Jean-Emile Laboureur More Art

SALVADOR DALI (1904-1989) Title: Wilfred of Ivanhoe Medium: Lithograph Measurements: 23.63 x 18 in Edition: 231/250 Signat...

(Zapata). Mexico. Signed and dated 1930. Technique: Lithography 11EE.

These hand signed lithograph prints were only made available to "HOLDERS" of the Currency prints. Less than 1000 were hand signed by Damien Hirst a...

Original poster from the 2025 exhibition at Louis Vuitton Foundation, Paris 2025 Offset lithograph 70 x 50 cm David Hockney (born 1937) is one of the most influential 20th century B...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

Color lithograph, 1970. Edition of 125. Signed by the artist in pencil in the image, lower right. The edition numbering in pencil partially erased, lower left. Sheet size, 31 x 2...

Litografia Original IV by Joan Miró, a 1972 color lithograph from Litografo (Volume I, Spanish edition), listed as Mourlot 860. Published by Ediciones Poligrafa, Barcelona, with ve...

Colour etching “Prova d’autore” signed localised and dated ‘Raphael Roma “70”. It depicts in his unmistakable style a couple pictured in an intimate but discreet pose. Antonietta Ra...

Lithographon Arches Cover, 1969. Signed by the artist, dated, and numbered 50/60 in pencil, lower margin. Printed by Robert Petersen. Published by Gemini G.E.L., Los Angeles, with ...

Color lithograph, 1979. An artist's proof impression, aside from the numbered edition of 175. Signed by the artist in pencil, lower right. Inscribed "AP" (artist's proof) in pencil...

Color lithograph, 1963. Signed by artist in pencil, lower right. Numbered 5/95 in pencil, lower left. Titled in pencil, lower center. Prinbted by Alberto Caprini Rome, with the b...

Includes the deluxe, limited edition color lithograph, 1985, signed by the artist in pencil and numbered 92/100 in pencil, upper left; and the color offset lithograph poster for the ...