Joanne Greenbaum Prints and Multiples

This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin. The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, green watercolor contrasts beautifully with marigold orange, crimson, and terra cotta red. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stoneridge mould-made etching paper. Edition 100. Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...

Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork. Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

Laminated Giclée print on aluminium composite, screen printed with glitter Edition 151 of 3,310 39.3 x 39.3 in Signed on a label affixed to the back Mint. Minor imperfections may app...

Etching and aquatint, 1964 Publisher : La Rose des Vents, Paris Printer : Jean Signovert Catalog : [Schneider XXV] 37.00 cm. x 27.00 cm. 14.57 in. x 10.63 in. (paper) 32.50 cm. x 23...

12 colour pigment print Edition 56 of 60 60 x 54 cm (23.6 x 21.3 in) Signed and numbered on the front Mint. Minor imperfections may appear due to the production process Albertina Edi...

Artist: Damien Hirst X Invader Title: Invadhirst Year: 2025 Medium: 21-colour silkscreen print on Somerset Satin White 410 gsm cotton paper Edition: 1194; hand-signed by the artists ...

Untitled - spot print B By Damien Hirst 2025 Signed, dated and numbered Screenprint on paper 57 x 51 cm Edition of 500

In a world dominated by digital precision and instant gratification, Pia Clodi stands as a beacon of nostalgia and unpredictability, finding beauty in the fleeting moments captured t...

Color lithograph, 1970. Edition of 125. Signed by the artist in pencil in the image, lower right. The edition numbering in pencil partially erased, lower left. Sheet size, 31 x 2...

Artist: Invader X Damien Hirst Title: Invadhirst Year: 2025 Medium: 21-colour silkscreen print on Somerset Satin White 410 gsm cotton paper Edition: 1194; hand-signed by the artists ...

This etching is hand signed and dated '1961' by the artist in the lower rgiht margin in ink. The work is hand numbered 14 from the edition of 75 impressions at the lower left margin....

Brice Marden "Attendants, Bears, and Rocks" Matthew Marks Gallery, New York, 2002 Exhibition poster 17 x 22 inches Signed recto Exhibition poster for "Attendants, Bears, and Rocks" ...