Milton Greene Art

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

Color lithograph with photolithography. Hand signed lower right by Rafael Canogar. Hand numbered 62/75 lower left corner. Artwork size 22 x 29 inches. Frame size 30 x 37 inches. ...

Nan Goldin Lydia Lunch at the Russian Baths, 268 East 10th Street, 1985 poster, 2018 Offset lithograph poster (unsigned, unnumbered and unframed) 17 × 22 inches Published by The Kitchen in 2018, on the occasion of their Gala honoring Nan Goldin and Lydia Lunch Provenance Acquired from The Kitchen on the occasion of their 2018 Gala Also accompanied by Certificate of Guarantee from Alpha 137 Gallery Excerpt from The Kitchen description of this event: “During the late ‘80s and early ‘90s, icons Goldin and Lunch were vanguards of post-punk New York. Both women have presented their work at The Kitchen throughout the years, consistently returning to premiere new works that went on to exemplify their careers. Goldin’s portraiture of her close-knit circle of friends in New York became emblematic of her generation’s grappling with the social issues of the time, from the epidemic of drug addiction to the AIDS crisis. Lunch is revered as a radical progenitor of No Wave music, fronting the influential Teenage Jesus and the Jerks and collaborating with acts like JG Thirlwell, Birthday Party, and Sonic Youth. Lunch has a broad artistic practice, also working in film, visual art, writing, and spoken-word. Goldin and Lunch have also collaborated on numerous occasions. For instance, the cover of Lunch’s 1995 album Drowning In Limbo featured a portrait of her taken by Goldin. Lunch also posed for Goldin’s project for The Village Voice’s short-lived fashion insert Vue in 1985. Shot as part of an editorial called “Masculine/Feminine,” the image of a reclining Lunch at Russian baths in the East Village was ultimately not included in the final layout, and we were pleased to be present the image for the first time as a limited-edition print in support of The Kitchen. At The Kitchen in November 1980, Goldin presented slides as part of Dubbed in Glamour, a three-day event of “spectacle and extravagance” organized by Edit deAk that featured primarily women artists. Introduced by Cookie Mueller, who served as the master of ceremonies, these slides were an early version of Goldin’s landmark work The Ballad of Sexual Dependency, which continued to take shape during the next few years. The Bush Tetras, who performed at this year’s gala, also participated in Dubbed in Glamour. In 1994, Goldin returned to The Kitchen to premiere three slideshows for the first time in the United States as part of the winter lecture series curated by Ira Silverberg. The first slideshow developed from her 1992 award-winning book The Other Side, which lauded the drag queens she lived with and among in New York. During the ‘70s, when Goldin first moved to the city, the people she lived with became not just her subjects, but also her chosen family. The second slideshow was a series of intimate self-portraits. The evening concluded with a collection of Goldin’s images that traced her relationships to her close friends Alf Bold, Gilles Dusein, and Cookie Mueller and celebrated the joy of their lives and the pain of their deaths from AIDS. In 1985, Lunch first appeared at The Kitchen as part of the two-night screening series of experimental short films, Super 8 Motel. She and Richard Kern...

Male nude lithograph by Trevor Southey. Lifting is a striking lithograph by the South African-born, Utah-based artist Trevor Southey, celebrated for his masterful draftsmanship and ...

Brigitte Bardot with cigarette in hand by photographer Michael Ochs, originally taken in 1962. (Michael Ochs Archives/Getty Images) As an authorized Getty Images Gallery partner, we...

This is a wonderful colour lithograph entitled ‘Scorcio di Roma con profilo femminile’ (View of Rome with female profile) by Italian artist Ugo Attardi (1923-2006). The work is a gr...

Nude is an lithograph artwork on paper realized by Carlo Marcantonio. Hand-signed on the lower right in pencil. Good conditions. Artist's proof IX/XV. The artwork is represented ...

American Heavyweight boxer Cassius Clay (later Muhammad Ali), training in his gym, 21st May 1965. (Photo by Harry Benson/Express/Hulton Archive/Getty Images) As an authorized Getty ...

This black-and-white photo captures jazz legend Louis Armstrong playing his trumpet during a performance in Berlin in 1965. Armstrong, with intense focus, holds the trumpet close to his lips, his cheeks slightly puffed as he blows into the instrument. The lighting creates a dramatic effect, highlighting the shine of the trumpet and his facial expression, which conveys his passion and dedication to the music. Dressed in formal attire, Armstrong stands in the spotlight, embodying his iconic status as one of jazz music's greatest figures. The background is blurred, keeping the focus on Armstrong and his trumpet. The print is new, Highest Quality on Hahnemühle FineArt Baryta. More sizes up to 150x150 cm available on request. About Tassilo Leher: Born in the dark years of World War II, Tassilo Leher became an icon of photographic art in divided Germany. As the son of war correspondent Karl Leher, whose lens captured moments of contemporary history, he was born in 1940 in the heart of Berlin. He shared not only the studio in the picturesque Prenzlauer Berg with his father, but also the mysterious world of the darkroom. While Karl Leher, an early riser, made use of the morning hours, Tassilo found his creative flow only by midday, often working late into the night. His camera knew no bounds: from the dazzling stars of East German show business like Phudys, Karat, Hildegard Kneef, Manfred Krug, Bubi Scholz, to international greats such as Dean Reed, Karel Gott, Jiri Korn, and Costa Cordalis – all found themselves in front of his lens. The Friedrichstadt-Palast and numerous film sets became his stages, where he played with light and shadow to perfectly frame famous...

This contemporary figural limited edition photograph by Alyssa Fortin titled "Odette's Last Breath Before..." is a reinterpretation of the mythological story of Odette, the swan from...

Nude of Woman is a Lithograph realized by Carlo Marcantonio in 1970s. This original print is hand signed. This is an edition of 50 prints plus some artist's proofs. Prints are the ...

This black-and-white photo captures jazz legend Louis Armstrong playing his trumpet during a performance in Berlin in 1965. Armstrong, with intense focus, holds the trumpet close to his lips, his cheeks slightly puffed as he blows into the instrument. The lighting creates a dramatic effect, highlighting the shine of the trumpet and his facial expression, which conveys his passion and dedication to the music...