Matthew Green Paintings

"Lemons" is a contemporary realist painting; a still life of fresh cut lemons from the Italian countryside. Lemon's from a lemon tree, still have their leaves, and are hanging on a b...

Metsälampi (Forest Pond) is a 1942 oil painting on panel by the Finnish artist Ragnar Ungern, depicting a forest pond with overhanging trees reflected in its still waters. Created in...

Bibliothèque Sépia (Sepia Library) exemplifies Sophie Dumont’s celebrated series of abstract libraries — compositions that merge geometry, color, and reflection. In this piece, the a...

British, 19th Century Signed: L. Clipston (Lower, Right) " Sunset in the Scottish Highlands ", circa 1880s Oil on Canvas Laid on Board 10 1/2" x 22 1/2" Housed in a 3" Period O...

Katharina Husslein's textural and abstract paintings vividly encapsulate the vibrancy and movement found in a bouquet of flowers. This series differs from Husslein’s more controlled...

John von Wicht (German-American, 1888 - 1970) was a painter and printmaker whose abstract works evolved from European modernism to dynamic, expressionistic forms. Born in Holstein, G...

Elegant oil on canvas still life by A. Rudolphi, signed lower left and dating from around 1900. The composition features a delicate arrangement of grapes in a silver bowl, halved pea...

This painting is in excellent condition and has only been shown in a gallery setting. Size listed does not include the frame. Frame adds around 3 inches to each side to the posted ...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Deborah Zlotsky Never repeats, but rhymes, 2025 oil on canvas 20 x 20 in. (zlot217)

Abstract expressionist view of a enclosed garden with its bright colours and feathery textures. Very pretty painting, to be seen in the flesh.

Shana Wilson (Canadian, born 1966) "Red Hair" 2014 Oil paint on wood panel The artist signed the back of the painting. About the Artist: Shana Wilson, born in Edmonton in 1966, has ...