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Raymor Folk Art

American

Few had their finger on the pulse of American furniture like importer and distributor Raymor. Founder Irving Richards first had his eyes opened to the world of furniture while attending the 1928 Salon d’Automne art and design fair in Paris. He joined Lightolier two years later and developed its business relationships, including with designer Russel Wright.

Wright and Richards met in 1935 and Russel Wright, Inc. was formed in 1936. Its American Modern ceramic tableware, produced under the name Wright Accessories in 1938, was a notably lucrative collaboration. Following the early success of American Modern, Richards obtained the majority share of Wright Accessories and changed its name to Raymor Mfg Division Inc. in 1941.

By 1952, the exclusivity over American Modern had ended (the line was initially produced by Wright Associates and later manufactured by Steubenville for two decades). To keep up with American markets, Raymor worked with prominent designers such as George Nelson, Arthur Umanoff, Ray and Charles Eames, and Hans J. Wegner.

The company’s imports expanded to Denmark, which contributed to the rise of Scandinavian modern designs in the American market. Throughout the 1950s, Richards established relationships with factories in Scandinavia, Italy and Germany, as well as with the influential tastemaker and importer Charles Stendig.

The furniture company Simmons bought Raymor in 1963 and changed its name to Raymor Richards, Morgenthau Inc. in 1969. During that time, Raymor’s Omnibus range of Scandinavian-style wall units became widely popular, along with Italian glass and pottery like Bitossi ceramics designed by Aldo Londi and Bagni ceramics by Alvino Bagni. 

Shifting styles coupled with rising competition, and the departure of Richards from the company, ended Raymor. By the late 1970s, Raymor faced a wave of international factories able to produce similar products of lesser quality for a lower cost. Buyers were eager to frequently change their interior styles, limiting the need for high-end, durable furniture, which Raymor had been importing. 

On 1stDibs, find a collection of vintage Raymor ceramics, lamps, decorative objects and more.

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Creator: Raymor
Monumental Brutalist Ashtray by Marcello Fantoni for Raymor, 1950s
Monumental Brutalist Ashtray by Marcello Fantoni for Raymor, 1950s

Monumental Brutalist Ashtray by Marcello Fantoni for Raymor, 1950s

By Marcello Fantoni, Raymor

Located in View Park, CA

A green glow: monumental vintage Italian brutalist hand-worked metal ashtray by Marcello Fantoni for Raymor, made in Italy circa 1950. Patinated copper in tones of chartreuse, teal, and pewter. Born in Florence in 1915, Marcello Fantoni wed ancient Italian pottery technique with decidedly Modernist elements, garnering tremendous acclaim both at home and abroad - his work has been collected by important museums worldwide. When Fantoni died in Florence in 2011 at the age of 95, his obituary in the Italian newspaper La Nazione hailed him “the master of beauty.” This stunning piece certainly justifies the moniker. With the signature etched on verso, it is without doubt an heirloom rarity for the savvy collector...

Category

Mid-20th Century Italian Brutalist Raymor Folk Art

Materials

Copper

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Raymor folk art for sale on 1stDibs.

Raymor folk art are available for sale on 1stDibs. These distinctive items are frequently made of metal and are designed with extraordinary care. Prices for Raymor folk art can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $660 and can go as high as $660, while a piece like these, on average, fetch $660.