Gerrit Rietveld Seating

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Production delay: 8-9 weeks Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of a ...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Wide Version. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the U...

Stool / side table The Rietveld Military Furniture was designed in 1923 by Gerrit Rietveld for a Catholic Military Home in Utrecht, the Netherland...

Discover the iconic Rietveld Zigzag Chair, a masterpiece of Dutch design that has been enriching interiors worldwide since 1934. Crafted for a family of artists, this special editio...

Zig Zag Chair by Gerrit Thomas Rietveld 1932 / 2019 Cassina Open pore ashwood lacquered white. Feet in black plastic. Produced and numbered by Cassina.

Italian modern Velvet sofa mod. Utrecht by Gerrit Thomas Rietveld for Cassina , 1990s fantastic three-seater sofa mod. Utrecht with curved seat and backrest, padded and upholstered ...

Gerrit Rietveld Chocolate Brown Leather Utrecht armchairs in fantastic condition. Rietveld, Dutch architect with a strong bent for experimentation, and one of the founders, with Mond...

Stool / side table The Rietveld Military furniture was designed in 1923 by Gerrit Rietveld for a Catholic Military Home in Utrecht, the Netherland...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with t...

Chair The Rietveld military furniture was designed in 1923 by Gerrit Rietveld for a Catholic Military Home in Utrecht, the Netherlands. The Milita...

Black crate chairs by Gerrit Rietveld, crafted circa 1960 in the Netherlands, these chairs are a testament to Rietveld's avant-garde approach to furniture ...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Materials: Fabric Dimensions: D 85 cm x W 64 cm x H 60 cm (SH 37 cm) G...

By Spectrum Designed By Gerrit Rietveld 1958 The Press Room Chair was designed in 1958 by Gerrit Rietveld for the UNESCO building in Paris. Rietveld designed the armchair as a comf...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design...

We are offering a beautiful “Red & Blue chair” armchair by Cassina for sale. The world-famous design was created by Gerrit Rietveld and is still considered one of the most famous des...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the Utrecht armchair in 193...

Initially designed to make use of surplus wooden shipping crates by Dutch architect and designer Gerrit Rietveld in 1934, the Crate Collection has been relaunched in a Rietveld Originals...

Gerrit Rietveld for Cassina crate chairs, Italy 1970s. Pair of two Gerrit Rietveld' Crate' chairs. These chairs were designed in 1934 and produced by...

Gerrit Rietveld and interior designer J. Tricht, bench, faux-leather, metal, The Netherlands, 1965. This bench was originally designed as a 'hall bench' for a local bank in Dedemsva...

Pair of Redele lounge chairs by Gerrit Rietveld for Cassina. The chairs have the original upholstery.

Gerrit Rietveld designed in 1958 Unesco press room chair for Spectrum - 'Colourful Vintage' Edition 'Colourful Vintage', which means: fabric: Sprinkl...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar...

So called 'Utrecht' sofa designed by Gerrit Rietveld and manufactured by Metz and Co in The Netherlands in 1960. This sofa is a special creation by Gerrit Thomas Rietveld for Metz & ...

Chair The Rietveld Military furniture was designed in 1923 by Gerrit Rietveld for a Catholic Military home in Utrecht, the Netherlands. The Milita...

Stool or side table The Rietveld military furniture was designed in 1923 by Gerrit Rietveld for a Catholic Military Home in Utrecht, the Netherlan...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the Utrecht armchair in 193...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design...

Chairs designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of a...

c. Early/Mid 20th Century. Painted wood crate chair with excellent patina.

A world icon of neo-plasticist design this chair armchair called Rood Blauwe (Red and Blue) by its Dutch designer Gerrit Thomas Rietveld, Cassina production in the 1960s.

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Cassina offers a new reinterpretation of the iconic model dated 1935: i...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Baby version. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the U...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the Utrecht armchair in ...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design...

‘Mondial’ chair designed by Gerrit Rietveld for the 1958 World Exhibition in Brussels. This chair is a later reissue by ‘Rietveld Originals’ and manufactured by Gispen. The Mondial...

Chairs designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example o...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the Utrecht armchair in ...

We are offering a beautiful “Red & Blue chair” armchair by Cassina for sale. The world-famous design was created by Gerrit Rietveld and is still considered one of the most famous des...

Initially designed to make use of surplus wooden shipping crates by Dutch architect and designer Gerrit Rietveld in 1934, the Crate Collection has been relaunched in a Rietveld Originals x HAY collaboration. Made with respect for the original design, the Crate Lounge Chair shares the same precisely balanced proportions and transparent construction to minimize production costs and optimize the assembly process. Featuring low proportions with a gently sloping back and seat with supportive armrests, the chair’s simplicity and spatial design mirrors the designer’s architectural style – providing functionality and comfort without absorbing space. Crafted in solid pine, with a water-based lacquered finish in different color options, the Crate Lounge Chair is suitable for a wealth of indoor and outdoor settings, and is supplemented with seat cushions in selected textiles for extra comfort. Adding extra comfort and functionality to the Crate collection, the Crate Cushion is specially formed to fit the chair seat perfectly. The quilted model features a Velcro® fastening underneath the cushion seat and two straps that fasten around the top of the chair frame, with the seat and folding cushions both featuring an anti-slip bottom to keep them securely in place. Crafted in Teflon®-coated fabric for a water-repellent finish, as well as having a high UV resistance, meaning it is fade-resistant with good color fastness properties. Materials : Black Water-Based Lacquered Pinewood Anthracite Quilted Cushion...

The red & blue chair is also known as the “Rietveld Chair” after its designer Gerrit Rietveld, counts as one of the most recognizable pieces designed by De Stijl movement in the 1920...

Italian Bauhaus Armchair Red and Blue by Gerrit Thomas Rietveld for Cassina 1971 Armchair mod. Red and Blue entirely in wood painted in yellow, red, blue and black. The chair has an ...

Chair The Rietveld military furniture was designed in 1923 by Gerrit Rietveld for a Catholic Military Home in Utrecht, the Netherlands. The Milita...

Initially designed to make use of surplus wooden shipping crates by Dutch architect and designer Gerrit Rietveld in 1934, the Crate Collection has been relaunched in a Rietveld Originals...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with t...

Armchair designed by Gerrit Thomas Rietveld in 1935. Relaunched in 2015. Manufactured by Cassina in Italy. Gerrit T. Rietveld came up with the design for the Utrecht armchair in 193...

The Red & Blue Chair is also known as the “Rietveld Chair” after its designer Gerrit Rietveld, counts as one of the most recognizable pieces designed by De Stijl movement in the 1920...

Initially designed to make use of surplus wooden shipping crates by Dutch architect and designer Gerrit Rietveld in 1934, the Crate Collection has been relaunched in a Rietveld Originals...

Chair The Rietveld Military Furniture was designed in 1923 by Gerrit Rietveld for a Catholic Military Home in Utrecht, the Netherlands. The Milita...

Stool or side table The Rietveld military furniture was designed in 1923 by Gerrit Rietveld for a Catholic Military Home in Utrecht, the Netherlan...

A limed oak Steltman chair, ca. 1973. Only a couple of dozen (40-50) of Steltmans were ever made, which makes this design icon an extremely rare piece. As one of the final projects ...

A set of two Zig Zag chairs from the ''Van Dantzig'' Rietveld house, commissioned by Dora Mees to be executed as the original 1934 design, and manufactured by Rietveld 's carpenter G...