Kristina Larson Sculptures

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist : Rachel Hubbard Kline Title : Fabricated Americana Materials : Stoneware, Glaze, Wire Date : 2019 Dimensions : 23x30x5 Description : 2 panels of wired ceramic tiles Rachel Hubbard Kline's work explores the wistfulness of personal connections to historical domestic objects and material culture. Kline seeks symbiosis in the relationship of surfaces to forms and addresses the hierarchy of importance between the form itself and the image or decoration. Objects both functional and decorative, factor into the banality and routineness of daily life. As the current political and social climate continues to shift, She seeks to compare past and present means of the production of goods and labor. Surface design inspired by vintage textile prints...

Untitled XII, by Charo Oquet Ceramic 14 H in x 15 D in. 2018 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain ...

Peter Voulkos Ceramic Sculptural Dish, ca. 1985 Sculpted ceramic Hand-signed by artist, Incised signature on the base. 1.5 x 11.5 inches This charger plate by Voulkos features a Greek-influenced stylized birds and leaf design. Peter Voulkos is an American artist of Greek descent. The abstraction of animal and nature elements paired with the earthy, mottled gray and brown against brown background make this work beautiful. This work was featured in the exhibition "On Black Mountain: The Bauhaus Legacy in America", at the Sager Braudis Gallery (now Sager Reeves), in Columbia Missouri from April 5, 2019 to April. 27, 2019 and is reproduced in page 53 of the exhibition catalogue. We will provide a complimentary copy of the exhibition catalogue to the buyer of this work. Born in 1924 to Greek immigrant parents in the town of Bozeman, Montana, Peter Voulkos is one of America’s most significant sculptors of the 20th century. Voulkos got his start in art in the late 1940s, when he was studying at Montana State College, Bozeman on the G.I. Bill, after being drafted and serving as an airplane armorer-gunner in the Pacific in World War II. In classes with Frances Senska, he discovered ceramics, the medium that would characterize his career. After graduating from Montana State College, Bozeman in 1951, Voulkos moved west and earned his MFA from the California College of Arts and Crafts in Oakland, California. Returning to Montana after graduation, Voulkos attracted attention “as a prodigious natural potter and a producer of elegantly thrown functional earthenware,” according to Roberta Smith for the New York Times. He also produced dinnerware to sell through high-quality stores, and was noted for his wax-resist method of decoration.Voulkos gained a reputation as a master of ceramics techniques, winning twenty-nine prizes and awards from 1949 through 1955. However, a summer spent teaching at the experimental Black Mountain College (he was invited to teach at BMC by Karen Karnes) near Asheville, North Carolina in 1953 resulted in a dramatic shift in Voulkos’s artistic priorities, as well as his aesthetic. It was at Black Mountain College that Voulkos met Robert Rauschenberg, John Cage, Merce Cunningham and Charles Olson. He then visited New York City (as a guest of pianist David Tudor and Mary Catherine Richards) and encountered Philip Guston, Willem de Kooning and Franz Kline—Abstract Expressionist painters who influenced the new direction Voulkos would go on to pursue. In 1954, Voulkos was invited to teach at the Los Angeles County Art Institute (now Otis), and he established a new ceramics department and graduate program that attracted other young artists including John Mason, Ken Price, Billy Al Bengston and Paul Soldner. It was here that, inspired by the scale and spontaneity of the New York School, Voulkos began to build progressively larger works that cast aside utility and abandoned ceramic conventions. Decoration became aggressive, as he slashed at and pierced the clay, which he then energetically painted with glaze. Peter Voulkos exhibited these new works in shows at the Landau Gallery in Los Angeles, which announced to the world a new way of approaching ceramics. Disagreements with the more conservative administrators of the LA County Art Institute led to Voulkos’s departure for the University of California, Berkeley, in 1959. While at Berkeley, Voulkos experimented with bronze and produced large-scale bronze sculpture, while continuing his ceramic work and doing demonstrations of ceramics throughout the U.S. In 1979, a young ceramist named Peter Callas...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Title : Eroded Tumbling Blocks...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Title : Untitled Materials : Stoneware, Glaze, underglaze, wire Date : 2019 Dimensions : each blue hexagon measures 3.5" x 5.5" x 5.5 Rachel Hubbard Kline's work explores the wistfulness of personal connections to historical domestic objects and material culture. Kline seeks symbiosis in the relationship of surfaces to forms and addresses the hierarchy of importance between the form itself and the image or decoration. Objects both functional and decorative, factor into the banality and routineness of daily life. As the current political and social climate continues to shift, She seeks to compare past and present means of the production of goods and labor. Surface design inspired by vintage textile prints from family quilts and other historical motifs appear in Kline's work. The vessel acts as a stand in for the body and a metaphor for preservation. Kline's series of jars and jugs are intended to preserve memories of family members and places by using specific colors, patterns and objects she remembers from childhood to the present. Rachel Hubbard Kline is an art educator and artist in her hometown Kansas City, MO. With a background in fashion and art history, she explores relationships of fine art and craft in the disciplines of drawing, painting, ceramics, and fiber. Hubbard draws on her Midwestern roots and ties to rural farm life to reflect on past ways of life based on collections and artifacts. Hubbard Kline has been the recipient of educator residencies at the Kansas City Art Institute, a participant in the Connecting Collections teacher institute in New York, and Educator Conferences and AP Teacher Training at the Savannah College of Art and Design. She earned a Master of Arts in Teaching from Park University in 2010, a Bachelor of Arts from the University of Connecticut in 2007, and attended Parsons School of Design. She is currently pursuing her Master of Fine Arts in Studio Art at the Maryland Institute College of Art. Contemporary Ceramics, Functiona lCeramics, Pattern, Stoneware, Underglaze, Glaze, Decals, Luster, Craft, Fine Art, Contemporary Craft, Contemporary Fine Art, Beatrice Wood, Nampeyo, Karen Karnes, Tammy Garcia, Melanie Sherman, Mary Rose Young...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Title : Flying Geese...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Title : Tumbling Blocks...

Untitled III, by Charo Oquet Ceramic 16 H in x 16 D in. 2018 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain ...

Sara Fine-Wilson's “Swarming Bulge" is a gestural 22 x 7 x 6 inch ceramic sculpture in cream and warm gray. It is hand built and wheel constructed in white stoneware. Individual hand formed details are layered over the entire surface creating a graceful and fluid form. The surface is coated in a warm cream matte glaze that becomes darker gray and glossy along the edges that have been caught during the soda firing process. The glaze emphasizes the contrast between surfaces and edges. Fine Wilson’s ceramic work contains elements of both raw and refined surfaces including cracks, ruptures and pooling of glaze. Sara Fine-Wilson is a contemporary sculptor based in the Boston area...

Yellow Flowers, by Charo Oquet Glazed Ceramic 18 H in x 19 D in. 2018 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that...

Trey Hill Title: Untitled Material: Ceramic and underglaze Year: 2016 Size: 34 x 9 x 9 inches Trey Hill is a professional sculptor and Associate Professor at The University of Monta...

Different (Contemporary Painted Ceramic Tile Grid in Primary Colors) by Anne Francey Abstract Earthenware tile painting made of three panels wit...