in flight add dynamism and luminosity, their pale forms contrasting beautifully against the deep greens, earthy browns, and golden highlights of the forest. The artist employs expressive, almost impressionistic brushstrokes, giving the foliage a vibrant, textural quality. Light filters through the trees, illuminating portions of the composition while leaving other areas in shadow, enhancing the romantic and slightly theatrical mood. Both mysterious and lyrical, this work evokes themes of nature, contemplation, and transcendence. It would make a compelling addition to a refined interior, particularly for collectors drawn to moody landscapes and narrative European painting of the 19th century. A compelling and atmospheric antique oil painting that beautifully captures the poetry of nature and the elegance of human presence within it. 19th century landscape painting, Romantic forest painting, antique woodland scene, European Romantic art, antique oil on canvas, atmospheric landscape artwork, forest clearing painting, figures in landscape, doves in painting, impressionistic brushwork, Continental school painting...

Late 19th century English landscape by Edwin Buttery. This exquisite late Victorian English landscape by Edwin Buttery is a masterful example of the period’s romanticized appreciatio...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 15 INCHES x 13 INCHES** Henry Schafer German/British, (1841-c.1914) Chartres, France & Metz, Lorraine Oil on canvas, pair, both signed Image size: 10 inches x 8 inches (each) Size including frame: 15 inches x 13 inches (each) A lovely pair of French townscape paintings featuring Cathedrals by Henry Schafer. The first offers a view of Metz Cathedral and other medieval buildings from the river Moselle. On the right, figures can be seen at a market stall whilst others walk down a street. Meanwhile to the left, a boat is shown docking at a quayside in front of an archway. The other painting is of Chartres Cathedral seen from a cobbled town square lined with Medieval buildings. Two figures are depicted next to a market stall on the left as others chat or make their way towards the square along a lane to the right. Henry Schafer was born in Hanover, Germany in 1841. Although little is recorded about his upbringing, he was known to have studied at the l'Ecole National de Beaux-Arts in Paris. After leaving art school, he travelled throughout Europe painting town scenes and buildings of Northern France, Belgium and Germany. By 1864, Schafer had travelled to England with his wife Theresa, to work in London where they settled and started a family. All four of their children were born in England. One of his daughters Emilie Anna Schafer (1871-1937) became a painter and art teacher. Around 1871, the family were living at 53 Vauxhall Bridge Road and in 1881 were recorded as residing at 6, Sophia Terrace, Beulah Road, Thornton Heath in Surrey, with Henry continuing to work as an artist. By 1891, he had moved to 7 St Peters Road in Islington where he lived for the rest of his life. Sometime around the turn of the century, he became a British subject. Schafer is believed to have died in London c1914. Many of his works depict the architecture of gothic cathedrals and churches, as in these two fine examples. He also produced interior studies of churches. Schafer's style resembles that of Alfred Montague...

Adolf Schreyer's "Arabian Rider at Dusk" is a stunning oil painting on canvas that depicts an Arabian rider in a golden sunset. By Adolf Schreyer 8.5" x 15.5" Oil on Canvas Framed...

Owning a 19th century English Victorian landscape by John Duvall, particularly one featuring sheep resting circa 1880, offers a unique opportunity to own...

Step into a dreamlike pastoral paradise with this enchanting mid-century oil on canvas by French artist Denise Collet. Titled "Girls and Ponies," this wo...