Matt R Phillips Sculptures

Criswell's standing sculpture emerged from a study of spatial organization by arranging basic, repetitive shapes into a harmonious balance, while exploring the concept of simultaneou...

Anna Kruhelska, a talented visual artist and practicing architect from Lodz, Poland, merges her expertise in both fields to create captivating artworks. With a background in major ar...

This original sculpture is created in cold-cast aluminum, which interacts beautifully with its environment and reflects light in nuanced ways. Because of the reflective surface of aluminum, the sculpture takes on different appearances depending on the lighting conditions: In bright lighting, the sculpture appears more vibrant and silver-toned, showcasing its lustrous finish and fluid contours. The high contrast highlights every curve and swirl, giving it a striking, almost glowing presence. In softer or dimmer light, the tones become more muted and subtle. The sculpture takes on a pewter-like appearance, with deeper shadows and a more understated elegance. This makes it a perfect fit for a variety of settings, adapting to its surroundings and changing mood with the light. The sculpture’s color and finish are consistent; the perceived changes are purely the result of lighting. The color variations in the photos are a testament to the material’s responsiveness to light. If you’re placing it in a room with changing daylight or adjustable lighting, you’ll enjoy how it shifts throughout the day, almost like a living piece of art. Jacob Burmood creates undulating abstract cold cast aluminum sculptures, intuitively redefining aesthetic shapes and visual perceptions. His sculptures draw connections between nature-inspired, organically composed objects, rejecting the rigid structure of geometric abstraction in favor of harmonious compositions that seem to move before the eye. This original cold-cast aluminum sculpture is 26 inches tall by 12 inches wide and 12 inches deep. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping is available. A certificate of authenticity issued by the art gallery is included. The sculpture Burmood's artworks are inspired by modernist and bio-morphic sculpture...

Megan Klim's mixed media work juxtaposes several materials on one picture plane.  She highlights their inherent qualities to create surface tension which sparks a conversation and in...

In ADORNED OBSOLESCENCE 02, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, archite...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

ARTWORK VISUALS ARE WORK IN PROGRESS - FINAL ARTWORK VISUALS AVAILABLE ON REQUEST Raymond Graber‘s celestial light sculptures transform the sense of p...

Artwork made in latex washes, enamel, birch & lacquer on MDF Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art ...

Alexander Liberman STOI V, 1986 Wood with paper and paint 97 1/2 × 28 × 37 inches This work is hand signed twice by Alexander Liberman: Signed on the side as well as the underside an...

This is an 3-part painting / construction (assemblage) created from acrylic paint, wood, glass, and found objects. It includes several historic photograph of figures as well as many scenes from Black African American cultural history. Each piece measures 23" x 7.75" x 2.5", and they can be hung close together or far apart, depending on the buyer's preference. All pieces are wired with the appropriate hanging hardware and are ready to install, no additional framing needed. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...

Mary Baumeister Studio Leftover Fetich, 1953, 1967 Unique Mixed Media 3-D Assemblage Ink Signed, dated, titled, annotated "Edition Original" and numbered 52/75. Shadow box frame Incl...

Music Sonata In A Shadow Box 2023 Mixed Media, artist signed, front Plexiglas. This sculpture is perfect for the wall or a coffee table. This 3D music diorama found its home in a drawer from an antique Tansu Chest. Some of the 3D elements were made by Erikson. Antique materials achieve a vintage and interesting aesthetic. The depth of the case creates a stage like atmosphere as sort of a visual guide for the viewers eye. The overlapping and juxtaposition of the elements creates a intriguing and appealing composition. Very often Erikson art echoes and fuses antiquity and modernity. Erikson’s central imagery concerns itself with intrigue and a sense of surprise. His body of work is often dispersed with visual, tactile and intellectual delights that lead the viewer on their own form of discovery. Erikson’s awareness of the aesthetic in sending things back in time is a result of studying the Renaissance and other periods of art history. This infusion of historical art references has had a vital effect on his body of work. Heavily influenced by the well known New York art dealer Allan Stone (who represented, among other giants, Joseph Cornell, and Willem de Kooning, Erikson has never departed from Stone’s insistence that “surprise” should remain with a piece of art no matter how long it is viewed. The discipline of archeology decodes messages of the past to find meanings of objects and classify them. This observation takes the viewer on a deeper understanding of the interplay. As a curator of his own “museum cases” in other work, Erikson’s personal vocabulary evokes images of extreme preciousness combined in miniature settings. Despite its minute scale his work commands presence and a sense of vastness. In his body of work, Erikson attempts to introduce sculpture to painting as a way of integrating the second and third dimensions. Exhibited: Allan Stone Gallery - New York, New York Elaine Baker Gallery - Boca Raton, Florida Renata Fine Arts Gallery - West Palm Beach, Florida Winfield Gallery...