French Belle Epoque Paintings

A beautiful, painterly portrait of a young black woman with colorful headscarf and sarong by Lucille H. Olpin (Ethel Lucille Harman Olpin), (American, 1909-1990). Signed "Olpin" lowe...

Portrait - Closeup of a woman Technique: oil, acrylic, ink on canvas 100x81cm (39.4 H x 31.9 W inch) 》》R E A D Y -- T O -- H A N G《《 ❶ → Original signed work. Certificate of aut...

Antique American school memento mori still life oil painting. Oil on board. Framed. Image size, 7L x 7H.

"KAMA SUTRA", 2013, is an oil painting on canvas by artist Tslil Tsemet, and measures 57x39". Characteristic of the artist's best work, it's composed as a t...

"Jennifer", portrait of a woman with long brown hair and a blue dress with bouquet of flowers in a green vase, vintage 1970s original painting by Marcel Ronay...

"Fall Arrangement" by James Zamora invites viewers into a world of autumnal splendor, where the artist's adept use of impressionism transforms a simple still life into a celebration ...

Still Life with Flowers and Hidden Portrait Dohlmann Augusta Svanenmosegaard 1847 – 1914 Danish Painter Signature: Monogrammed bottom left and dated 83 Medium: Oil on canvas Dimens...

Rare one of a kind Pop Art portrait painting of 80s and 90s pop icon Fabio done in silkscreen enamel oil on canvas. this is not numbered and is believed to be unique. Steven Alan Kaufman Or Steve Kaufman, 1960–2010 American pop artist, filmmaker, photographer and humanitarian.In 1975, Kaufman participated in a group graffiti Street Art show at the prestigious Whitney Museum of American Art.Kaufman participated with nine other New York City students in a cultural art exchange with students in Japan, resulting in his attaining a scholarship to the Parsons School of Design. As a teenager Kaufman was going to Studio 54 and associating with people from the 1970s New York City art community. Kaufman attended Manhattan's School of Visual Arts (SVA), where he met contemporary artists such as Jean-Michel Basquiat. In 1981 Kaufman met Andy Warhol, who became a significant influence on the 19-year-old Kaufman, who worked as Warhohl's assistant at his studio, The Factory, producing original paintings and silkscreens. Kaufman designed theme parties for various nightclubs, sold his paintings to Calvin Klein and Steve Rubell, and participated in a group art show with pop artist Keith Haring, whom he had met at the SVA. Kaufman created the graphics for NBC's Saturday Night Live. Kaufman graduated from SVA with a Bachelor of Fine Arts degree and held art shows in London. Leaving Warhol's Factory, Kaufman established his own SAK Studio, hiring homeless New Yorkers to assist him. He painted portraits of three homeless persons for Transportation Display, Inc. that where later shown in 46 cities on bus billboards, helping to raise $4.72 million to benefit the homeless. Kaufman crated the first “Racial Harmony” mural in Harlem to raise attention of inner-city problems. He showed at the White Gallery as a tribute to those who died from AIDS. The “Say Without Art” tribute was based on this show. Kaufman also exhibited his works at the Loft Gallery in Tokyo, Japan.In 1993, Kaufman moved his studio to Los Angeles and began painting in a new style he called 'comic book pop art'. He used images of Superman, Batman, Spider-Man and others from both DC comics and Marvel comics. To assist him in his studio, Kaufman hired more than 100 ex-gang members released from prison.In 1995 Kaufman published works for Martin Lawrence Limited Editions, hand-embellishing works including limited editions of Beethoven and Marilyn Monroe. He painted portraits of Muhammad Aliand John Travolta, "who autographed their editions." Becoming the first artist create a bridge between Marvel Comics (Spiderman) and DC Comics (Superman), Kaufman worked with comic book artist and creator Stan Lee. Kaufman."As Warhol's assistant, I learned to silkscreen with oils that will last forever. Since his death, Steve Kaufman’s artwork has appeared in several television programs, art hotels...

Portrait of a woman with green eyes that are highlighted by the light green background by Monterey California-area artist Patricia Gillfillan (American, 192...

Indistinctly signed and dated In the first quarter of the 17th century a new form of flower painting was developed in Flemish painting, which, recreated by a large group of artists and workshops, would achieve considerable success throughout the century in much of Europe: the garland of flowers surrounding a central figure. Brueghel de Velurs was the initiator of this type of composition, however, it was his pupil, Daniel Seghers, who was the dominant figure in this specialised production and the creator of a prototype that would serve as a model for the numerous artists who followed in his wake. It seems undeniable that the artist of the present painting had seen the Garlands of Flowers Surrounding a Medallion Depicting the Triumph of Love by Daniel Seghers and Domenico Zampieri (now in the Musée du Louvre in Paris). In our painting, the present floral wreath encircles a carved cartouche within which sits Saint Dorothy of Caesarea and the attribute which often accompanies her in art, a basket of roses. The extremely delicate flowers have been rendered in meticulous detail, so that every species can be identified from exotic tulips to roses, irises and forget-me-nots; this obvious attention to naturalism is inherited from the Flemish manner. Each flower is so precise and refined that they are an individual study in their own right. The still-lifes are from the hand of Jan Anton van den Baren, with the central figures by another accomplished hand. Van den Baren’s arrangement of flowers would have delighted connoisseurs in both Flanders and in Vienna, where the impossibility of their all blooming at the same time of year would have been understood as a further statement of the wonder and beauty of the divine. Van den Baren worked first in Brussels, where he collaborated with Erasmus Quellinus II for the figures in his works, before moving with Archduke Leopold Wilhelm, his patron, to Vienna in 1656, where he instead worked with fellow Flemish émigré painter Nikolaus van Hoy. The iconography relates to an eighth century legend where she was presented a basket of roses by a child. In addition to the brilliance of his handling of still-lifes Van den Baren played an important art historical role as Director of Archduke Leopold Wilhelm’s Picture Gallery in Vienna, then one of the greatest collections in the world and the core of what was to become the present collection of the Kunsthistorisches Museum, Vienna. Van der Baren compiled an inventory of the collection in 1659, and his predecessor as Director of the Archduke’s Picture Gallery (when it was still housed in Flanders), David Teniers, depicted van der Baren (third from right) in his celebrated Archduke Leopold Willem in his gallery at Brussels, conserved at the Kunsthistorisches Museum. It is a shining example of the Flemish Baroque and is a very rare object indeed, considering there are only 14 paintings accepted as authentic works by this artist. We are grateful to Fred Meijer for confirming the attribution to Johannes Antonius van der Baren. A feature of this painting is its outstanding carved and gilded frame with a plethora of flowers and foliage. Titan Fine Art

"Ballerinas" impressionist painting by Andre Gisson (1921-2003). Soft colors and bright light are hallmarks of Gisson's work. This is rare subject manor for the artist. Although Am...

"PROGRAMMED", 2015, is a surrealist oil painting on canvas by artist Tslil Tsemet, and measures 20x16". There are conceptual traps laid all over this port...