Ninth Avenue El (New York City), Mid 20th Century Cityscape Oil painting
By John Opper
Located in Beachwood, OH
John Opper (American, 1908-1994) Ninth Avenue El (New York City), c. 1935 Oil on canvas Signed lower left and verso 30.125 x 24 inches The Ninth Avenue El was the first elevated rai...
Oil
Untitled Mid Century Abstract Oil Painting New York Artist
By John Opper
Located in Beachwood, OH
John Opper (American, 1908 - 1994) Untitled, 1959 Oil on board Signed and dated lower right 14.75 in. h x 18 in. w. 20 in. h. x 24.5 in. w., as framed John Opper described the 1930s...
Oil
$25,000
Untitled
By John Opper
Located in Austin, TX
Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right, signed and dated verso. 62.25 x 56.25 in. 64 x 58 in. (framed) Custom framed in a natural cherry wood floater. Provenance Washburn Gallery, New York Behnke Doherty Gallery, Washington Depot, CT Born in 1908 in Chicago, John Opper moved with his family to Cleveland, Ohio, in 1916. In high school, he began studying art and attending classes at the Cleveland Museum of Art. After graduation, he enrolled in the Cleveland School of Art (now Cleveland Institute of Art), only to withdraw after a year and move to Chicago, where he took classes at the Art Institute of Chicago. He eventually returned to Cleveland, enrolling at Western Reserve University (now Case Western Reserve), receiving his bachelor’s degree in 1931. The Depression has taken hold during this period, so Opper found work by teaching metalworking and sketching classes at the Karamu Settlement House, the oldest African American theater in the United States. In 1933, Opper traveled to Gloucester, Massachusetts, eventually connecting with the artist Hans Hofmann, who was teaching at the school run by Ernest Thurn. Hofmann encouraged Opper to work “in a more modern vein and start finding what it’s all about.” Heeding this advice, Opper relocated to New York, co-founding a mail-order club of American and British prints for dissemination to schools and museums. By the mid-1930s, he joined the Works Progress Administration (WPA) Easel Division, and also began attending the 57th Street school that Hans Hofmann had established after leaving the Art Students League. Looking back at his time at the school, Opper felt that beyond Hofmann’s teaching, most advantageous was his contact with fellow artists, including Byron Browne, Rosalind Bengelsdorf, and George McNeil. At the time, he also met Giorgio Cavallon and the sculptor Wilfrid Zogbaum. In 1936, Opper became a founding member of the American Abstract Artists, along with Balcomb and Gertrude Greene. The organization was formed to provide an opportunity for artists to show abstract works at a time when such opportunities were scarce. This led to his first solo show in 1937 at the Artists’ Gallery in New York. During his summer in Gloucester in 1933, Opper came to know Milton Avery. Painting in Avery’s informal studio in New York City the following winter, he became acquainted with Adolph Gottlieb and Mark Rothko. Opper participated in a couple of shows during the 1930s of the American Artists Congress Against War and Fascism, whose president was Stuart Davis. About the same period, Opper joined the Artists’ Union and served as the business manager of its publication, Art Front. During World War II, Opper worked for a ship design company creating drawings for piping systems used in PT boats...
Canvas, Oil
$6,400
H 44 in W 44 in D 1.5 in
Acreage (Abstract Expressionist Oil on Canvas Painting in Tones of Blue & Taupe)
By James O'Shea
Located in Hudson, NY
Gestural, abstract expressionist oil painting on canvas in tones of blue and taupe, with pops of ochre and mauve Painted by Hudson Valley based artist, James O'Shea in 2021 Oil on c...
Canvas, Oil
$3,000
H 10 in W 8 in
"Woodstock Landscape" Albert Heckman, American Modernist, Atmospheric Valley
By Albert Heckman
Located in New York, NY
Albert Heckman Woodstock Landscape Oil on board 10 x 8 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art ...
Oil, Board
$922
H 22 in W 18 in
Geometric Abstract Composition with Collaged Forms in Gold, Red and Grey
By Gilbert Pelissier
Located in Cirencester, Gloucestershire
Geometric Abstract Composition with Collaged Forms in Gold, Red and Grey Gilbert Pelissier (French, born 1924) signed Oil on canvas with paper cut-outs, unframed Canvas: 22 x 18 inch...
Canvas, Oil
$175,000
H 28.5 in W 32.5 in D 2 in
"Skating Party" WPA Regionalism American Scene Mid 20th Century Modern Realism
By Roger Medearis
Located in New York, NY
"Skating Party" WPA Regionalism American Scene Mid 20th Century Modern Realism Roger Medearis (1920 – 2001) "Skating Party" 20 x 24 inches Tempera on board, 1949 Signed Medearis and...
Oil, Board
$2,975
H 34.5 in W 49 in D 1 in
A Large, WPA Era Modern Chicago Industrial Scene, Ogden Viaduct, ca. 1929
By Francis Chapin
Located in Chicago, IL
A Large, Dynamic WPA Era Modern Industrial Scene by Famed Chicago Artist, Francis Chapin (Am. 1899-1965). Depicting a gritty view of a steel railroad bridge, boat house and soaring ...
Oil, Masonite
$78,000
H 51 in W 33 in D 2 in
Summer Resort in Michigan -Modernist Mid-Century Saugatuck Oil Painting
By William Schwartz
Located in Marco Island, FL
Summer Resort in Michigan is an exceptional work painted by the Chicago Modernist, William Schwartz. He studied at the Art Institute of Chicago shortly ...
Canvas, Oil
$2,800
H 25 in W 31 in D 1.5 in
A Serene 1940s, Modern Western Landscape Painting with Horses by Francis Chapin
By Francis Chapin
Located in Chicago, IL
A serene, 1940s Modern Western landscape painting with horses by famed Chicago artist, Francis Chapin. Accompanied with a handsome walnut brown stained wooden frame. Canvas size: 22 x 28 inches. Framed size: 25 x 31 inches. Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington and Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...
Canvas, Oil
$1,639
H 22 in W 18 in
Bright & Vibrant Abstract Expressionist Composition in Blue Green & Orange Tones
By Gilbert Pelissier
Located in Cirencester, Gloucestershire
Vibrant Abstract Expressionist Composition in Blue, Green and Orange Tones Gilbert Pelissier (French, born 1924) signed Oil on canvas, unframed Canvas: 22 x 18 inches Provenance: All...
Canvas, Oil
Neighbors
By Norman Barr
Located in Los Angeles, CA
Neighbors, 1939, oil on canvas, signed and dated lower right, 22 x 26 inches Norman Barr was an American Scene painter and muralist known for his poignant depictions of working-clas...
Canvas, Oil
$2,800
H 40 in W 30 in D 1.5 in
Danger Contemporary Representational Art Landscape Canadian artist Moody
By Marie Rioux
Located in Houston, TX
Danger is Contemporary Representational Art of a Canadian Landscape with a twist of Abstract. Gallery Wrapped. “Whatever my particular aim is, ...
Oil, Cotton Canvas
Night In the City
By Pal Fried
Located in Sheffield, MA
Pal Fried Hungarian-American, 1893-1976 Night In the City Oil on canvas 30 X 24 in. w/ frame 36 ¼ X 30 ¼ in. Signed "Fried Pal" lower right Pal was born in Budapest and studied at ...
Canvas, Oil
A Laborer Resting
By Robert Gilbert
Located in Los Angeles, CA
A Laborer Resting, 1930, oil on canvas, signed and dated lower center, 36 x 30 inches, inscribed verso “July – 1930 / Title – A Laborer Resting / Artist – Robert Gilbert / Price - $2...
Canvas, Oil
Untitled abstract blue, red & yellow oil painting, New York artist
By John Opper
Located in Beachwood, OH
John Opper (American, 1908-1994) Untitled Oil on canvas Signed lower right 20 x 16 inches 22.25 x 18.25 inches, framed John Opper described the 1930s as a "great gestation period" for his art. "I thought the Thirties was a very vital time for American art. . . . With the WPA, you got together whether it was the [Artists'] Union or the [American Artists'] Congress or whether it was a bar. . . and you talked about art, and you heard about important artists, and you began to live art." But Opper also remembered the thirties as a period of breakdown in the vitality of American art; "we became aware that a great deal was missing." Academically trained like many of his contemporaries, Opper came to New York in 1934, two years after his graduation from Case Western Reserve University in Cleveland, Ohio. As a youth, he had taken Saturday art classes at the Cleveland Museum of Art and later studied at the Cleveland School of Art and the School of the Art Institute of Chicago. When he arrived in New York he was a well-trained painter, adept at rendering still lifes and particularly landscapes depicting the American scene. A reviewer of his 1937 exhibition at the Artists' Gallery in New York, for example, wrote about Opper's "colloquial flavor … spontaneity and an imaginative use of color which conveys just the feeling" that the subjects—East River tugboats, old garages, and scenes around Manhattan— suggested. By 1937 Opper had become familiar with modernism, though he was not yet converted to the cause. Indeed, his 1937 show was made up of the still popular regionalist paintings. Earlier, in 1935 and 1936, he studied with Hans Hofmann and began to think in terms of forces and tensions within the picture plane. He met Wilfrid Zogbaum, Giorgio Cavallon, Byron Browne, Rosalind Bengelsdorf, and George McNeil, with whom he shared a studio. He paid frequent visits to Gallatin's Gallery of Living Art. He joined the WPA easel project in 1936 and began to paint in "a kind of transformed cubist style." When war came, Opper worked for three years with a marine architectural firm making drawings for the pipe systems of PT boats...
Oil