Bazaar Sas

Please carefully read the complete description below, where we provide technical and historical details to ensure the authenticity of our items. This is an original set of four Chinese side tables crafted from black lacquered oak. Known as nesting or interlocking tables, these pieces fit into one another and have a long tradition in China as both functional and decorative furniture. The production of high-quality furniture, including nesting tables, is historically associated with the Suzhou region, renowned for its fine craftsmanship and classical Chinese-style furniture. Interlocking wooden side tables were especially popular during the Qing Dynasty (1644-1912), although their use dates back to earlier times. This particular set dates from the late Qing Dynasty, between 1902 and 1905, and was crafted in the Suzhou region by skilled cabinetmakers who executed precise, intricate geometric carvings under each table top. These geometric patterns represent auspicious symbols in Chinese culture and reflect traditional decorative motifs. The tables are made of sturdy oak, ideal for durable furniture, and finished with a black lacquer. The oak used originates from the mountainous northern regions of China, such as Shanxi and Shandong. Stackable and space-saving, nesting tables are perfect for rooms where space optimization is essential. When needed, they can be easily separated and used individually as tea tables...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Exce...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Exceptional hot-blown Murano glass goblet; it has a rare stem worked with the pincer molding technique by which the craftsman was able to create a white and gold spindle striped red with gold leaves and blue dots of extraordinary refinement; the bowl and base are a strong ruby red color. From the mid-1400s, Murano glassmakers invented the world's first truly transparent glass and refined their techniques to create delicate and subtle drinking vessels: Murano glass wine glasses...

We kindly invite you to read the full description, which includes technical and historical details to ensure the authenticity of our items. Elegant and refined pair of vintage Italian wall hooks...

We kindly invite you to read the full description, as we aim to provide detailed technical and historical information to guarantee the authenticity of our pieces. This refined and ca...

We kindly invite you to read the full description, as we strive to provide detailed historical and technical information to ensure the authenticity of our pieces. Charming 15-piece c...

We kindly invite you to read the full description, as we strive to provide accurate technical and historical details to ensure the authenticity of our items. Inspired by the iconic L...

We kindly invite you to read the entire description, as we have provided detailed technical and historical information to ensure the authenticity of our items. Iconic and refined pai...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Wonde...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. The fol...

We kindly suggest that you read the whole description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Prett...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Smal...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Icon...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Refi...

We kindly invite you to read the full description, as it includes both technical and historical details meant to guarantee the authenticity of our pieces. A classic English tureen in...

We kindly invite you to read the full description, as we strive to provide detailed technical and historical information to ensure the authenticity of our pieces. Elegant and refined...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Pair ...

We kindly suggest that you read the whole description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Class...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. We ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Class...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Valuable and particular served in fine French porcelain in Napoleon III style; it is composed of 12 cups with a plate, a milk jug, a sugar bowl without a lid in the shape of a small cup so that it can contain sugar cubes or cookies, and two round trays with handles...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Iconic vanity tray with handles; the rectangular top is a mirror with rounded corners and has been skilfully ground with stone wheels from underneath depicting a courtship scene showing a courtly couple dressed in all their finery in a landscape or formal garden with architectural elements creating a complete and lively image; the upper edge of the mirror is decorated with a glass cord...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Beau...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Ancient and rare Chinese ginger jars with lid...

Please kindly read the entire description, as it contains detailed technical and historical information to ensure the authenticity of our items. This elegant and distinctive Chippend...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Origi...

Please kindly read the entire description, as we strive to provide you with detailed technical and historical information to ensure the authenticity of our objects. This fascinating ...

We kindly invite you to read the full description, as we aim to provide detailed historical and technical information to ensure the authenticity of our pieces. Elegant and refined Fr...

We kindly invite you to read the full description, as we aim to provide detailed technical and historical information to ensure the authenticity of our pieces. Unusual and refined pa...

Please take a moment to read the full description. We've included detailed technical and historical information to ensure the authenticity and quality of our pieces. Iconic and elega...

We invite you to read the full description, as it includes detailed technical and historical information to ensure the authenticity and value of this piece. This striking and generou...

We kindly invite you to read the full description, as it contains detailed technical and historical information to ensure the authenticity of our items. This iconic and generously si...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. 20th...

We kindly invite you to read the full description, as we provide detailed technical and historical information to ensure the authenticity of our items. This elegant and iconic Italia...

Work of the famous Italian painter Max Marra; painting on canvas with mixed media dated 2004, titled "Judges II” 3, on the back of the painting we find a certificate of authenticity,...

Please read the entire description carefully, as we aim to provide detailed technical and historical information to ensure the authenticity of our objects. This substantial and strea...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. Painting oil painting on canvas is made with mixed technique brush and spatula; the author used traditional brushes for a first draft giving shape to the whole drawing with an expert, loose wrist play and with sure and decisive brushstrokes; the representation, in this case, is not a pure exercise of virtuosity, in fact, the author communicates us his intimate essence manifesting it through the language of colors, shapes, and composition. The artist finished his work with the technique of spatula painting, named after the protagonist's instrument, redistributing the colors densely and consistently, making the painting take on a special body and depth. The painting is signed but we are unable to give definite information about the author, however, we confirm its extraordinary aesthetic and engaging vividness; the painting was made in 1989 in the author's studio in Paris whose intentions were to celebrate the 200th anniversary of the French Revolution (1789). The painter was inspired by both French Expressionism and Symbolism; Expressionism exalts the emotional value of art; it is the artist's desire to communicate inner feelings, while with Symbolism, painters tend to go beyond the objective representation of reality to focus instead on the subjective vision, in which inner feelings, emotions, and experiences are evoked above all. Our painting is overflowing with the symbolism of the French Revolution; it is practically an evocative essence of it. This important and overwhelming historical event is powerfully present in the soul of the artist who wanted to overbearingly communicate to us his deepest emotions by transposing them entirely in the painting with strong and vivid colors, he did not want to simply allude or hint but to express, indeed "shout" his own deep interiority. In his intentions, the painting schematically and symbolically represents a standard-bearer of the French Revolution wearing the classic "Phrygian" hat. The author used only the three colors white, red, and blue that characterized the flags of the French Revolution; they were the new banners, which opposed the traditional emblem of the monarchy, the lilies on a white field. Three were the colors because three were the goals of the Revolution: liberty, equality, and fraternity, and they represented the three classes into which French society of the time was divided: the clergy (blue), the nobility (white), and the third state (red). The "Phrygian" cap (Latin for pileus) painted in red in the painting also has a high symbolic value, In Roman times it was worn by the " freedmen" to show that they were now freed slaves but in the French Revolution it became the very symbol of Liberty; a similar cap was worn by the freed Marseilles convicts in 1792, and was the symbol of the Jacobins during the French Revolution. Due to this fact, in addition to its historical meaning of freedom, it was later adopted as a symbol of the revolution itself, a symbol immortalized on the "Marianne," the very emblem of France, in Eugène Delacroix's famous painting "Liberty Leading the People...

We kindly invite you to read the full description, as we aim to provide detailed technical and historical information to ensure the authenticity of our pieces. This exceptional pair ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Part...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Pair of prints engraved by burin and painted in watercolor; both are a tribute to Cupid; the name Cupid - meaning desire, lust - was given by the Romans to the Greek god of love, actually called Eros. Alternatively, he was called just Love always by the Latins. As the son of Aphrodite, goddess of love, he, like his mother, was capable of any act, even deplorable. In the first print, which has been cut out and shaped, there are two young girls offering God a basket of fruit and a goblet of wine; in the second print a mature woman is about to be hit by Cupid's love arrow; both prints have been made with a beautiful burin engraving, then finished with delicate watercolors. The frames are handmade in gilded wood. The prints were made between 1850 and 1855 by Adrien Nargeol (see signature) a prolific and talented French engraver and were published in the "Journal des Demoiselles...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Part...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Beautiful and meticulously detailed etching with sober wooden frame; the paper work, "La Gloire de la France", was made by the famous French engraver Simon Thomassin (Troyes 1665-Paris 1733) in 1724, he made the drawing inspired by an elaborate and particular sculpture, made for the gardens of Versailles, between 1681 and 1683 by Pierre Mazeline (1632-1708) important French neoclassical artist; In the inventory of the Garden in 1706-1708, the statuary group is described as follows: "A figure representing Glory seated on a cloud placed on a celestial globe, surrounded by trophies of arms, with the right arm half raised, holding a laurel wreath, and, with the left, a pyramid. The names of the two artists are imprinted on the print itself. Pierre Mazeline was a very prolific and refined sculptor of recognized talent, he is also the author of other statues in the gardens of Versailles as the "Apollo of Belvedere and "Europe"; he also executed the equestrian statue of Louis XIV...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Exceptional hot-blown Murano glass goblet; it has a stem worked with the pincer molding technique and gold leaf decoration; the bowl and base are a soft, delicate pink color; the surface is not smooth but skillfully and masterfully wavy. From the mid-1400s, Murano glass masters invented the world's first truly transparent glass and refined their techniques to create delicate and subtle drinking vessels: the Murano glass wine glasses...

We kindly suggest that you read the whole description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects Refined and elegant Italian coffee table with a round top; the four black painted wooden legs, sloping outward, have a distinctive, eccentric, and unique design. The coffee table has a larger size than normal coffee tables. The artisans used, for the top, a veneer with Sapele burl, using a special technique of leveling and polishing in 12 steps...

We kindly invite you to read the entire description, as it provides detailed technical and historical information essential to ensuring the authenticity of our items. This is an oil ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Elega...

Please read the entire description carefully, as we strive to provide you with accurate technical and historical details to ensure the authenticity of our items. This fascinating and...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Elegant and particular pair of lamps in gilded brass with the base made of Murano glass; the lamps were produced between 1970 and 1973 by an artisan company of Murano in Mazda style; very original is the stem formed by a golden brass round bar from which depart decorations, also in brass, in the shape of spines, a cactus plant in metal! The circular base is solid and massive obtained from a single block of excellent and precious Murano glass; the finishing of the objects is of a high level; the black lampshades, well proportioned, complete the particular design of the pair; the original table lamps in "Mazda Lamp" style fascinate for their design of the thirties, simple and functional Art Deco. Mazda is a brand created within General Electric in 1909 and in addition to incandescent light bulbs, had a prolific production of objects for lighting and furniture of the highest quality; this name was chosen because of its association with the deity Ahura Mazda...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Pleas...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Works of the famous Italian painter Max Marra, paint mixed technique on canvas dated 2004, titled "Judges II"9 and “Judges II” 14, on the back of the paintings we find a “Certificate of Authenticity”. Measures: Cm. 80 x 80 Max Marra was born in Paola, Calabria, in 1950. He lives in Monza and works in Lissone. Matured graphic and television experiences, from the 1980s he directed his research towards the integration of expressive technique in painting and sculpture with recycled materials. He works in the H: Orarte laboratory, which he shares with Mario De Leo. He links the teaching and commitment of cultural, organizational, and editorial promotion to artistic activity. With Mario De Leo, Luigi Bianco and other operators founded the Oason Movement in 1985 and then Harta, a bi-monthly cultural interaction, which was later joined by the Hartamotus Association. In 1988 he founded Lissone, with Mario De Meo, the interdisciplinary art studio H: Orarte, open to the consideration, dialogue, and confrontation of other artists, active in organizing cultural initiatives and events. His activity is linked to themes and specific cultural projects, identifiable in the contents and expressive tools. Strong hills, strong features, biting ideas, but also some stops in the white, which is air, which is infinite, to be captured in heavy frames, almost in a purification ritual. He exhibits in a personal exhibition in a private gallery, public institutions, participates in thematic exhibitions, and national and international collective exhibitions are present in Germany, France, Japan. Main exhibitions Cieli di terra, a cura di T. Coltellaro, Museo Archeologico, Lamezia Terme e Museo Civico d’Arte Contemporanea, Taverna, 2002; 57° Premio Michetti Laboratorio Italia, a cura di Philippe Daverio, Francavilla a Mare, 2006; Repubblica e costituzione: rassegna d’arte per i sessant’anni della costituzione italiana a cura di M. Domenicucci, F. Papale e C. Mosillo, Archivio Centrale dello Stato, Roma, 2008; Max Marra: Opere 1984 – 2009, Museo d’Arte Contemporanea di Lissone, 2009/10; Time passages, a cura di Omar Calabrese, Magazzini del Sale, Siena, 2011; Luoghi e realtà di ricerca tra identità e mutamento, a cura di T. Coltellaro, Collegio Sant’Adriano, San Demetrio Corone, 2011; Limen Arte vince il primo premio, Vibo Valentia, 2011; 54a Biennale di Venezia, Padiglione Italia per il 150° dell’Unità d’Italia “L’arte non è cosa nostra”, a cura di Vittorio Sgarbi, Sala del Re – Galleria Vittorio Emanuele II, Milano e Palazzo delle Esposizioni – Sala Nervi, Torino, 2011/12; Max Marra. Orizzonte senza approdo, a cura di C. Rizzi, Museo Parisi Valle, Maccagno, 2012; Cieli di cosmos, Sofia Arsenal, Museum for Contemporary Art, 2013; Equilibri materici, a cura di G. Bonomi, Centro per l’Arte Contemporanea, Rocca di Umbertide, 2015; E fu il terremoto, a cura di Vittorio Erlindo, Refettorio del Monastero di San Benedetto Po, Mantova, Monastero di Weingarten (Germania) 2018; IXION, MAC Lissone, a cura di A. Zanchetta; L’opera in bianco, a cura di S. Cortina, Galleria Cortina, Milano, 2018; Dal Rembrandt by himself all’io ritratto, a cura di G. Lepore, Accademia Nazionale delle Belle Arti di Sofia, Bulgaria 2018; Contributi al Novecento, Da Boccioni a Rotella ai contemporanei, Fondazione Stelline, Milano, a cura di B. Corà e T. Sicoli; Di studio in studio, Casa Museo Boschi Di Stefano, Milano, a cura S. Soddu, Comune di Milano e Politecnico di Milano 2019; Omaggio a Franca Rame, MusAlab Archivio Franca Rame e Dario Fò...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Work of the famous Italian painter Max Marra, paint mixed technique on canvas dated 2004, titled "Judges"8, on the back of the painting we find a “Certificate of Authenticity”. Measures: cm 100 x 100 Max Marra was born in Paola, Calabria, in 1950. He lives in Monza and works in Lissone. Matured graphic and television experiences, from the 1980s he directed his research towards the integration of expressive technique in painting and sculpture with recycled materials. He works in the H: Orarte laboratory, which he shares with Mario De Leo. He links the teaching and commitment of cultural, organizational, and editorial promotion to artistic activity. With Mario De Leo, Luigi Bianco and other operators founded the Oason Movement in 1985 and then Harta, a bi-monthly cultural interaction, which was later joined by the Hartamotus Association. In 1988 he founded Lissone, with Mario De Meo, the interdisciplinary art studio H: Orarte, open to the consideration, dialogue, and confrontation of other artists, active in organizing cultural initiatives and events. His activity is linked to themes and specific cultural projects, identifiable in the contents and expressive tools. Strong hills, strong features, biting ideas, but also some stops in the white, which is air, which is infinite, to be captured in heavy frames, almost in a purification ritual. He exhibits in a personal exhibition in a private gallery, public institutions, participates in thematic exhibitions, and national and international collective exhibitions are present in Germany, France, Japan. Main exhibitions Cieli di terra, a cura di T. Coltellaro, Museo Archeologico, Lamezia Terme e Museo Civico d’Arte Contemporanea, Taverna, 2002; 57° Premio Michetti Laboratorio Italia, a cura di Philippe Daverio, Francavilla a Mare, 2006; Repubblica e costituzione: rassegna d’arte per i sessant’anni della costituzione italiana a cura di M. Domenicucci, F. Papale e C. Mosillo, Archivio Centrale dello Stato, Roma, 2008; Max Marra: Opere 1984-2009, Museo d’Arte Contemporanea di Lissone, 2009/10; Time passages, a cura di Omar Calabrese, Magazzini del Sale, Siena, 2011; Luoghi e realtà di ricerca tra identità e mutamento, a cura di T. Coltellaro, Collegio Sant’Adriano, San Demetrio Corone, 2011; Limen Arte vince il primo premio, Vibo Valentia, 2011; 54a Biennale di Venezia, Padiglione Italia per il 150° dell’Unità d’Italia “L’arte non è cosa nostra”, a cura di Vittorio Sgarbi, Sala del Re – Galleria Vittorio Emanuele II, Milano e Palazzo delle Esposizioni – Sala Nervi, Torino, 2011/12; Max Marra. Orizzonte senza approdo, a cura di C. Rizzi, Museo Parisi Valle, Maccagno, 2012; Cieli di cosmos, Sofia Arsenal, Museum for Contemporary Art, 2013; Equilibri materici, a cura di G. Bonomi, Centro per l’Arte Contemporanea, Rocca di Umbertide, 2015; E fu il terremoto, a cura di Vittorio Erlindo, Refettorio del Monastero di San Benedetto Po, Mantova, Monastero di Weingarten (Germania) 2018; IXION, MAC Lissone, a cura di A. Zanchetta; L’opera in bianco, a cura di S. Cortina, Galleria Cortina, Milano, 2018; Dal Rembrandt by himself all’io ritratto, a cura di G. Lepore, Accademia Nazionale delle Belle Arti di Sofia, Bulgaria 2018; Contributi al Novecento, Da Boccioni a Rotella ai contemporanei, Fondazione Stelline, Milano, a cura di B. Corà e T. Sicoli; Di studio in studio, Casa Museo Boschi Di Stefano, Milano, a cura S. Soddu, Comune di Milano e Politecnico di Milano 2019; Omaggio a Franca Rame, MusAlab Archivio Franca Rame e Dario Fò...

We kindly suggest that you read the whole description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Pretty and vexatious Italian bedroom...

We kindly invite you to read the entire description, as it provides detailed technical and historical information to ensure the authenticity of our items. A stunning and large Art De...

Please read this description carefully, as it contains detailed technical and historical information that ensures the authenticity of our items. This elegant pair of wall sconces fea...

We kindly invite you to read the entire description, as we strive to provide you with detailed technical and historical information to ensure the authenticity of our pieces. This ele...

We kindly invite you to read the entire description, as it provides technical and historical details to ensure the authenticity of our items. This elegant French table lamp features ...

We kindly invite you to carefully read the full description, as we are committed to providing you with detailed technical and historical information to ensure the authenticity of our...

We kindly suggest that you read the whole description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Extra...

We kindly suggest you read the whole description, as we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Fascinating and ra...

We kindly invite you to read the entire description, as we strive to provide you with detailed technical and historical information to ensure the authenticity of our objects. The woo...