Pauline Plummer Nude Paintings

[Bruce Sargeant (1898-1938) In the Locker Room, Contemporary Queer Figurative Painting n.d. Signed in red, u.l. Oil on canvas 60 x 36 inches $8,000 + $750 framing This work is ...

Jacques Hubert Bonnefoy (Jakuber), Large 1942 Oil on Canvas, “Woman in a Red Armchair,” France. Vintage 1940s French Expressionist Oil Paintings Materials: Oil on Canvas, Wood Frame...

Albert Auguste FOURIE (1854-1937) The Naiad And The Swan Oil on Wood signed low left New golden and invory stick frame Dim wood panel : 35 X 27 ...

An incredibly striking study of the male form with the figure set against a colourful background with stylised organic forms. Attractively framed, the painting is ready to be hung an...

John Devoluy (1903-1982) Characters, 1950 c. Oil on canvas 28 3/4 x 24 inches l 73 x 61 cm With frame: 30 3/4 x 26 inches l 78 x 66 cm John Devoluy was born in 1903 and became a cen...

'Elegance', original oil painting on canvas 60 x 50 cm, 2025 Artist - Elena Mardashova

The Education of Love (Venus, Mercury, and Love) By Antonio Allegri, known as Correggio (Correggio, 1489 – Correggio, 1534) 17th/18th century Oil on canvas 157 x 93 cm. - Framed 175 x 112 cm. This antique painting, of excellent quality, is a valuable study of the work of Antonio Allegri (Correggio, c. 1489 - 1534), depicting ‘The Education of Love’, preserved in the National Gallery in London (oil on canvas, 155x92 cm.). Against a backdrop of dense vegetation, a winged female figure, traditionally recognized as Venus, leads the young Cupid to Mercury so that he may instruct him; the iconography of Mercury is essentially traditional, both in terms of his elaborate headdress, the petasos, and his winged sandals for flying. The history of this work is fascinating and noteworthy. Originally painted for the illustrious collection of the Mantuan nobleman Nicola Maffei, it passed in the early 17th century to the Gonzaga family, with whom the Maffeis had close ties, and then, in 1628, it left Italy to enter the collections of Charles I of England. Thanks to these transitions, among the most famous collections in Europe, it achieved immediate success and exceptional fame as early as the 16th century. Desired and praised over the centuries, the work fascinated many artists who wanted to pay explicit homage to it, often to satisfy the requests of the most illustrious art collectors of the time, who wanted to own their own copy. Other copies by Correggio are known besides the one in the National Gallery, including the one in the Château de Chenonceau in France (Ref. 1), which can be dated to between the 17th and 18th centuries and is very similar in style to the painting offered here. Another example, also dating from around the 17th century, is in the Stourhead Wiltshire Collection in England (Ref. 6). We can also mention the canvas on display at the Brukenthal National Museum in Sibiu, Romania, or those executed by other famous painters, either contemporaries or slightly later, demonstrating the early success of the painting: among these are Lambert Sustris (c. 1515-1584), Peter Oliver...

An expressionist, colorful and direct oil painting of a nude female figure, strecthing back against an an abstract background. Aesthetically sensuous with active brushstrokes applie...

This work is an example of the artist’s photo realistic period. Known mainly for her figurative works, Audrey Anastasi paints a sense of humanity into the domestic environment. Her...

Mathilde LEHAUT (1816- nc) Cherubs Musicians in oval pair Two Oils on wood signed low Framed by Gault (Paris) - Gold leaves Dim wood panel (each) : 27 ...

Oil on canvas realized in 2025. Hand signed. Excellent condition.

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...