Kristina Larson

Cloud

2018

Kristina Larson creates biomorphic three-dimensional works primarily out of clay. Within her multidisciplinary practice she seeks to blur the lines between art, craft, and design by ...

Kristina Larson creates biomorphic three-dimensional works primarily out of clay. Within her multidisciplinary practice she seeks to blur the lines between art, craft, and design by ...

Hand-built clay sculpture with white glaze. This sculpture can be wall mounted or displayed on a table top or pedestal.

Carmen Menza is an interdisciplinary artist creating fine art and technology-based installations utilizing light, painting, interactive software, music co...

Carmen Menza is an interdisciplinary artist creating fine art and technology-based installations utilizing light, painting, interactive software, music co...

Carmen Menza is an interdisciplinary artist creating fine art and technology-based installations utilizing light, painting, interactive software, music composition and sound design. Her work explores themes of time, space, color, perception, and human connection. Menza strives to create work that transforms through the passage of movement and time and that will form a quiet dialogue with viewer. Her work is activated and brought to life through light and materials that reflect and refract that light as you move across them. Many of her works create optical effects for the viewer as you change your angle of incidence, whereas her paintings contain thin layers of pigments utilizing light and reflective surfaces. Menza is located in Dallas, TX. She received her BFA in jazz guitar performance from the University of North Texas. She has created public and commercial art installations for the Dallas Symphony Orchestra, TX; Perot Museum of Nature and Science, TX; McKinney Avenue Contemporary Museum, TX; Dallas Aurora Light...

Maren Kloppmann (German, b. 1962) is a ceramic artist living and working in Minneapolis, Minnesota. Serene in palette and refined in form, Kloppmann’s work strikes an elegant balance...

Maren Kloppmann (German, b. 1962) is a ceramic artist living and working in Minneapolis, Minnesota. Serene in palette and refined in form, Kloppmann’s work strikes an elegant balance...

This ceramic vessel sculpture by Jon Puzzuoli is made with glazed porcelain. It has a vibrant red and cream palette, with a round body and a fluted neck. The piece has a raku finish,...

This ceramic vessel sculpture by Jon Puzzuoli is made with glazed porcelain. It has a round, deep grey and vibrant red body, a fluted neck finished in 18K gold luster, and a red lip....

Yellow Flowers, by Charo Oquet Glazed Ceramic 18 H in x 19 D in. 2018 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that...

It’s a Party, by Charo Oquet Glazed Ceramic 16” x 15.5" x 14” 2018 These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain them, often appearing to teeter in the brink of collapse. They are essentially diasporic, coming from various territorial and conceptual geographies that are the instruments of connection between today and the past and a new future. I try to create pieces where a process of mestizaje capable of arming dissident ways of live, intertwined with my family history. The colors, bright, chaotic, disruptive of a rich tropical load, bright light, universe of the Caribbean pallet, have archetypal symbols connected to the African heritage, visual party made plastic, symphonic permanence, with a transmission of joy, cheerful feelings that evoke directly the therapeutic action of planting, building and maintaining a garden, in this case, a permanent garden, which is mud in a state of crystallization (ceramics). ----------------------------------------------- Charo Oquet is a Miami-based artist that uses painting, installation, performance, photography, and film, among other media, to investigate issues of displacement, identity, migration, gender, or sociopolitical and cultural issues and to document and reflect on issues of de-colonial aesthesis and the role of contemporary culture in a global reality. Her work is a subjective observation by someone who is concerned with her surroundings and the culture she left behind. Her interdisciplinary work has been extensively exhibited internationally and has been well-reviewed by art critics and recognized by scholars in books and other publications. In addition to reviews in the Miami Herald, Atlantica Art Journal, African Arts, Art in America, Art Nexus and Art New Zealand, among others, Antonio Zaya Publisher produced and distributed a book of her work, Charo Oquet – Lo Que Ve La Sirena (2002). Her work is also included in such books and catalogs as New Hoodoo - Art of a Forgotten Faith (2008), Files by Octavio Zaya, Miami Contemporary Artists New Zealand's National Museum Te Papa Calendar 2009, Dominican Contemporary Artists and Supermix. Oquet has had numerous solo exhibitions in Museums and galleries around the world such as the Bass Museum, Miami Beach; Casal Solleric, Palma de Mallorca, Convento de Santo Domingo, Lanzarote, Canary Islands, Spain ( curated by Antonio Zaya) and Oquet’s work has been included in numerous international exhibitions. Oquet’s work is in several museum collections such as the Fort Lauderdale Museum of Art, Frost Art Museum, Florida International University, Miami, FL; CAAM, Centro Atlántico de Arte Moderno, Word Bank, Las Palmas de Gran Canarias, Spain; Bass Museum of Art, Miami Beach, Florida; New Zealand National Museum, Wellington, N.Z.; Dowse Art Museum, Lower Hutt, New Zealand; Govett-Brewter Art Gallery, New Plymouth, New Zealand; Foresight Collection, Auckland, New Zealand; Ministry of Foreign Affairs, Wellington, New Zealand; Gulf & Western Americas Corp., New York; Museo de las Casas...