Walter Herdeg Art

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

1926. Etching in sepia ink on Japon paper, 9 5/8 x 11 1/2 inches (245 x 292 mm), full margins with the lower margin slightly notched. Signed, titled and dated in pencil in the lower ...

Lithograph on Arches paper, edited in 1959. Limited edition of 200 copies, numbered as 55/200 in lower left corner. Hand-signed in pencil by artist in lower right corner. Paper size...

Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...

George Bellows Business-Men's Class, Y.M.C.A, 1916 Signed, numbered "No. 41" and titled lower margin Lithograph on wove paper 11 1/2 x 17 1/8 inches Edition of 64 Provenance: Hirschl & Adler Galleries, New York Private Collection, Ohio Literature: Mason, 20. After his arrival from Columbus, Ohio in 1904, Bellows lived at the West Side YMCA. It was there that he met Eugene Speicher, another aspiring young artist who was to become his lifelong friend. Always interested in the anatomy of the human body, Bellows often satirized the various types who, while leading a sedentary life, feel compelled to devote a portion of their daily routine to physical self-improvement. Throughout his brief but illustrious career, George Wesley Bellows created striking scenes that documented ordinary American life in all its beauty and banality. Considered an American Realist, the artist eschewed embellishment, finding inspiration in the gritty boroughs of New York City, the rocky coastline of Maine, and, later, in his friends and family. Bellows garnered early recognition for his arresting portrayals of illegal prizefighting, dramatic works executed in dark tonal palettes that underscore the brutality of the violent sport. Bellows’ elderly Methodist parents hoped their son might pursue the ministry, a calling the extroverted athlete never received. The Columbus native competed on the baseball team at Ohio State University and also served as an illustrator for the college yearbook. In the fall of 1904—just months shy of his expected graduation—Bellows defied his father’s wishes and boarded a train to New York City in hopes of becoming a magazine illustrator like his idols Howard Chandler Christy and Charles Dana Gibson. Before leaving, he reportedly turned down an offer to play professional baseball with the Cincinnati Reds...

Etching on watermarked handmade F J Head & Co cream laid paper with a deckle edge, 14 1/8 x 9 1/8 inches (358 x 232 mm); sheet 18 1/8 x 11 inches (461 x 280 mm), full margins. Signed...

Alexander Calder The Flying Colors, 1974 Signed with artist's monogram and dated, from the edition of 250, published by State Street, New York for Braniff International Airline, with...

A bucolic late 19th century image of upper Manhattan. New York: 1898. Lithograph on tissue-thin Japon paper with a deckle edge, 14 1/8 x 10 inches (357 x 252 mm), the full sheet. Tit...

Glazed Doughnut boldly transforms a recognizable pop culture icon through the handmade language of cyanotype, merging contemporary imagery with one of photography’s oldest analogue p...

Any Port in a Storm II is a lithograph on paper, 9.25 x 9 inches image size. From the edition of 395, numbered LIII/C (there were also 275 Arabic and 20 AP), framed in a contemporary...

Les Biches is a ballet by Bronislava Nijinska, with music by Francis Poulenc and with costume design by Marie Laurencin. Edition of 335 copies. Copy nu...

Post-Graffiti Catalog, Sidney Janis Gallery, New York, Dec. 1 - 31, 1983: Published on the occasion of "Post-Graffiti" at Sidney Janis Gallery, New York, Dec. 1 - 31, 1983, featuring works by Jean-Michel Basquiat, Daze, Keith Haring, Lady Pink, Angel Ortiz, Kenny Scharf, and other artists. A seminal early New York...