Ralph Pucci Furniture

Introducing our artisan-made Sunset Dining Table. A new piece with a timeworn feel--the solid wood top is paired with lathe-turned legs, which taper down to ball feet. The design melds vintage-inspired details with a contemporary scale. Inspired by candle-lit dinners perched atop Lookout Mountain...

This is an elegant antique late Victorian three pillar  Regency Revival flame mahogany dining table, circa 1900 in date. The rounded rectangular  top with reeded edge is a nice mell...

Introduced in 1999, the Bishop stool is Mahdavi's signature piece, originally designed as a bar stool for one of New York's most exclusive clubs, it has evolved and entered the collection of Paris...

Handmade dining table with a simple trestle base. Solid wood tops feature individualized dutchman joints and unique orientations to accentuate and utilize the natural characteristics...

Inspired by India Mahdavi’s obsession for flowers, Pistil’s stylised form showcases the designer’s iconic flair. The surface is made of a single piece of handmade cast glass – an imp...

The Warren dining table is an expanding circular dining table made of solid walnut boards. The simple and sleek tapered legs are capped...

Since the opening of her interior design studio in Paris in 1999, India Mahdavi keeps pushing the boundaries of her creative consulting from design to architecture, as well as scenography and styling. Venturing the whole world, she developed a rigorous aesthetic and architectural vocabulary unceasingly renewed, that can be seen in every project. Among her most important projects are institutions like Claridges in London, Monte Carlo Beach in Monaco, or more intimate places where she restored a singular identity like the Hotel du Cloitre in Arles or Thoumieux house in Paris. Rich of artistic complicities, she has just signed with the M/M (Paris) le Café Français on Bastille square in Paris, and works with Joseph Dirand on L’Apogée Courchevel for the group Oetker. Landscapes project is an abstract color composition inspired by Iznik tiles...

Lacquer coffee table. Free shape. Composed of three modules / three colors. Like carefully colored lacquered petals. Joyful and organic harmony. India Mahdavi is a renowned French-I...

This is a fine and rare antique English mid Victorian, burr walnut, ebonised and fruitwood marquetry, centre table, in the manner of Edward Holmes Baldock and circa 1860 in date. The shaped segmentally veneered circular top is beautifully marquetry inlaid with assorted flowers within shaped cartouches and features a beautiful scrolled foliate carved edge. It sits on a cabochon and acanthus-wrapped baluster column with three cabochon-embedded, foliate-scrolled, rocaille-carved outswept legs, with clasped feet and recessed castors. It is extremely versatile and can be placed in your hallway, living room, dining room, or reception. Condition: In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 74 x Width 145 x Depth 145 Dimensions in inches: Height 2 foot, 5 inches x Width 4 foot, 9 inches x Depth 4 foot, 9 inches In 1805 Baldock's name first appears as the freehold owner of 7 Hanway Street, London. Over the years he expanded his premises. By 1840 his property in this street comprised nos 1 and 2, both with back premises, and in addition he owned a yard and no. 3, which he let. It was in 1 and 2 Hanway Street that he carried on business up to 1843 when he retired, selling his stock and moving to a fashionable residential address, Hyde Park Place. According to one 19th-century source, the business was taken over by Frederick Litchfield's father. He was buried in St Pancras Church, Euston, where he is commemorated by a marble memorial tablet on the north wall, dedicated jointly to him and Mary Frances Westoby. In 1805 he described himself as dealer in china and glass. By 1821 he was styled in the Post Office Directories as antique furniture and ornamental china dealer, and in 1826 he described his activities in a bill heading as ‘buying, selling, exchanging and valuing China, Cabinets, Screens, Bronzes etc.’. Though Baldock's business consisted primarily in dealing in antique porcelain and furniture — largely foreign — he repaired, remodelled and altered existing furniture. He also produced designs for new pieces and had them made. In 1836 Baldock sold French eighteenth-century furniture to Lady Stafford (Countess of Sutherland) for Dunrobin Castle, and in 1842 Scotland’s leading country house architect, William Burns, recommended to his patron O. Tyndall Bruce of Falkland House that ‘for Cabinets and China, do not omit going to Baldock’s Hanway Street, Oxford Street… which is the first place in London’. In 1841 the Duke of Buccleuch was sent drawings of bedroom furniture as well as working drawings of an octagonal table, a bookcase and three stalls. A design of a table in the Buccleuch papers which is annotated ‘No. 3 Amboyna wood ground with coloured flowers’ is almost certainly the preliminary sketch for a table which was later made. Robert Byng (1764-1847) and George Newport, 2nd Earl of Bradford were also customers of Baldock’s. In 1840 he supplied a two encoignures with slab tops to the latter (one illus. FHS Newsletter (February 2017, p. 5). A pair of china cabinets...

An 8ft mid century dining or conference table designed by Florence Knoll. Walnut base and top.

Since the opening of her interior design studio in Paris in 1999, India Mahdavi keeps pushing the boundaries of her creative consulting from design to architecture, as well as scenography and styling. Venturing the whole world, she developed a rigorous aesthetic and architectural vocabulary unceasingly renewed, that can be seen in every project. Among her most important projects are institutions like Claridges in London, Monte Carlo Beach in Monaco, or more intimate places where she restored a singular identity like the Hotel du Cloitre in Arles or Thoumieux house in Paris. Rich of artistic complicities, she has just signed with the M/M (Paris) le Café Français on Bastille square in Paris, and works with Joseph Dirand on L’Apogée Courchevel for the group Oetker. Landscapes project is an abstract color composition inspired by Iznik tiles...

The new commission by Carwan Gallery is a reflection on the link between India Mahdavi’s work and the erasure of colour from classical art and architect...