Shepard Fairey Art

TECHNICAL INFORMATION Shepard Fairey Duality of Humanity #4 2009 Screenprint 18 x 24 in. Artist Proof A.P. Pencil signed & numbered C...

TECHNICAL INFORMATION Shepard Fairey God Saves & Satan Invests 2013 Screenprint 24 x 18 in. A.P. Pencil signed & numbered Condition: This wor...

Baby Blue Edition Edition Details: Year: 2016 Class: Art Print Status: Official Released: 11/15/16 Run: 103/300 Technique: Screen Print Paper: Cream Speckle Tone paper with gold metallic Inks. Size: 18 X 24 Markings: Signed & Numbered in pencil by the artist's Shepard Fairey, ICE-T & Glen Friedman...

Punk rock ignited a lot of creative and philosophical things for me, and punk principles continuously remind me that speaking truth to power and questioning authority is paramount in life. The Dead Kennedys, The Clash, Black Flag, and the Circle Jerks are just a few of the groups that referenced injustices such as police brutality and abuse of power in their songs, inspiring me to speak out about the same subjects through my art. I have made a lot of lasting friendships through punk rock and its cultural offshoots. One of those friends is Sean Bonner, who began ordering my prints in the '90s while he was art director for punk label Victory Records. Sean designed the package for the Bad Brains...

"Positive Propaganda" Provenance: Comes with Certificate Of Authenticity From New Union Gallery. Additional Info: Three-coloured lettepress print on Gmund Cotton paper with hand-deck...

Manufacturer: Obey Giant Edition Details: Year: 2019 Class: Fine Art Print Status: Official Released: 01/08/19 Run: 417/450 Technique: Letterpress Paper: Cream Cotton Size: 10 X 13 M...

Shepard Fairey Liberté Égalité Fraternité, 2015 – 2021 Signed offset lithograph on paper Description Originally created in response to the 2015 Paris attacks, Shepard Fairey’s Libe...

TECHNICAL INFORMATION Shepard Fairey Parlor Pattern Cream and Red/Cream and Black 2010 Screenprint 24 x18 in. each Edition of 85 Pencil signed & numbered Condition: This wo...

Screen Print on fine art paper 12 × 12 in 30.5 × 30.5 cm Edition 84/250 Part of a limited edition set Includes a Certificate of Authenticity Materials Screen Print on fine art pape...

TECHNICAL INFORMATION Shepard Fairey Visual Pollution Gas Mask 2001 Screenprint 24 x 18 in. Edition of 200 Pencil signed & numbered Condition: This work is in excellent co...

TECHNICAL INFORMATION Shepard Fairey Lenin Money 2003 Screenprint 24 x 18 in. Edition of 350 Pencil signed & numbered Condition: This work is in excellent condition

Shepard Fairey Silkscreen Print Lemmy Damaged Case Motorhead Ace Of Spades Signed And Numbered. Manufacturer Obey Giant Edition Details Year: 2021...

Legendary reggae producer and pioneer of the dub sound, Lee “Scratch” Perry, passed away on August 29. I first discovered Lee Perry when I got deep i...

~Shepard Fairey "Fight" Fine Art Screenprint Street Contemporary Obey Giant~ Screen Print on fine art paper 12 × 12 in 30.5 × 30.5 cm Edition 84/250 Part of a limited edition set I...

The Pattern of Denial print is an examination of image versus reality. The image is inspired by the sleek and idealized mid-century architecture of both deluxe homes and deluxe facto...

Bob Marley - Sun is Shining Signed and numbered edition of 500

Edition Details: Year: 2021 Class: Art Print Status: Official Released: 07/27/21 Run: 84/250 Technique: Screen Print Size: 12 X 12 Markings: Signed & Numbered by the artist in pencil...

"Fan the Flames is about the unfortunate truth that unchecked capitalism and a livable planet will soon be incompatible. Capitalism is predicated on exp...

OBEY Conformity Factory (Red). Screenprint on cream Speckle Tone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 300. Superb print highlighting powerful architec...

Numbered Edition of 100 Screen print on paper with hand-deckled edges Signed and numbered by the artist Cream Speckletone paper 41 x 30 inches 2021

"The two Tunnel Vision prints are based on a fine art piece I created for my show Damaged with Library Street Collective. As I was working on elements to include in my paintings, I d...

Silkscreen / Feminist Art and Contemporary Feminist / Pop and Contemporary Pop / Graffiti and Street Art / Cultural Commentary DIMENSIONS 24 × 18 in 61 × 45.7 cm EDITIONS Edition 476/600 "I grew up at a time when women's rights were on the rise...

Edition 397/450 Signed to lower right This is another in my series of images to encourage people to rethink fossil fuel consumption. This one is a bit of a tribute to the Ramones an...

The Justice Woman print is a tribute to all warriors for justice whose determination and tenacity bend the arc of the universe toward the just future we need. Justice is constantly e...

This beautiful piece from over 15 years ago is titled Parlor Pattern for its ornate design that is reminiscent of what you may have found in elegant Victorian and Bohemian high class...

Screenprint on thick cream Speckletone paper with dimensions of 18 x 24 in. Released in 2022 from an edition of 500. Signed and numbered by Shepard Fairey & Nicholas Bowers. Shepard...

Shepard Fairey Marilyn Monroe "Sunset" Fine Art Contemporary Screenprint Obey Giant Manufacturer Obey Giant Edition Details Year: 2026 Class: Art Print Status: Official Released: 0...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Manufacturer: Obey Giant Edition Details: Year: 2014 Class: Art Print Status: Official Released: 08/12/14 Run: 184/450 Technique: Screen Print Size: 18 X 24 Markings: Signed & Number...

Cut It Up – Do It Yourself (Red, Black). 18 x 24 inches. Silkscreen on true white Speckle Tone paper. Signed by Shepard Fairey. Numbered edition of 324/500. Released exclusively at B...

The “Welcome Visitor” diptych is a thought-provoking exploration of the contradictions inherent in America's tourism industry and its immigration policies. Through this striking artwork, Shepard Fairey delves into the uncomfortable collision of economic opportunism and xenophobia. The piece reflects on the historical context of America as a melting pot, symbolized by the Ellis Island narrative and the hope of embracing diversity. However, it also draws attention to the contemporary climate of fear and scapegoating faced by Latino and Muslim communities. The diptych specifically highlights past events like the immigration ban and internment of Japanese individuals, including Japanese-American citizens during World War II, when unfounded fear led to prejudiced policies against them. Shepard Fairey skillfully uses this historical reference to shed light on the irrational and disproportionate fear. By contrasting the past with the present, Fairey aims to inspire contemplation and empathy, urging viewers to consider the humanity and dignity of all people as a paramount factor in shaping immigration and tourism policies. Shepard Fairey is a renowned contemporary artist and graphic designer whose work often explores political and social themes. Born on February 15, 1970, in Charleston, South Carolina, Fairey gained widespread recognition for his iconic "Hope" poster created during Barack Obama's 2008 presidential campaign. His art has since become synonymous with activism and social commentary. Fairey's unique style combines elements of street art, pop culture, and political messaging, earning him a prominent place in the world of contemporary art. In addition to his prolific career as a visual artist, Shepard Fairey co-founded the design studio Studio Number One and the art collective BLK/MRKT Inc. He has exhibited his work in galleries and museums around the globe, leaving a lasting impact on the art world and beyond. Fairey's art continues to inspire dialogue and challenge societal norms, urging viewers to question and engage with the issues he addresses. Shepard Fairey's art is influenced by various sources, including street art, punk rock aesthetics, propaganda imagery, and political movements. He credits the DIY ethos of punk culture and the rebellious spirit of street art for shaping his artistic vision. Fairey's fascination with propaganda and political art from historical movements, such as Soviet Constructivism and Chinese Cultural Revolution...

Endless Power Handbook - Shepard Fairey Obey Contemporary Print. Screen print on cream speckle tone paper. Signed and numbered edition, 148/450. ...

"For Peace Guard 2 I used the motif of the flower in the gun, a peace symbol inspired by war protesters putting flowers in the barrels of the National Guard...

Wake Up! (Cream). 18 x 24 inches. Screen print on cream Speckle Tone paper. Signed by Shepard Fairey. Numbered edition of 300. "The “Wake Up!” print is a simple but urgent plea for...

Fossil Factory. 18 x 24 inches. Screen print on cream Speckle Tone paper. Signed by Shepard Fairey. Edition of 450. 130/450 The Fossil Factory image is an illustration I made based...

"I’ve made several images over the years addressing police brutality, and I think humor and absurdity help make such a heavy topic more digestible. There is a violent history of poli...

Screenprint on cream Speckletone paper with dimensions of 18 x 24 in. Released in 2019 from an edition of 550. Signed and numbered by Shepard Fairey.

Silkscreen Print with Gold Metallic Inks 24 × 18 in 61 × 45.7 cm Edition 207/350 Set of 3 Covert to Overt prints: Icon Water Tower, Peace Tree, Big Brother. 18 x 24 inch screen prints on thick white cotton archival paper. Signed by Shepard Fairey and Jon Furlong. Edition Details Year: 2015 Class...

Immerse yourself in the mesmerizing world of "Unity Obey Flower," a collaborative masterpiece by Kai and Sunny, in association with the renowned Shepard Fairey of Obey. Crafted in 20...

This image is based on a photo by Daniel Kramer, who shot Dylan regularly during his rapid mid-60s ascent to stardom and audience projection of Dylan as the voice of a generation… a ...

Shepard Fairey Marcos Diagram (Viva la posse), 2003 Seriograph24 x 18 in SKU: 415.499.696bg gallery

Sold out, limited edition. Dimensions 24 x 36 in from an edition of 600. Released in 2023. 207/600

I've collaborated with Henry many times in the past and of course, I'm constantly in awe and impressed by him. Just as much as I love Henry's musical contributions, he is the hardest...

Diptych Screen Print Set – Signed & Numbered Limited Edition Golden Future for Some Shepard Fairey Screen print on Cream Speckle Tone fine art paper Metallic gold ink Limited editio...

Power and Glory Letterpress on 100% cotton archival paper with deckled edges. Signed and numbered edition of 78/450. 10 inches by 13 inches. OBEY publi...

Manufacturer: Obey Giant Edition Details: Year: 2014 Class: Art Print Status: Official Released: 08/12/14 Run: 98/450 Technique: Screen Print Size: 18 X 24 Markings: Signed & Numbere...

A portion of the proceeds from this print will go to a, yet to be determined, common sense gun law advocacy group. We need to put pressure on the politicians! -Shepard Fairey This GOD SAVES & SATAN INVESTS print was inspired by the multiple school and mass shootings that have occurred in recent months. As many of you know from my 2nd Amendment...

OBEY PRINTING PRESS Title: Letterpress Dimensions: 10 x 13 inches Edition: 340/450 Release Date: January 23, 2018 Experience the timeless artistry of "Obey Printing Press", a lette...

"Fairly self-explanatory, but I’ll share my thoughts. Our planet Earth is often called 'Mother Earth' for reasons that seem obvious to me. Mothers are often the primary caregivers fo...

Obey Paint it Black 1, From Series of 3 - Shepard Fairey Contemporary Art Print. 18 x 24 inch dimensions. AP (Artist Proof) apart from the standard edit...

Shepard Fairey It Can’t Happen Here Screen print on thick Cream Speckletone Paper Year: 2026 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 550 Signed by Shepard Fairey, dated and ...

Edition Details: Year: 2014 Class: Art Print Status: Official Released: 10/16/14 Run: 376/400 Technique: Letterpress Paper: 100% Cotton Lettre Fine Art Paper Size: 10 X 13 Markings: Signed & Numbered by the artist in pencil, Shepard Fairey. Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater...

A major figure of the contemporary street art movement, Shepard Fairey rose to prominence in the early 1990s with his “Andre the Giant Has a Posse” campaign, which distributed poster...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin, as well as LA’s John ...

Manufacturer Obey Giant Edition Details Year: 2021 Class: Art Print Status: Official Released: 03/30/21 Run: 387/400 Technique: Screen Print Paper: Cream Specketone Size: 18 X 18 Ma...

5 color screen print on cream 100% cotton archival paper with hand-deckled edges The Paper, provided by Legion Paper, is custom 100% cotton Coventry Rag paper which uses salvaged material to create a more eco-friendly product, reusing what would typically be considered waste. The color and features of this fine art paper were created specifically for these large format prints. Comes with a Certificate of Authenticity Publisher: Obey Giant LARGE FORMAT SERIES ONLY 75 ever produced with most going to friends and family. One of our rarest prints by Shepard Fairey here at the gallery! Thank you for stopping by and if you have any questions at all don't hesitate to ask. Print is in pristine condition and has been stored flat since purchase in our temperature controlled flat file Vault. This is a very large print...

Cut It Up – Do It Yourself (Blue). 18 x 24 inches. Silkscreen on true white Speckle Tone paper. Signed by Shepard Fairey. Numbered edition of 122/500. Released exclusively at Beyond ...

This Peace and Freedom print is a new take on symbols and themes that have been consistent in my art for several years. The text and imagery speak for themselves, but basically, the ...

"I made this art because I'm incredibly inspired by Father Greg Boyle who's spirit and dedication have helped to build an ecosystem that gives opportunities to people who frequently find doors closed elsewhere. Homeboy provides a second chance to people who never had a first chance. In this painting, I wanted to convey Father Greg's vision, as well as the love, trust, and camaraderie that exemplify the culture of Homeboy. The pride people feel at Homeboy is palpable and the art I created is meant to illustrate the power of support, healing, and redemption. When I showed the art to Father Greg, he seemed genuinely moved, but he seemed far more excited to call Cesar, the homeboy he is embracing in the image, into the room to share the art with him. Cesar's reaction to the art was enthusiastic his eyes lit up, and he said: "wow, that looks like it was done by the guy who did the Obama poster...

Ice-T OG Red. 18 by 24 inches. Screen Print. Signed by Shepard Fairey, Glen E. Friedman, and Ice-T. Edition of 258/300. Shepard Fairey is a major influence...