Vincenzo Montella Paintings
to
3
2
3
3
1
2
Overall Height
to
Overall Width
to
1
3
3
1
3
3
903
649
639
610
3
3
3
3
Artist: Vincenzo Montella
ISCHIA -Posillipo School - Italian Landscape Oil on Canvas Painting
By Vincenzo Montella
Located in Napoli, IT
Ischia - Vincenzo Montella Italia 2008 - Oil on canvas cm. 50x100
V. Montella's painting depicts a perspective of the island of Ischia, muse of many artists over the centuries. Artists who have been undoubtedly fascinated by our land, creating marvellous works of art. Such as Oswald Achenbach...
Category
Early 2000s Italian School Vincenzo Montella Paintings
Materials
Oil, Canvas
NAPLES - Posillipo School - Italian Landscape Oil on Canvas Painting
By Vincenzo Montella
Located in Napoli, IT
Naples - Vincenzo Montella Italia 2007 - Oil on canvas cm. 60x100
Gold leaf gilded wooden frame cm. 85x125
The painting by V. Montella is a landscape representation of Naples, with t...
Category
Early 2000s Old Masters Vincenzo Montella Paintings
Materials
Canvas, Oil
ROME - In the Manner of G. Vanvitelli -Italian Landscape Oil on Canvas Painting
By Vincenzo Montella
Located in Napoli, IT
Rome - Vincenzo Montella Italia 2009 - Oil on canvas cm. 40x50.
In this precious oil painting Vincenzo Montella is inspired by the views of the Dutch neutralized Italian painter Gaspar Adriaensz van Wittel, known as Casper, and known in Italy as Gaspare Vanvitelli. In particular this is a reinterpretation of the painting "View of the Tiber with Castel Sant'Angelo and San Pietro in the background" by Vanvitelli.
Taken from the left bank of the river, the view has its focal point in the circular mass of Castel Sant’Angelo, the pontifical fortress built on the central core of Hadrian's mausoleum and enriched with ramparts and patrol paths overlooking the water. In the background of the view, the Vatican basilica with the papal palaces responds to the vestiges of imperial power, while in the center the Sant'Angelo bridge, adorned with statues painted between 1669 and 1671 by Gian Lorenzo Bernini and his pupils, connects the two banks replacing the ancient Aelius bridge built by Hadrian.
No less interesting is the minor urban fabric...
Category
Early 2000s Italian School Vincenzo Montella Paintings
Materials
Canvas, Oil
Related Items
The Knight - painting - XVII century
Located in Roma, IT
The Knight is an original oil painting on canvas realized during the XVII century by an anonymous artist.
Provenance: Pecci-Blunt collection. Good condition...
Category
17th Century Old Masters Vincenzo Montella Paintings
Materials
Canvas, Oil
Bay of Naples and view of Vesuvius
Located in Genève, GE
Work on canvas
Category
Late 20th Century Italian School Vincenzo Montella Paintings
Materials
Oil
Animated cityscape
Located in Genève, GE
Work on canvas
Brown wooden frame
62.5 x 83 x 6 cm
Category
Late 20th Century Italian School Vincenzo Montella Paintings
Materials
Oil
British Animal painter - 18th century horses painting - Oil on panel figure
Located in Varmo, IT
English painter (18th century) - Horses at the river.
53 x 70 cm without frame, 67 x 86 cm with frame.
Antique oil painting on wood, in a carved and gilded wooden frame.
Condition...
Category
1770s Old Masters Vincenzo Montella Paintings
Materials
Canvas, Oil
H 26.38 in W 33.86 in
Undergrowth and stream
Located in Genève, GE
Work on canvas
Golden wooden frame
56.5 x 65.5 x 4.5 cm
Category
Late 20th Century Italian School Vincenzo Montella Paintings
Materials
Oil
Meeting on the Square
Located in Genève, GE
Work on cardboard
Golden wooden frame
42 x 57 x 3.2 cm
Category
Late 20th Century Italian School Vincenzo Montella Paintings
Materials
Oil
Sky and sea
Located in Genève, GE
Work on cardboard
Golden wooden frame
48.5 x 56.5 x 2 cm
Category
Late 20th Century Italian School Vincenzo Montella Paintings
Materials
Oil
Early oil depicting the Great Fire of London
Located in London, GB
The Great Fire of London in September 1666 was one of the greatest disasters in the city’s history. The City, with its wooden houses crowded together in narrow streets, was a natural fire risk, and predictions that London would burn down became a shocking reality. The fire began in a bakery in Pudding Lane, an area near the Thames teeming with warehouses and shops full of flammable materials, such as timber, oil, coal, pitch and turpentine. Inevitably the fire spread rapidly from this area into the City. Our painting depicts the impact of the fire on those who were caught in it and creates a very dramatic impression of what the fire was like. Closer inspection reveals a scene of chaos and panic with people running out of the gates. It shows Cripplegate in the north of the City, with St Giles without Cripplegate to its left, in flames (on the site of the present day Barbican). The painting probably represents the fire on the night of Tuesday 4 September, when four-fifths of the City was burning at once, including St Paul's Cathedral. Old St Paul’s can be seen to the right of the canvas, the medieval church with its thick stone walls, was considered a place of safety, but the building was covered in wooden scaffolding as it was in the midst of being restored by the then little known architect, Christopher Wren and caught fire. Our painting seems to depict a specific moment on the Tuesday night when the lead on St Paul’s caught fire and, as the diarist John Evelyn described: ‘the stones of Paul’s flew like grenades, the melting lead running down the streets in a stream and the very pavements glowing with the firey redness, so as no horse, nor man, was able to tread on them.’
Although the loss of life was minimal, some accounts record only sixteen perished, the magnitude of the property loss was shocking – some four hundred and thirty acres, about eighty per cent of the City proper was destroyed, including over thirteen thousand houses, eighty-nine churches, and fifty-two Guild Halls. Thousands were homeless and financially ruined. The Great Fire, and the subsequent fire of 1676, which destroyed over six hundred houses south of the Thames, changed the appearance of London forever. The one constructive outcome of the Great Fire was that the plague, which had devastated the population of London since 1665, diminished greatly, due to the mass death of the plague-carrying rats in the blaze.
The fire was widely reported in eyewitness accounts, newspapers, letters and diaries. Samuel Pepys recorded climbing the steeple of Barking Church from which he viewed the destroyed City: ‘the saddest sight of desolation that I ever saw.’ There was an official enquiry into the causes of the fire, petitions to the King and Lord Mayor to rebuild, new legislation and building Acts. Naturally, the fire became a dramatic and extremely popular subject for painters and engravers. A group of works relatively closely related to the present picture have been traditionally ascribed to Jan Griffier...
Category
17th Century Old Masters Vincenzo Montella Paintings
Materials
Oil, Canvas
Early 18th-Century Idealised Italianate Landscape With Figures & Cattle
Located in Cheltenham, GB
This attractive early 18th-century oil on canvas depicts several figures with horses before an idealised rural landscape with distant village.
The artist has drawn inspiration from ...
Category
Early 18th Century Italian School Vincenzo Montella Paintings
Materials
Canvas, Oil
View of Venice
Located in Brookville, NY
Virgilio Ripari was best known for his seascapes and impressions of Venice. His romantic and peaceful paintings of life of Venice and Italy with placid waters or full sails on boats...
Category
Mid-19th Century Italian School Vincenzo Montella Paintings
Materials
Oil
18th Century Architectural Capriccio Gaetano Vetturali Landscape Oil on Canvas
By Gaetano Vetturali (Lucca, 1701-1783)
Located in Sanremo, IT
Oil painting on canvas measuring 85 x 110 cm without frame and 103 x 126 cm with frame depicting a landscape with figures along the path.
In the work in question, depicting a large ...
Category
Late 18th Century Italian School Vincenzo Montella Paintings
Materials
Canvas, Oil
H 33.47 in W 43.31 in D 1.58 in
Fishermen in the Gulf of Naples in front of the island of Capri
Located in Genève, GE
Work on cardboard
Golden wooden frame
33 x 25 x 3 cm
EB monogram work
Category
Mid-20th Century Italian School Vincenzo Montella Paintings
Materials
Oil
H 9.18 in W 6.11 in D 0.12 in
Previously Available Items
NAPLES
By Vincenzo Montella
Located in Napoli, IT
Naples - Vincenzo Montella Italia 2009 -Oil on canvas cm. 80x120
Category
Early 2000s Old Masters Vincenzo Montella Paintings
Materials
Canvas, Oil
Vincenzo Montella paintings for sale on 1stDibs.
Find a wide variety of authentic Vincenzo Montella paintings available for sale on 1stDibs. You can also browse by medium to find art by Vincenzo Montella in canvas, fabric, oil paint and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the Old Masters style. Not every interior allows for large Vincenzo Montella paintings, so small editions measuring 20 inches across are available. Customers who are interested in this artist might also find the work of Fernando FARULLI, Antonio Savisio, and Giulio Di Sotto. Vincenzo Montella paintings prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $3,184 and tops out at $5,490, while the average work can sell for $5,271.