Stendig Co. Chairs

Designed by the renowned Viennese architect Josef Hoffmann in 1907 for the Fledermaus Cafe in Vienna, this single "Fledermaus" Model number 728, aka "Bat" Cafe chair features black upholstery covering the seat and backrest. The chair is supported by four cylindrical legs with spherical elements, showcasing a tub back with a horseshoe form base. Crafted from bent beech wood, this rare chair was specifically created for the Cabaret Fledermaus in Vienna as one of Hoffmann's iconic designs. Representing a significant moment in design history, the chair is featured in the J. & J. Kohn catalogues as model no. 728. With its sleek bentwood frame, swooping armrests, and curved backrests, the chair exudes elegance and sophistication. The Fledermaus chairs embody Hoffmann's renowned Viennese Secessionist style, known for its simple geometric shapes and use of high-quality materials. Considered a bold departure from traditional European nightclubs, the design quickly gained popularity for its iconic and innovative aesthetic. This is an authentic Hoffmann chair manufactured by Wittman, the authorized manufacturer of the Fledermaus starting in the 1970s. This chair was sold by "Teo Jacob...

Rare Set of 8 Mies van der Rohe for Knoll MR10 and MR20 Chairs This exceptional set of eight chairs by Ludwig Mies van der Rohe for Knoll represents the epitome of modernist design. Comprising six MR10 and twor MR20 chairs, this collection showcases Mies' commitment to simplicity, functionality, and elegance in both form and material. Style & Usage in Interior Design These chairs belong to the Bauhaus and International Style, characterized by clean lines, minimal ornamentation, and an emphasis on the use of modern materials. The MR10 chairs are armless, offering a sleek and unobtrusive silhouette perfect for dining or office spaces where a minimalist aesthetic is desired. The MR20 chairs, featuring a distinctive curved armrest, provide additional comfort and a more commanding presence, making them ideal as statement pieces in living rooms, lounges, or reading nooks. In interior design, these chairs are best used in spaces that celebrate the beauty of industrial materials like steel and leather. They complement open-plan layouts, where their airy structure can be fully appreciated, and they pair well with other iconic mid-century modern pieces. Key Differences: MR10 vs. MR20 MR10 Chairs: Armless design, characterized by a continuous steel frame that supports the seat and back. Their simplicity allows them to fit seamlessly into various spaces, from dining rooms to offices. MR20 Chairs: Include curved armrests, adding both aesthetic and functional value. These chairs provide more support and comfort, making them suitable for longer periods of sitting or as standalone accent pieces. Mies van der Rohe: A Brief History Ludwig Mies van der Rohe, born in Germany in 1886, was a pioneering figure in modern architecture and design. He began his career in his family's stone-carving business, later studying architecture and working under the influential architect Peter Behrens. Mies was a leading member of the Bauhaus movement, which emphasized the integration of art, craft, and technology. In 1938, Mies emigrated to the United States, where he became the head of the architecture school at the Illinois Institute of Technology (IIT). His work in America solidified his reputation as one of the most influential architects of the 20th century. Architectural Legacy Mies van der Rohe's architectural philosophy is encapsulated in his famous dictum, "Less is more." His buildings are renowned for their clarity of form, open spaces, and use of modern materials such as glass and steel. His approach sought to create structures that were both functional and aesthetically pleasing, stripping away unnecessary ornamentation to reveal the essence of the design. Notable Works: The Barcelona Pavilion (1929): A masterwork of modern architecture, showcasing Mies' minimalist approach with its flowing spaces and use of glass, marble, and steel. The Farnsworth House (1951): An iconic example of his philosophy, this glass and steel structure is celebrated for its simplicity and seamless integration with the surrounding landscape. The Seagram Building (1958): Located in New York City, this skyscraper is a landmark of the International Style, known for its clean lines, bronze facade, and innovative use of space. This rare set of MR10...

Vintage set of 2 MR10 dining chairs by Mies Van der Rohe. Chrome cantilevered frames with black original leather

A wonderful vintage Eero Aarnio style suspended Lucite / Acrylic bubble chair with white powder coated stand, accompanied by seat and back white f...

Bauhaus chair no.811 by Josef Hoffmann for Thonet in very nice original condition with signs of use.

Eero Aarnio made the first prototype of the Pastil chair out of polystyrene, which helped him to verify the measurements, ergonomics and rocking ability. ...

Mid-Century original bentwood beech Prague Armchair model 811 designed in the 1920's by Austrian architect Josef Frank and Josef Hoffman for Thonet. The chair is stamped made in Pola...

A very vintage example of the iconic lucite bubble chair designed by Eero Aarnio in 1968 and produced by Aldelta. Signed with 'Eero Aarnio Adelta M...

The MR10 chairs produced for Knoll represent an original furniture design conceptualized by Mies van der Rohe. These vintage chairs are iconic, with frames that draw inspiration from...

Christian Werner For Ligne Roset Easy Lounge Chair Supported By Chromed Feet With Original Labels In Orange Upholstery Made In France French modern furniture...

Set of four armchairs, model "MR10" 1980s reissue, equipped with leather instead of the textile used in the original 1930s edition. The reissued chairs are functional and can be use...

We are very pleased to offer an early edition of the iconic No. 811 Prague Bentwood Chair, circa the 1930s. Designed by Josef Hoffmann, this design was first introduced as the A64F ...