CIRCUS PERFORMERS
By Simka Simkhovitch
Located in Portland, ME
Simkhovich, Simka. CIRCUS PERFORMERS. Lithograph, C. 1933. Edition size not known. Unsigned. 11 x 8 1/4 inches, 278 x 209 mm. Framed to 16 x 12 inches...
Lithograph
$850
Simka Simkhovitch WPA Artist Lithograph Island Beach 1933 American Modernist
By Simka Simkhovitch
Located in Surfside, FL
Simka Simkhovitch (Russian/American 1893 - 1949) signed lithograph. Pencil signed and dated "S. Simkhovitch 1933" lower center. Title "Island Beach,"...
Lithograph
Untitled (Smile-ism No. 20)
By Yue Minjun
Located in Calabasas, CA
Artist: Yue Minjun Title: Untitled (Smile-ism No. 20) Year: 2006 Medium: Lithograph on Rives BFK paper Edition: 45; signed and numbered in pencil Sheet: 43.50 x 35.25 in. (110.5 x 8...
Lithograph
$222
H 15.75 in W 19.69 in
Le Petit Prince et Le Serpent - Antoine De Saint-Exupéry
Located in Sint-Truiden, BE
Color lithograph after the watercolor illustrations by Antoine de Saint-Exupéry from his beloved masterpiece "The Little Prince". This lithograph was printed and published in 2009 ...
Lithograph
$650
H 40 in W 30 in D 0.05 in
Original Spokane (WA.) Colorful Capital Fun Map vintage poster
Located in Spokane, WA
Original Spokane (Washington), The Colorful Capital of the Inland Empire vintage travel fun map. Printed in 1971, this seldom if ever found original map is archival linen backed an...
Lithograph
$971
H 23.63 in W 17.72 in
La Page Blanche - 20th Century, Surrealist, Lithograph, Figurative Print
By (after) René Magritte
Located in Sint-Truiden, BE
Numbered: 138/275 Color lithograph after the 1967 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 275. The lithograph features the dry...
Lithograph
$1,498
H 39 in W 24.5 in D 0.3 in
Original The French Riviera (Cote d'Azur) French Railways vintage travel poster
By Jules Cavailles
Located in Spokane, WA
Original vintage travel advertising poster for the FRENCH RIVIERA FRENCH NATIONAL RAILROADS SNCF (French National Railways) - the French Riviera. (Cote D'Azur, known as the French Riviera) The image features people looking out towards a marina full of sailing boats. Colorful artwork by the French painter Jules Cavailles (1901-1977). Printed by Perceval, Paris in 1953. Mid-Century Modern. Grade A- This is the English version of the poster compared to the design created for Cote d'Azur. The English version is much rarer (both are rare today). The poster gives the impression of a naive painting at this Mediterranean beach and seaport. Step into a world of timeless elegance and sunlit dreams with this exquisite French Riviera Vintage...
Lithograph
$1,599
H 22.84 in W 30.71 in
Le Retour - 20th Century, Surrealist, Lithograph, Figurative Print
By (after) René Magritte
Located in Sint-Truiden, BE
Color lithograph after the 1940 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Mag...
Lithograph
$2,750
H 20.5 in W 26.5 in D 0.5 in
Arnold Rönnebeck “Silver Mine” Signed Lithograph, Colorado Mining Scene 1933
By Arnold Rönnebeck
Located in Denver, CO
A rare and visually striking 1933 lithograph, Silver Mine, Russell Gulch, by celebrated German-American Modernist Arnold Rönnebeck. This atmospheric black-and-white composition captu...
Lithograph
I Am The Last Of My Kind
By Tracey Emin
Located in London, GB
Published by the Royal Academy
Lithograph, Offset
$12,000
H 13.32 in W 10.38 in
'Financial District', New York City — American Modernism
By Howard Norton Cook
Located in Myrtle Beach, SC
Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...
Lithograph
$12,500
H 30 in W 22 in
Jacob Lawrence Celebration of Heritage 1992 Signed Lithograph in Colors
By Jacob Lawrence
Located in Minneapolis, MN
Artist: Jacob Lawrence Title: Celebration of Heritage Medium: Lithograph in Colors Dimensions: 30" x 22" Year: 1992 Edition: 71/150 Inscription: Signed, titled, dated, and numbered t...
Lithograph
$799
H 30 in W 20 in D 0.3 in
Original California Ferrari Louis Vuitton Parc de Bagatelle hand signed poster
By Razzia (Gérard Courbouleix–Dénériaz)
Located in Spokane, WA
Original 1989 Louis Vuitton Automobile Classiques Poster –Hand Signed, Archival Linen-Backed. This poster was created for the Concours d’Elegance ...
Lithograph
Marc Chagall - For *Derrière le Miroir*
By Marc Chagall
Located in Wien, Wien
Marc Chagall Vitebsk 1887 – 1985 Saint Paul de Vence LA DANSE 1951 For *Derrière le Miroir* Color lithograph on paper, 37 x 28 cm Signed in pencil lower right Artist’s proof, marked...
Lithograph
$950
H 37 in W 25 in D 0.75 in
Lait pur de la Vingeanne (Pure Milk from Vingeanne), Lithographic poster.
By Théophile Alexandre Steinlen
Located in La Canada Flintridge, CA
It is framed with black moulding all around. Era: Late 19th to early 20th century, often categorized under the Art Nouveau movement. The poster litho size is 36"x24", print informat...
Lithograph
Cat and Busybody
By Benton Murdoch Spruance
Located in Middletown, NY
A 1933 lithograph on cream wove paper 14 x 18 inches (354 x 452mm), full margins. Signed, titled, and numbered 17/33 in pencil, lower margin. Minor mat tone around the perimeter of t...
Lithograph
I Am The Last Of My Kind
By Tracey Emin
Located in London, GB
Published by the Royal Academy
Lithograph, Offset
Sold
H 11.2 in W 15.6 in
Simka Simkhovitch WPA Artist Lithograph Island Beach 1933 American Modernist
By Simka Simkhovitch
Located in Surfside, FL
Simka Simkhovitch (Russian/American 1893 - 1949) signed lithograph. Pencil signed and dated "S. Simkhovitch 1933" lower center. Title "Island Beach," in pencil lower left of sheet. Numbered "44/50" in pencil lower right. (it is either Island Beach Wisconsin or New Jersey) Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...
Lithograph