Louis Cretey Art

This wonderful 17th-century French School vanitas painting is a meditation on mortality and the transience of earthly pleasures. The composition centers on a finely rendered human sk...

"17th Century Flemish School Old Master Adoration of the Magi." Oil on canvas. Previously relined. Unsigned. Artwork: 81 × 61 cm (31.9 × 24 in.). 88 × 69 cm (34.6 × 27.2 in.). (Fra...

Dutch/English artist Abraham Hulk the Younger (1851-1922) is most known for landscapes of the British countryside. This work is one of a pair (the second work is also available by s...

17th century Flemish School, Saint Barbara This accomplished 17th-century Flemish oil painting depicts Saint Barbara, shown as a serene and powerful woman dressed in a luminous red gown, set against a warm, atmospheric background and proudly holding her traditional attribute; a tower. The invention of the present composition stems from 17th century Antwerp and was likely drawn by Theodoor van Thulden...

Provenance: Private Collection, Cranston, Rhode Island (by the 1950s?); by family descent until sold at: Bill Spicer Auction, North Kingstown, Rhode Island, 26 January 2011; where a...

In this masterly painting, Francesco de Mura presents the meeting of Erminia and the shepherds, a famous episode taken from the seventh canto of Torquato Tasso's Jerusalem Delivered....

Luca GIORDANO (Naples 1634 – 1705) The Judgement of Solomon, circa 1670 Oil on canvas 38 × 48 cm - Unsigned Collection stamp on the reverse depicting a Roman intaglio. The same ma...

Nicola Maria Rossi masterfully captures the biblical tale of Rebecca and Eliezer at the Well, a story from the Book of Genesis. In this scene, Abraham’s servant, Eliezer, arrives at ...

This tender mid-18th-century Sevillian oil painting depicts the Virgin Mary as La Divina Pastora, the Divine Shepherdess. Attired in a straw hat, decorated with flora, she rests in...

Provenance: Fernandez Jimenez, Spain; part a family collection for over 80 years. Prints transported to the New World for use in missionary work and religious instruction often serv...

Oil on canvas, 140 x 215 cm (without frame) and 160 x 235 cm (with a contemporary frame), depicting the Drunkenness of Noah by the painter Giovanni Andrea De Ferrari (Genoa 1598-1669...

Provenance: Private Collection, Paraguay, for at least the last 80 years Painted in the Viceroyalty of Peru during the 18th century, the present work depicts the young Christ as the Niño de la Espina—a devotional representation of Christ as he looks down at his bleeding finger, which has been pricked by the crown of thorns resting on his lap. The subject of the Young Christ Pricked by a Thorn was especially popular in Cuzco, and the rich details and decorative elements of our work perfectly capture the essence and style of the Cuzco School of painting. In our painting, Christ wears an intricately patterned floor-length robe trimmed with gilded cuffs and a gilded collar. The delicate gilding, including the halo of golden rays emanating from his head, are executed in brocateado, an ornamental over-gilding technique that is characteristic of the Cuzco School. The red chair on which Christ sits also includes brocateado in the decorative gilt elements. The form of the chair takes inspiration from those commonly used by friars both in Spain and the Andes, known as silla frailera or sillon frailero, and was also frequently employed in related depictions of the Virgin Mary Spinning. Here the young Christ is rendered with soft, elongated features that reflect the influence of the Italian Mannerist painters who were pivotal to the formation of the Cuzco School, including the Jesuit friar Bernardo Bitti and Matteo Pérez del Alesio. Additionally, while its origins can be traced to Northern European pictorial traditions, the lush flower garland that frames the work is a signature feature of Cuzqueño painting...