Gregory Frank Harris Paintings

This refined harbour scene from Le Havre presents a quiet yet vivid impression of a working port along the northern coast of France. Alfred Bergström constructs the composition from ...

“Eastern White Pines, c. 1910” by Charles Warren Eaton (American, 1857-1937). A wonderful example of Eaton’s renowned compositions of Eastern white pine trees in his mature style. A...

Albert Heckman Woodstock Landscape Oil on board 10 x 8 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art ...

Miniature Painting of New York City Street Scene by British Cityscape Artist - a unique original from leading Contemporary Artist, Angela Wakefield. Part of the New York Collection. ...

"Grey November" is a 2023 original oil painting on board, created by T. Allen Lawson. Depicted is a western plain leading to foothills, overcast by a large and brooding deep grey sto...

James Knox Farm Buildings Through the Trees Oil on board 12 1/4 x 14 1/4 inches James Knox was a Scottish-born American painter celebrated for his luminous landscapes, seascapes, a...

Miniature Painting of Trafalgar Square London Westminster by British City Artist - a unique original from leading Contemporary Cityscape Artist, Angela Wakefield. Part of the London ...

Deb Komitor was born and raised in Ohio and now resides in Colorado Springs, CO with her husband Steve, her constant dog companion Zoey and 2 house cats. She graduated with honors f...

Winthrop Turney Erie Basin Breakwater, Brooklyn, Long Island Signed lower left Oil on board 8 x 11 inches Winthrop Duthie Turney was born in New York City and received his educatio...

Marc Khonsky (American Russian, 1927-2017) Untitled (Winged Prophet Playing Music) 1978 Oil on board Hand signed and dated lower right Dimensions: board: 14"h x 11"w, overall (with frame): 19.5"h x 16.5"w This depicts a winged angel in the guise of a rabbi, possibly the messiah, moshiach, or Prophet Elijah blowing a shofar over the old city of Jerusalem. A masterpiece laden with mystical symbolism. Marc Klionsky (Марк Клионский) (1927 – 2017) was a Russian-American Jewish artist who worked in New York City from his immigration in 1974 until his passing in 2017. Klionsky developed a style of American Realism uniquely defined by his classical training in the Soviet Union and his perspective of daily life in New York and America. Over the course of his career, Klionsky painted portraits of prominent world figures who shaped the 20th century. John Russell, art critic for The New York Times, described him as "a good man and a brave man and one of the most eloquent painters around. We need him" and as "one of the best portrait painters around." Marc Klionsky was born in Minsk, Belarus to a Jewish family in 1927. His father, Leo (Zev Vulf) Klionsky was a printer from Borisov, Belarus. The son of a woodcutter and engraver Klionsky's father moved to Minsk and eventually married Liza (née Rozenstein) in 1926. As a child, Klionsky attended the Art School for Gifted Children in Minsk. During World War II, Klionsky's family was evacuated to Kazan, Republic of Tatarstan, where Klionsky began to earn a living producing anti-Fascist posters and illustrations for local newspapers and other publications. Klionsky studied at the Drama Institute at the Kazan Theater, where he primarily focused on developing costume designs for various productions. After the war, Mark Klionsky attended first the Serov Art Institute before entering the Ilya Repin Leningrad Institute for Painting, Sculpture and Architecture (now known as the Russian Academy of Arts in Saint Petersburg). Klionsky's diploma piece was reproduced in an edition of 50,000 copies and distributed throughout the USSR. Klionsky received his PhD in 1957, during which period he studied with Professor Boris Ioganson. Klionsky became the youngest artist to be exhibited at the Tretyakov National Gallery in Moscow. During this period, Klionsky met his future wife of nearly 59 years, Irina Klionsky (née Korolik), with whom he had two daughters, Nadia, an artist, and Elena, a pianist. Klionsky established himself in the Soviet Union initially by producing official Social Realist works that depicted political figures and daily life in the Soviet Union. However, in the privacy of his own studio, Klionsky began to explore the themes of Jewish life, anti-Semitism and the Holocaust. He soon discovered the creative and intellectual restrictions of working as a Jewish artist in the Soviet Union. After Klionsky left the Soviet Union with his family in 1974, traveling first to Rome, Italy and then to New York, he expressed in his work the newborn freedom that he found in America. Shortly after his arrival, he was recognized in an ABC television production about his work, Canvases of Freedom. This was followed by a U.S. State Department documentary (produced by the U.S. Information Agency) shown in ninety-two countries about one of his exhibitions at Hammer Galleries. During this period, Klionsky also taught at the School of Visual Arts in New York and at the Pennsylvania Academy of Fine Arts in Philadelphia, birthplace of the Ashcan School of American Realism. While Klionsky took advantage of his creative freedom in the United States to explore a range of abstract styles and media, he ultimately gained prominence as a master of portrait painting and of American Realism. His works include portraits of leaders in the world of politics and humanitarianism, such as Israeli premier Golda Meir, Elie Wiesel, Prince Bandar Bin Sultan, and Vernon Jordan; music, including Dizzy Gillespie, Mstislav Rostropovich, and B.B. King; business leaders Armand Hammer, Steve Forbes, and Dwayne Andreas; and many others. His portraits are in the permanent collections of the National Portrait Gallery in Washington, D.C., the Russian Museum in St. Petersburg, and the Museum of Contemporary Art in Lausanne, Switzerland. Klionsky was also honored during his lifetime to have been selected to sculpt the Nobel Peace Prize Commemorative Medal for Elie Wiesel. During his lifetime, Marc Klionsky's paintings and prints were exhibited throughout the Soviet Union, Europe, America, Israel and Asia, as well as Australia and New Zealand. His Soviet works were exhibited in the Tretyakov National Gallery in Moscow and the State Russian Museum in Leningrad multiple times throughout the 1950s. In 1962, his work was shown alongside that of Marc Chagall at Grosvenor Gallery in London. Separately, his work was shown along with other Soviet artists at the time in West Berlin, Hiroshima, Rome, and New York. After emigrating to New York in 1974, his first international exhibition was held in Paris at the Salon des Reprouves with Galleries Hardy in 1978. His first solo New York show took place a Nakhamkin Fine Arts Gallery on Madison Avenue in 1979, after which Klionsky was represented by Hammer Galleries for the remainder of his career. Klionsky had several solo shows in Europe between 1991 and 1992, showing at the Musée d’Art Contemporain in Lausanne, Switzerland, the Salon Internationale des Musées at the Grand Palais in Paris, France, and his "God Bless America" traveling retrospective that began at the St. Ingbert Museum in Germany. The last exhibition of Klionsky's work during his lifetime was at an event titled "Painting the Face of Russian Jewry: The Art and Journey of Marc Klionsky” at Brandeis University in Waltham, Massachusetts in 2010, with presentations made by Sir Antony Polonsky, Emeritus Professor of Holocaust Studies, and Professor Nancy Scott, former chair of the Fine Arts department at Brandeis University. Marc Klionsky's works hang in the collections of the National Portrait Gallery in Washington, D.C., The Elie Wiesel Foundation for Humanity in New York, the Musée d’Art Contemporain in Lausanne, Switzerland, the Yad Vashem Art Museum in Jerusalem, Israel, and the State Hermitage Museum and the State Russian Museum in St. Petersburg, Russia, among other private and public collections internationally. He was part of a tradition of Soviet Jewish artists that included El Lissitzky, and Natan Altman, Marc Chagall, Robert Falk, Anatoly Kaplan, Ilya Kabakov, Oscar Rabin...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Joseph LÉPINE (Rochefort 1867 – Paris 1943) The Church of Caillac - Lot Oil on cardboard H. 33 cm; W. 41 cm Signed lower left Joseph Lépine quickly moved to Bordeaux, where he studied under Louis-Alexandre Cabié, a well-known landscape painter in the region and teacher of many early 20th-century artists. Despite the master's warnings, he sought to confront the Parisian modernity of the late 19th century and discover Impressionist and even early Post-Impressionist styles. There, he became a student of the neoclassical painters Courtois and Girardot, both former students of the great Jean-Léon Gérôme. In 1897, he exhibited at the Salon, where he sent landscapes of Provence. He became a member of the Société des Artistes Indépendants in 1905, the same year that the Fauves Matisse, Derain, and Vlaminck participated in and became known at the Salon d'Automne. A purchase by the French government of the 1908 Salon des Indépendants, "Vieille boutique," now housed at the Menton Museum, officially launched his career. He exhibited that year in London at the Royal Albert Hall, at the invitation of the Allied Artists' Association, demonstrating the painter's distinguished status within the international art scene. In Paris, the artist met several well-known painters of the time in the Montmartre and Montparnasse neighborhoods, including Matisse and Signac. His painting is based in particular on his approach to material, light, and color, whose juxtapositions present a play of saturation and composition based on apparent reserves. After the First World War, Lépine returned more to his home region, where he painted landscapes around Bordeaux and up the Dordogne River to the charming landscapes of the lower Corrèze. He painted Beaulieu-sur-Dordogne, Argentat, and also the Lot region, with the built-up escarpments of Saint Circq Lapopie. The city of Bordeaux and the French government acquired two of his works, representing a landscape near Verdelais and a view of the Saint-Michel Church in Bordeaux, in 1939 and 1941. Considered today a very important figure in Bordeaux painting...