Georges D'Espagnat Interior Paintings

Signed oil on canvas still life circa 1910 by French post impressionist painter Georges D'Espagnat. The work depicts three ceramic vases of flowers on a table. There is a tale green ...

Signed still life oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a colourful ceramic vase filled with red and white anemones set a...

Signed still life oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a white vase filled with red and white tulips. A beautiful piece in the artist's distinctive hand. Signature: Signed upper left Dimensions: Framed: 33"x28.5" Unframed: 26"x21.5" Provenance: A certificate of authenticity for this work is available from Mr. Jean Dominique Jacquemond upon request Private French collection From the beginning of his career it was a constant concern of Georges d'Espagne to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagne was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont...

Signed still life oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts a ceramic vase placed on a wooden stall filled with pink peonies and yellow flowers. A beautiful piece in the artist's distinctive hand. Signature: Signed: Signed lower left Dimensions: Framed: 24"x21" Unframed: 16"x13" Provenance: To be included in the forthcoming Georges d’Espagnat Catalogue Raisonné being prepared by Jean-Dominique Jacquemond. From the beginning of his career it was a constant concern of Georges d'Espagne to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagne was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont...

A wonderful oil on panel by French post impressionist painter Georges D'Espagnat. The work depicts a wooden table in an interior with a jug, teacup and saucer and red and green apple...

A beautifully painted oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. The piece depicts a still life scene. To the right a white ceramic vase is filled with red, white and yellow flowers and to the left there is a blue and white china cup and saucer...

A wonderful still life oil on canvas circa 1925 by French post impressionist painter Georges D'Espagnat. The work depicts a white jug filled with white and red blooms, placed on a re...

A beautiful still life oil on canvas circa 1920 by French post impressionist painter Georges D'Espagnat. The work depicts red and pink ornamental poppies in a tall white and blue vase. Signature: Signed upper right Dimensions: Framed: 31"x27" Unframed: 24"x20" Provenance: Private French collection From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque...

This listing includes four paintings for Nelson- see details below form individual listings (original 1stDibs reference numbers included). 1. Georges D'Espagnat- Fleurs: A wonderful still life oil on original canvas by French post impressionist painter Georges D'Espagnat depicting red and white roses in a jug vase placed on a blue tablecloth and with books beside it. Signature: Signed upper right Dimensions: Framed: 30"x26", Unframed: 22"x18", Provenance: Private French collection. Circa 1920 Medium: Canvas, Oil. Condition: Good, Very good original condition. From Listing: LU41537029982 (Seller: LFA606), Price £6550 Details in this listing relate to this painting. 2. Victor Charreton- Autumn in the Village: A stunning and wonderfully coloured oil on board by French impressionist painter Victor Charreton a figure on a path beside cottages in autumn time. The artist is renowned for painting the different seasons and his use of colour to portray them and this is an exceptional example. Signature: Signed and dedicated lower left. Dimensions: Framed: 22"x31" Unframed: 17"x26" Provenance: Private French collection. Circa 1900 Medium: Canvas, Board. Condition: Good, Very good original condition. From Listing: LU41536969892 (Seller: LFA0471), Price: £9,950 3. Émile Bernard- Vegetables & Jug "Nature Morte" A wonderful oil on board by French post impressionist painter Emile Bernard depicting an aubergine and tomatoes in decorative dish on a table with a red pepper in front and a shiny metal jug behind. Signature: Signed lower left. Dimensions: Framed: 24"x21", Unframed: 18"x15" Provenance: Galerie Charpentier - Exhibition Emile Bernard 1943 Creation Year: 1904 Medium: Oil, Board Period: 1900-1909 Condition: Good, Some light crazing to paint otherwise very good. From Listing: LU41538093432 (Seller: LFA0630 ), Price £7,200 4. Robert Pinchon...

A wonderful still life oil on original canvas by French post impressionist painter Georges D'Espagnat depicting red and white roses in a jug vase placed on a blue tablecloth and with...

A wonderful still life oil on canvas circa 1920 by French painter Georges d'Espagnat. The piece depicts vases of flowers, a blue and a red teapot and a plate of fruit on a table in a blue interior. Titled "Fleurs, Pommes et Prunes" on original artist's label verso. Signature: Signed lower right Dimensions: Framed: 35"x42" Unframed: 29"x36" Provenance: Private collection - Geneva To be included in the forthcoming Georges d’Espagnat Catalogue Raisonné being prepared by Jean-Dominique Jacquemond. From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier...

A still life oil on canvas by French post impressionist painter Georges D'Espagnat depicting flowers in a vase in an interior. Signed lower left. Dimensions: Framed: 28"x25" Unframed: 18"x15" From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier...