Bazaar Sas

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. 20th-century expressionist Russian painting...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Sump...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Vinta...

We kindly suggest that you read the whole description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Exce...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Particular pair of...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Origi...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Massi...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Refined and precious Italian blown glass water goblets; the set consists of six pieces; the bowl of each glass was barrel-blown, then the craftsman manually hot-attached the stem and base; once cooled, the glass was ground on both the bowl and stem; a fine pure gold rocaille process was then applied to the rim using...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. Origin...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Peculiar and refined heart-shaped blown glass ashtray; the signature under the object tells us that it was produced between 1960 and 1965 by FM Konstglas a Swedish glass company based in Ronneby; the technique used is “vetro...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Orig...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Simple but fascinating pair of toiletry bottles...

We kindly suggest that you read the entire description, as it provides detailed technical and historical information to guarantee the authenticity of our items. This refined Italian ...

Elegant game table made of polished light sapele wood. The edge is decorated with delicate and harmonious motifs, and the legs have a soft saber shape. The top is hinged so that it c...

We kindly suggest that you read the entire description, as we aim to provide detailed technical and historical information to guarantee the authenticity of our objects. This refined ...

We kindly suggest that you read the entire description, as we aim to provide detailed technical and historical information to guarantee the authenticity of our objects. This original...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. 20th-century constructivist mixed technique Russian painting...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Elega...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. We would like to inform you that the object, described below, was part of a complete service that we have divided and we offer the loose sale of the individual pieces. Elegant gravy boat with a lid and plate made of white Limoges...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Russian constructivism...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Russian Constructivism...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Valu...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Particular and eyecatching mirror in gilded metal; around the round mirror the craftsman has created a harmonious, supple, and graceful structure with a flat gilded metal wire, then he has delicately and skillfully placed some vine leaves...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Series of three decorative panels made of teak hardwood; they have a pleasing elongated hexagon shape; on each one is depicted a Japanese woman wearing a Kimono; they have an attachment so they can be arranged on the wall in a personal way. They were produced in Denmark between 1960 and 1965. The top one (see photo) and the bottom one present the "Furisode" Kimono, while the middle one is the Uchikake Kimono...

Empire Style Pair of Italian Chairs (Lucca) "King" with "Vienna Straw" We kindly suggest you read the entire description, as we aim to provide detailed technical and historical info...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Refin...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Delicious and harmonious pair of blue blown glass bottles with lid...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our items. Beauti...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. We wou...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Refined pair of embroidered silk cushions...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Rare and unique wooden...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Our owner Beatrice Tronci, passionate art collector and established interior design, wanted to propose an article with a daring but engaging temporal contrast; a French gold leaf frame of 1855 and inside a painting of Russian Constructivism...

Before describing the object under consideration we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection of a historic Florentine crystal grinder that unfortunately closed recently. It is the Marcello Galgani & Son company, whose completely manual and artisanal work has not withstood the disproportionate advance of mass-produced mechanical processes! Marcello Galgani began his craft as a grinder and restorer in 1960; as the years went by, Marcello mastered and became familiar with particular techniques and shapes, resulting in the production of objects that manage to retain the freshness of grinding and engraving, the warmth and softness of light, and the inimitable flavor of unique artifacts. After several years, his son Lorenzo, who grew up among crystals, also entered the business and immediately became passionate about this ancient craft with skill and ability. Stimulated by the aesthetic sense of the past, father and son, set up a workshop in which the shapes they researched and created themselves are mouth-blown by traditional Tuscan glassmakers in Empoli, then ground and engraved using ancient sixteenth-century techniques, with motifs born of the Galgani's inexhaustible imagination or culturally inspired by designs of objects seen and studied in Florentine museums (Uffizi, Galleria Palatina, Museo degli Argenti, etc.). Marcello and Lorenzo Galgani were also Masters in the difficult art of restoration, bringing rare and precious objects back to life. As mentioned the company recently closed and disposed of all its last production, only Marcello's old private museum collection remained, which includes unique and special objects created over time, a collection that the craftsman made available to us for a planned sale. All of the objects were made entirely by hand with old grinding wheels, but there were mainly two tools that allowed the creation of masterpieces: the right hand and the left hand of the master craftsman. Ancient glassmaking techniques were used for all the ground and engraved products: first the object was ground with an emery wheel fed continuously by a jet of abrasive sand and water, then re-polished with a very fine-grained sandstone wheel also fed with water; the engravings were done freehand using as many as 10-15 small stone wheels for each design (flowers, branches, animals, etc. ); then the object was polished and shined; we must make, at this point, an important clarification on these last two operations: towards the end of the 1960s acid crystal polishing was devised, the object was immersed and rotated in a solution of sulfuric acid, fluoridic acid and water and in a short time all the defects left by the previous processes were eliminated, it was a fast, industrial operation that allowed to lower costs considerably, with discrete but not excellent results. But for Galgani's products polishing is done with a cork bark wheel wet with water and pumice, to make the surfaces more transparent. Finally, polishing was achieved with a felt wheel wet with a paste of water, iron oxide, and cerium oxide. This series of processes takes an average of two days of work( sometimes much longer) for each object, each engraving or grinding is the result of the creative inventiveness of the two craftsmen, inventiveness that transforms crystal into a material reality of the highest aesthetic value and inestimable value. All objects in the entire collection have never been used; they were part of the exhibition. Large oval crystal vase...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Set of 6 French ground crystal liqueur glasses; crystal with a lead content of 30% was used in their execution; the high lead content, replacing calcium, found in ordinary glass, gives the crystal considerable hardness, exceptional transparency and a high refractive index; with the techniques of cutting, grinding and polishing, scrupulously performed by hand, extraordinary plays of light and reflections have been created; the shape of the glasses is classic but very refined and elegant, they have simple and delicate grinding, they have also been ground with precise and dense faceting to enhance the diamond refraction of light; were made in the Beaux...

Before describing the object under consideration we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection o...

Before describing the object under consideration we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection o...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. Iconic and refined French table lamp; the elegant, hexagonal-section base is made of black lacquered wood and grows in height, at its top is a turned brass support on which rests a flattened sphere at the poles made of enameled metal, above the sphere is another brass support on which is housed the lamp holder. The design of the lamp is sumptuous but very proportionate, with a flashy but elegant decorative effect, right in the "Hollywood Regency" style. The lamp was created in Paris between 1970 and 1975; after carefully examining its manufacture and the materials used, we carried out careful and painstaking research and can attribute it with good certainty to the Maison Jansen, a French company that is an international emblem of luxurious style. In 1880, at the height of the Belle Époque, Jean-Henri Jansen emigrated from Holland to open a furniture store on Rue Royale in Paris. Maison Jansen was a success from the start. The shopkeeper was immediately impressed with his lavish, detailed window displays and unique approach to selling furniture within ten years Maison Jansen was no longer a store but a rapidly expanding design company with a wealthy and loyal clientele, clients he would retain for nearly a century. It was one of the most famous and influential interior decorating houses of the 20th century, frequented by royal families, high society figures, national leaders, and other luminaries of elite society. It was one of the first properly global design firms, one of the most influential voices of the twentieth century, an excellence that helped establish the Jansen style as an undisputed protagonist of design history. The genius of the company lay in its extraordinary ability to retrieve striking forms, colors, and materials from the past. The most sought-after pieces reflected the influence of past design, from the Louis XIV style to the Louis XVI style, from the Directoire era to imperial suggestions. In 1929, upon Jansen's death, the firm continued to expand its presence in the world under the leadership of Stèfan Boudin, Jansen's loyal collaborator; Stéphane Boudin was succeeded, after his death in 1967, by longtime collaborator and colleague Pierre Delbée, whose residence in Paris was world-famous as the pinnacle of Jansen's lush aesthetic, continued to represent the firm in its best designs until 1979, when the firm changed hands. The business did not last long after his departure, and Maison Jansen closed its doors in 1989, more than a century after its founding. Throughout its operation, Maison Jansen had very prestigious clients and commissions: William III of Holland, Alfonso XII of Spain, the Duke and Duchess of Windsor, the Rockefellers, Elsie de Wolfe, Nancy Astor's granddaughter Nancy Lancaster, American millionaire Henry Channon, the Kennedys and Coco Chanel, the restoration of the White House, including the famous Red Room, during John Kennedy's administration, furnishing of Lady Olive Baillie's Leeds Castle...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. We would like to inform you that the object, described below, was part of a complete service that we have divided and we offer the loose sale of the individual pieces. Elegant Limoges white porcelain salad bowl...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection of a historic Florentine crystal grinder that unfortunately closed recently. It is the Marcello Galgani & Son company, whose completely manual and artisanal work has not withstood the disproportionate advance of mass-produced mechanical processes! Marcello Galgani began his craft as a grinder and restorer in 1960; as the years went by, Marcello mastered and became familiar with particular techniques and shapes, resulting in the production of objects that manage to retain the freshness of grinding and engraving, the warmth and softness of light, and the inimitable flavor of unique artifacts. After several years, his son Lorenzo, who grew up among crystals, also entered the business and immediately became passionate about this ancient craft with skill and ability. Stimulated by the aesthetic sense of the past, father and son, set up a workshop in which the shapes they researched and created themselves are mouth-blown by traditional Tuscan glassmakers in Empoli, then ground and engraved using ancient sixteenth-century techniques, with motifs born from the Galgani's inexhaustible imagination or culturally inspired by designs of objects seen and studied in Florentine museums (Uffizi, Galleria Palatina, Museo degli Argenti, etc.). Marcello and Lorenzo Galgani were also Masters in the difficult art of restoration, bringing rare and precious objects back to life. As mentioned the company recently closed and disposed of all its last production, and only Marcello's old private museum collection remained, which includes unique and special objects created over time, a collection that the craftsman made available to us for a planned sale. All of the objects were made entirely by hand with old grinding wheels, but there were mainly two tools that allowed the creation of masterpieces: the right hand and the left hand of the master craftsman. Ancient glassmaking techniques were used for all the ground and engraved products: first, the object was ground with an emery wheel fed continuously by a jet of abrasive sand and water, then re-polished with a very fine-grained sandstone wheel also fed with water; the engravings were done freehand using as many as 10-15 small stone wheels for each design (flowers, branches, animals, etc. ); then the object was polished and shined; we must make, at this point, an important clarification on these last two operations: towards the end of the 1960s acid crystal polishing was devised, the object was immersed and rotated in a solution of sulfuric acid, fluoridic acid and water and in a short time all the defects left by the previous processes were eliminated, it was a fast, industrial operation that allowed to lower costs considerably, with discrete but not excellent results. But for Galgani's products polishing is done with a cork bark wheel wet with water and pumice, to make the surfaces more transparent, and finally polishing was achieved with a felt wheel wet with a paste of water, iron oxide, and cerium oxide. This series of processes takes an average of two days of work( sometimes much longer) for each object, each engraving or grinding is the result of the creative inventiveness of the two artisans, inventiveness that transforms crystal into reality material of the highest aesthetic value and inestimable value. All the items in the entire collection have never been used; they were part of the exhibition. Large crystal vase with base; the decorations, graceful and delicate, are in Neoclassical style. The object is "one-of-a-kind" signed by the Master; it was created in Marcello Galgani's workshop in 1981 and made with the techniques (grinding, engraving, and polishing) we explained in the description; for the shape, the Master was inspired by a vase found in a painting, preserved in the Uffizi Gallery in Florence by the 16th-century painter Jacopo Ligozzi...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection ...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection ...

We kindly suggest that you read the whole description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Eleg...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects Beau...

We kindly suggest that you read the entire description, as we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Rare and exceptional French crystal centerpiece...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection of a historic Florentine crystal grinder that unfortunately closed recently. It is the Marcello Galgani & Son company, whose completely manual and artisanal work has not withstood the disproportionate advance of mass-produced mechanical processes! Marcello Galgani began his craft as a grinder and restorer in 1960; as the years went by, Marcello mastered and became familiar with particular techniques and shapes, resulting in the production of objects that manage to retain the freshness of grinding and engraving, the warmth and softness of light, and the inimitable flavor of unique artifacts. After several years, his son Lorenzo, who grew up among crystals, also entered the business and immediately became passionate about this ancient craft with skill and ability. Stimulated by the aesthetic sense of the past, father and son, set up a workshop in which the shapes they researched and created themselves are mouth-blown by traditional Tuscan glassmakers in Empoli, then ground and engraved using ancient sixteenth-century techniques, with motifs born from the Galgani's inexhaustible imagination or culturally inspired by designs of objects seen and studied in Florentine museums (Uffizi, Galleria Palatina, Museo degli Argenti, etc.). Marcello and Lorenzo Galgani were also Masters in the difficult art of restoration, bringing rare and precious objects back to life. As mentioned the company recently closed and disposed of all its last production, and only Marcello's old private museum collection remained, which includes unique and special objects created over time, a collection that the craftsman made available to us for a planned sale. All of the objects were made entirely by hand with old grinding wheels, but there were mainly two tools that allowed the creation of masterpieces: the right hand and the left hand of the master craftsman. Ancient glassmaking techniques were used for all the ground and engraved products: first, the object was ground with an emery wheel fed continuously by a jet of abrasive sand and water, then re-polished with a very fine-grained sandstone wheel also fed with water; the engravings were done freehand using as many as 10-15 small stone wheels for each design (flowers, branches, animals, etc. ); then the object was polished and shined; we must make, at this point, an important clarification on these last two operations: towards the end of the 1960s acid crystal polishing was devised, the object was immersed and rotated in a solution of sulfuric acid, fluoridic acid and water and in a short time all the defects left by the previous processes were eliminated, it was a fast, industrial operation that allowed to lower costs considerably, with discrete but not excellent results. But for Galgani's products polishing is done with a cork bark wheel wet with water and pumice, to make the surfaces more transparent, and finally polishing was achieved with a felt wheel wet with a paste of water, iron oxide, and cerium oxide. This series of processes takes an average of two days of work( sometimes much longer) for each object, each engraving or grinding is the result of the creative inventiveness of the two artisans, inventiveness that transforms crystal into reality material of the highest aesthetic value and inestimable value. All the items in the entire collection have never been used; they were part of the exhibition. Large crystal vase; the decorations, in baroque style represent a series of "grotesques" The object is "a unique piece" signed by the Master, it was created in Marcello Galgani's workshop in 1983 and made with the techniques (grinding, engraving and polishing) that we explained in the description; for the shape, the Master was inspired by a vase present in a painting, preserved in the Uffizi Gallery in Florence by the sixteenth-century painter Jacopo Ligozzi...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. First o...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Icon...

We kindly suggest that you read the entire description, as we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Bottle from ...

We kindly suggest that you read the entire description, as we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Exceptional Italian lead crystal punch bowl; the shape is linear and simple, it has a lid with an opening for housing the long crystal ladle...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. To lo...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. For t...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Valu...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Grac...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Parti...

Fascinating and rare pair of Italian chairs with armrests model "King" or "Antique Master"; they are made of the best quality walnut; the comfortable backrest has an elaborate and re...

We kindly suggest you read the whole description, as we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Original and very ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Pretty and refined pair of small serving tureens; they have a well-proportioned, square design typical of Art Deco, graceful and pleasing floral decorations on the lid and body help to lighten the rigidity of the form; the rim and knob are ornamented in pure gold. On the bottom, we find the maker's mark: the famous Arthur J. Wilkinson Firm located on Newport Lane in Burslem, near Stoke on Trent, Staffordshire County, an ancient locality famous for the production of pottery and porcelain. From the mark, we can accurately identify the year of production of the two soup tureens: 1947. In 1881 the old Central factories in Burslem passed into the hands of Wilkinson & Hulme; in 1885 Hulme retired from the business and Arthur J. Wilkinson continued alone, AJ Wilkinson...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Valua...