Graziano Pompili Art

Artist Commentary: Candle Holders in stacked squares of rich chocolate, capped in brilliant gold luster. Medium: ceramic porcelain. Size: 5 x 4 in (12.7 x 10.2 cm) Artwork Details:...

"Rhapsody" by Kevin Barrett Indoor/outdoor sculpture in bronze. The sculpture is 65"h and rests on a 24"h stainless steel base. Kevin Barrett is noted for creating unique, rhythmic,...

An Amazing New Piece at an Incredible Price by renowned Canadian Artist Fahri Aldin. This Stunning Beauty titled 'The Proud Stallion' is Limited Edition 3 out of 27. From his latest ...

A beautiful modernist 20th Century Bronze piece by Joachim Berthold. Here we find this stylish figure sitting in a hoping position looking up that eludes thought and complexity. A me...

This polished bronze sculpture by Colin Webster-Watson reduces the reclining female figure to a fluid, biomorphic silhouette, its high-gloss surface catching light along the sweeping...

A graceful metal sculpture created from altered/ transformed materials, Urban Transformation, industrial steel against a craggy, textured, bark-like bronze elements. ...

"The Family" Abstract Bronze Sculpture 25 x 14 x 6 in Ed. 6/8 by Ahmed Magdy Medium: Bronze About the Artist: Ahmed Magdy (b. 1987, Assiut, Egypt) is an Egyptian sculptor and visual artist whose practice investigates the intersections of cultural identity, collective memory, and the enduring dialogue between ancient civilizations and contemporary human experience. Raised in Upper Egypt, amid one of the richest landscapes of ancient Egyptian heritage, Magdy developed an early visual consciousness shaped by temples, archaeological sites, and the cultural legacy that stretches along the Nile Valley. Equally influential was the folklore of Upper Egypt: its myths, oral traditions, rituals, and social customs, which continues to inform the symbolic language of his work. Magdy graduated from the Faculty of Specific Education, Department of Art Education, Assiut University, in 2008. His engagement with sculpture, however, began several years earlier through intensive study and studio practice under two of Egypt’s leading contemporary sculptors, Mamdouh El Kook and Abdel Hadi El Weshahi. Working closely alongside El Weshahi in the completion of several sculptural projects provided Magdy with invaluable insight into one of the most significant sculptural practices in modern Egypt. For more than two decades, Magdy has developed a sculptural language rooted in the visual legacy of ancient Egyptian civilization while addressing contemporary questions of identity, memory, humanity, place, and cultural transformation. Rather than reproducing historical forms, his work reinterprets archaeological and symbolic references through a contemporary visual vocabulary, seeking to establish an ongoing conversation between history and the present. His sculptures frequently explore themes of belonging, coexistence, resilience, and the shared human condition, positioning cultural heritage as a living source of dialogue rather than a static historical reference. His work has been presented in numerous solo and group exhibitions, biennials, symposia, and international cultural projects. Notable exhibitions include his solo exhibition States at Azad Art Gallery, Cairo (2023); the Arab Artists Exhibition within the International Ceramic Fair in Jingdezhen, China (2023); Echo of the Soul in New Delhi, India (2025); and exhibitions at the Grosseto Foundation for Culture and the Luzzetti Museum in Italy, alongside participation in the First Grosseto International Sculpture Symposium (2025). Magdy has maintained a long-standing artistic relationship with China. In 2015, he received an official invitation from the Ministry of Culture of China to design a permanent sculpture for the China–Arab Friendship Garden in Yinchuan. In 2018, he participated in the Rouchi City International Sculpture Exhibition, where he received Fourth Prize among seventy-five artists representing countries from around the world. His works are included in the collections of the Rouchi Museum and the Jingdezhen Contemporary Ceramic Art Museum. He was also invited as an artist-in-residence at Taoxichuan Art Center in Jingdezhen, one of the world’s leading centers for contemporary ceramic art. Among his major public art projects is his participation in the International Aswan Sculpture Symposium (2018), following his selection for the symposium’s workshop program in 2017, as well as the Second Cairo International Scrap Metal Sculpture...

Bronze Sculpture 'PELA' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze sculpture Bronze Polished Certificate of authenticity Numbered and signed a...

This is an original wooden sculpture with hand painting on both sides. it does not appear to be signed or numbered and does not currently have any label. I believe this might be the ...

Artist Commentary: Bronze Platter with metallic pewter center. Medium: ceramic porcelain. Size: 13 inch diameter and 2 inches deep (33 cm diameter and 5 cm deep). Made in California,...

Benedict Tatti (1917-1993) worked in New York city as a sculptor, painter, educator, and video artist. He studied stone and wood carving under Louis Slobodkin at the Roerich Museum. He later attended the Leonardo da Vinci School of Art studying under Attilio Piccirelli. In l939 he taught adult classes with the Teachers Project of the WPA and attended the Art Students League for three and a half years on full scholarship. He studied under William Zorach and Ossip Zadkine and later became Zorach’s assistant. Later in his career, he attended the Hans Hofmann School of Fine Arts. During World War II, Tatti served in the United States Army Air Force, where he spent three years assigned to variety of projects. In 1948, Benedict Tatti married Adele Rosenberg in New York City. Throughout his career, Tatti continuously experimented with various media. From 1952-1963, Tatti executed sculptural models of architectural and consumer products for the industrial designers, Raymond Loewy Associates; later he became a color consultant for the firm. In the 1960s, influenced by the Abstract Expressionists, Tatti turned from carving directly in wood and stone to creating assemblage architecture sculptures, using bronze metal and other industrial materials. He was included in the important show "Aspects de la Sculpture Americaine", at Galerie Claude Bernard Paris, France, in October 1960 along with Ibram Lassaw, Theodore Roszak, David Smith, Louise Bourgeois, Danese Corey, Dorothy Dehner, Lin Emery, Lily Ente, David Hayes, Louise Nevelson, Tony Rosenthal, Richard Stankiewicz, Sam Szafran...

"Land & Sea" Bronze sculpture 16" x 14" inch by Ibrahim Abd Elmalak Double-faced Bronze & Marble Signed & Dated Sculptures that mostly depict his characteristic figu...

SALE ONE WEEK ONLY The "Untitled" abstract sculpture by Robert Sestok has a very deliberate aura of strength in its columnar shape. It does become more ...

Artist: Nancy Graves (American, 1939-1995) Title: "Rope Trap" *Titled, signed, and dated by Graves (inscribed into the metal) on red cylinder lower right Year: 1985 Medium: Original ...

Artist Commentary: Candle Holders in stacked squares of matt steel grey, capped in brilliant gold luster. Medium: ceramic porcelain. Size: 5 x 4 in (12.7 x 10.2 cm). Artwork Details...